How Does Genji Define Love in The Tale of Genji by Murasaki Shikibu

It is made clear from the beginning of the story that Genji is the example of the ideal man. In chapter one, “The Paulownia Pavilion (Kiritsubo)”, Genji is born to the emperor and a woman of middle birth as a “wonderfully handsome son” (5) who was with “such marvels of beauty and character that no one could resent him” (6). From this point

Murasaki often doesn’t wish to see Genji or speak to him, so their relationship is troubled at times, but also quite strong and passionate. Genji wants her in the role of the perfect woman, but Murasaki hopes for different things. Murasaki is envisioned by Genji to be the ideal women, so evidently Genji wants her to be an intrinsic part of his life, and therefore spends a lot of time pursuing Murasaki, though her daughter role and the role of possible lover alters the way Genji pursues her. Murasaki has the power to resist however, and she at times neglects Genji, which occasionally upsets him. This could parallel how Genji treats Aoi as often times, Murasaki does not want Genji to be part of her life. Each of these three examples clearly outlines the different roles and influences women play throughout Genji’s life, and each one has the power to bring out different emotions and characteristics in Genji.

In The Tale of Genji, Genji struggles to find who he wants to become throughout the book. He is born to royalty, but then gets his status taken away as a kid by his father, the emperor. As he grows up he falls in love many times and eventually sleeps with one of his father's wives. He then contemplates the death of one of his lovers and goes into depression but is eventually brought out of it and he goes visit Lady Rojukō to reminisce about the past events. Eventually, Genji finds the path to take but still finds much love which he wants to keep. In The Tale of Genji the tradition of aesthetic and cultural consciousness of Japan is reflected through impermanence, mono no aware, and wabi.

Being a student interested in the field of biology, one knows that studying life in the past plays an important role in the history of organisms that lived on this earth. Similarly, being Japanese, studying the past of how Japanese were plays an important role in Japanese history. Despite all the general aspects of life that have changed from the Heian period, the one idea that has definitely not changed is the romantic relationships between a man and woman. Though the general concept is the same, from reading The Tale of Genji, it is what was considered the ideal woman and ideal man that were both surprising and thus worth discussing.

One of the overarching themes that spanned over the many books we read over the semester, was the nature of love and the search for meaning. Love is an inherent aspect of humanity, and while it is an often inexplicable and complex sentiment, it is intrinsically connected with mankind's search for meaning in life. Love often leads a person in directions that they do not expect, and this is obvious in the very different applications of love in different books. However, one common idea about the relationship between love, suffering, and wisdom, can be argued for based off the ancient texts that we read. In The Epic of Gilgamesh, Antigone, and The Tale of Genji, love is used as a vehicle for wisdom through suffering and loss.

Love is a force that inspires us to feel more, do more, and sometimes sacrifice for the object of our attention. Poems, music, relationships are all written in the name of love. There are six kinds of love, according to the ancient Greeks:

Love is said to be one of the most desired things in life. People long for it, search for it, and crave it. It can come in the form of partners, friends, or just simply family. To some, love is something of a necessity in life, where some would rather turn a cold shoulder to it. Love can be the mixture of passion, need, lust, loyalty, and blood. Love can be extraordinary and breathtaking. Love being held so high can also be dangerous. Love can drive people to numerous mad things with it dangerously so full of craze and passion.

Genji tries to follow some aspects of Buddhism but others not so much such as monogamy, as he has many affairs in his lifetime. It is believed that all the

Love is said to be the greatest human experience in which mankind are privilege to partake in. To love can be a wondrous experience filling life with bliss and other strong emotions. Some people believe to love is to be alive and be able to see the good in the world and others. The purpose of this paper is to examine and find a better understanding of what is love, to explore what people believe love to be, and what lies surround the perception of love and to explore and expose what the meaning true love is or at the very least the authors understanding of the perception of love. In addition to exploring the concept, deception and the truth of love,

Love is a feeling between two people that comes with lots of emotions, respect, commitment, trust, honesty, and many other values. In the story The Great

The values, makoto and aware, are also deeply ingrained into The Tale of Genji and are a recurring theme within the work. The men are always searching for women with sincere characteristics, and the women are always chasing after Genji, who is a paragon of sincerity. The value of aware is quite Buddhist in nature and describes the impermanence of all things. This is definitely the most significant religious influence on The Tale of Genji because aware is the abounding theme throughout the tale. Genji is constantly witnessing the impermanence of life. One such example is when he loses his wife, Aoi, to childbirth. She is very sick and fragile after the birth of their son, and Genji is deeply moved by her fragility, “The sight of her lying there, so beautiful yet so thin and weak that she hardly seemed among the living, aroused his love and his keenest sympathy” (Tyler, 179). After Aoi’s death, Genji takes it hard and “life was intolerable to him” (Tyler, 180). The feeling of aware is embodied in Genji’s reaction to Aoi’s sickness and death; moreover, the fragility of life is made clear to him

The general community around Genji is probably similar in the audiences understanding of his character because Genji was still only 17 at the time, and thus for them to lament based mostly on his beauty is a portrayal of society’s love for an ideal and perfect beauty. However, this standard was not only put on males, but also placed on females. In chapter 2 of Genji Monogatari they speak of many women and the physical characters that fit the ideal women is that which is “pretty, innocent, and young.” The stress men put on beauty is shown in one example said by the Chief Equerry of the story. In that example, the only thing that he found disagreeable with one of his lovers was that “lest her lack of looks offend me.” Going back to Genji’s beauty, the men of Genji Monogatari must have been deeply obsessed with perfect beauty as during chapter 2 they found Genji so beautiful they wished he was a woman. It is important to note, however, that while the story emphasizes the importance of beauty in an ideal man or woman, there is never an actual description of physical characteristics make a “perfect beauty.” In any case, while beauty is subjective and not defined in Genji, it is clear that it is an important opinion one must have for another before a person can be considered ideal.

Genji grows older and not only becomes married to Princess Aoi, but he also gains a strong friendship with his brother in law, To-no-Chujo. The two friends like many boys, discuss women and the troubles that arise from relationships. To-no-Chujo and Genji have a big discussion over this, while reliving past relationships the Chief Equerry arrives and joins in on the discussion. To-no-Chujo remarks on a woman he actually bore a child with and that they did not stay together because she was too forgiving and submissive. The

Love is also defined in the dictionary as "strong affection," "warm attachment," and "unselfish loyal and benevolent concern for others" (439). All of these definitions are completely correct, but the dictionary does not explain how it feels to love someone. The reason that an explanation for this feeling is not found in the dictionary may be because love is so different for each individual person. In my experience, "strong affection" does not even begin to cover the sensation and emotions a person feels when he or she is in love. Love is compared to "the extraordinary sun / splashing its light / into astonished trees" in Denise Levertov's "Love Poem" (2-4). Like the sun, love is great and bright and fills a person with extreme joy. Love is greater than anything else a person could ever experience. A lover can even be better than a summer's day, as the speaker in Shakespeare's poem suggests. He compares his lover to a summer's day by saying that she is "more

The theme of religion is very important in the novel and the roles of mysterious spirits that can be found throughout the novel. The character of Lady Rokuju can be used as a prime example for how spirits contribute to novel’s plot and help it progress. Her relationship with Genji goes on a downward spiral as the novel progress; therefore she begins to have feelings which Genji finds unwanting. She began to show distasteful feelings such as being ill-tempered and difficult to deal with. Genji becomes annonyed and tries to distance himself from this relationship by forming a new relationship with a youthful female named Yugao. They soon have a secret affair and Genji is dazzled