How Does Helen Respond To Paris In The Iliad

To begin with, Helen as an individual As Helen said “Have you a favorite mortal man there too?”, she regarded Aphrodite as the embodiment of sexual desire, implying that Aphrodite was trying to use her immortal power of lust to enslave Helen as the sex partner of Paris. Holding the one cardinal idea that she is not supposed to be a sex slave, Helen used her words to punch Aphrodite right in the face, as she replied “Is that why you beckon here beside me now with all the immortal cunning in your heart?” But with the infuriated reply “Don’t provoke me — wretched, headstrong girl! Or in my immortal rage I may just toss you over, hate you as I adore you now…”, Aphrodite had implied that she could either love or hate Helen. More importantly, Aphrodite also noted that if Helen chose to be hated, then Aphrodite as an immortal could use her power to make other people hate Helen, as she said “withering hate from both sides at once… then your fate can tread you down to dust!” This had really left Helen with a great shock, as she could not afford the consequence of being hated by both the immortals and mortals. So as a result, she had no choice but to obey Aphrodite and return to Paris, failing to establish her agency. Bear in mind that Helen was the daughter of Zeus and she got such treatment, it could be even worse for other

        Penelope and Helen are the real human women who can steal men's hearts with their own feminine ways and they never let their man go.  Helen stole the heart of Paris and later married Menelaus-the love that Paris had for Helen began the long Trojan War.  Even with her shaded past, Helen is able to live her life as a proper adjusted middle-class matron.  Penelope and Odysseus were only together for a few years before he was sent off to war and, while he was gone for over twenty years, his love for her lasted.  Penelope is the symbol of marital fidelity, of trust, honor  and devotion.

The three people that shall be blamed for causing the Trojan War would be Helen; for being disloyal, Agamemnon for his selfishness and Paris for his ignorance. Helen is to blame for this tragedy because she betrayed her husband by choice. As mentioned in the text, as Helen was chosen to be with Paris, she then chose to flee with him back to Troy. However, after making that offensive decision, she further increased her sins by committing adultery. To further expand, she had many opportunities to run away and go back to Menelaus to end the war but she was determined not to. Her oblivious decisions caused this whole war. A huge role in this long lasting battle was played by Agamemnon’s selfishness. He was only looking for an excuse to go to

The Iliad and The Odyssey are tales written by Homer centered on the drama of the Trojan War. First poem deals with the time during the end of the war, while the latter, which occurs roughly ten years later, explains the disastrous journey of Odysseus fighting his way back home. The character of women in the Odyssey is to exhibit the many and diverse roles that women play in the lives of men. These functions vary from characters such as the goddess ' that help them to the nymphs who trick them. Women in the Iliad exhibit their significance in the lives of the ancient Greeks because they are so prominent in a world so dominated with military relations.

The next and less benevolent role is that of the seductress. Two stories about such women referred to in The Odyssey are those of the half-sisters Helen and Klytaimnestra. The entire Trojan War was caused by Helen's unfaithfulness to Menelaos; her affair caused many deaths and Odysseus would not have had to leave home if she had not run away with Paris. The other sister also caused pain and suffering by having an affair and then killing her husband, Agamemnon, with her lover on his homecoming day. The seductress is always looked upon as dangerous and harmful to mankind. The Seirenes symbolize this role; their song seduces and compels anyone listening to linger until death. Kirke tries to seduce Odysseus before she helps him, and the beautiful Kalypso entices him with sex and immortality and will not release him to go home. It is the hero's job to resist the temptation of the seductress or it will lead to his downfall.

Embodied in Paris, the antagonist of the Trojan war, is the reflection of Troy's lack of piety. When Paris captured Helen, he stole her while Menelaus’ guest in Mycenaea and under the ancient code of hospitality. However, the abduction of Helen went further than breaking

At the beginning of the story, the gods are debating what to do with the Greeks after they pillaged Troy, but more specifically, violated Athena’s shrine. Athena asks for help and says to Poseidon, “I want to help the Trojans who were my enemies, and make the Greek army’s homecoming a bitter one.” (Euripides 63). To which Poseidon replies, “You’re so fickle. Your mind leaps here and there: now you hate, and now you love, and both in excess.” (Euripides 65). Even Poseidon admits to the “fickleness” of the goddess since her allies during the war were the Greeks. This lends itself to show that Helen could be telling the truth about the goddesses having an argument about the beauty of each other and Aphrodite forcing Helen to run away with Paris. Helen also helps her argument by pointing out that the fight was preordained by the gods based on the prophecy about Paris, and then blames Paris’s mother and father for letting Paris live, rather than slaying Paris and trying to stop the prophecy from coming true. Through the many effective arguments, Helen shows that she did not ask to be carried away by Paris and that she liked Menelaus. Menelaus seems very weak compared to Helen, especially since he seems to not be able to make up his mind whether to kill her or not. In the end, Menelaus seems to decide on letting her live, though he still tells

Anger can always incite irrational actions. The sight of Helen seeking shelter at the altar, causes Aeneas to remember the crimes she committed driving him to furious anger. This anger drives him to contemplate an ignoble and uncharacteristic act of revenge by murdering Helen as she sought protection from the gods. Despite being depicted as a virtuous hero, Aeneas’ strong, visceral reaction to seeing Helen shows that he is subject to the same passionate feelings all humans feel, especially when something raises his anger.

Finally, there is great irony in the lamentations of both Helen and Briseis for Hector and Patroclus respectively. Helen proclaims her respect for Hector’s kindness: "Hector, you’d win them to my side . . . you with your gentle temper, all your gentle

Faith Butler CLA October 3, 2017 Title Homer is a legendary writer who is foreshadowed by many other writers in his work. While most agree with and follow in Homers footsteps, there are also those who deliberately see and do things in a dissimilar way. This can be presented by the use of the character, Helen, in the Odyssey and in Sappho’s Fragment 16. Homer and Sappho use Helen in their stories in conflicting ways to differentiate epic and lyric poetry while also expressing different ideas and perspectives.

By taking the wife of Menelaus, he had dishonored him. While his brother is described as a great warrior, Paris is a described by Homer as a pretty boy that has success with women due to his charm. However, none of those traits seem to matter because he shies away from battle and he is mainly the object of disdain. In chapter 3, Paris didn’t have the courage to fight Menelaos for his own wrong doing. In chapter 6, as Hector arrives back to the city to make a sacrifice he sees Paris whom is not involved in the fighting. Another character that is depicted as dishonorable is seen in Book 2. Agamemnon decides to test the desire and courage of his soldiers by suggesting a retreat. The results were definitely counter to what Agamemnon intended, his troops quickly prepared their ships to depart. Odysseus quickly rallies the troops and reminds them of Calchas prophecy. However, one soldier Thersites whom is described as deformed and ugly (perhaps a metaphor because of his dishonor) argues that the war isn’t worth fighting. Odysseus quickly scolds Thersites and infers that Thersites has no honor because he does not wish to continue to fight. Odysseus then goes on to hit Thersites with a scepter and the Achaeans agree to fight again.

There are various accounts for why Helen left Sparta and to why Paris abducted Helen. Some attribute the abduction as a means to power and politics. According to Strauss, Anatolia was a place that offered women more political freedom (Strauss, 16). Freedom and power alone could have enticed Helen to leaving her husband and running off with Paris. Homer heavily

Having no other option Menelaos goes to the house of Theoklymenos to beg for food.  He is turned away and Helen enters the scene having just returned from the oracle.  They meet each other and it is not 'love at first sight' as Helen was promised.  Nevertheless Menelaos soon believes that his new-found wife is the real Helen..  She has remained loyal to him unlike his deceitful apparition.  He wants to take her away and she disobediently refuses.  Helen comes up with a plan of her own to reunite the two, a unique twist in the typical hero-rescues-damsel story.  The roles have been changed and Helen is in charge.  She, like Thenoe, is not an obedient female-she is loyal.  Helen then turns to Theoklymenos and play-acts as if her husband has died.  She feigns obedience to her (soon-to-be) husband to lure him into allowing the plan to work.

Even as his wife Andromache pleads “Pity me, please! Take your stand on the rampart here before you orphan your son and make your wife a widow” (Iliad VI. 511-512) to persuade him to stay at home, he chooses kleos over his family. Hector is described by Helen far differently than she speaks of her own husband.  “But come in, rest on this seat with me, dear brother, you are the one hit hardest by the fighting, Hector, you more than all – and all for me, slut that I am, and this blind mad Paris” (Iliad VI. 421-423).  Helen embraces Hector for his bravery and honor, and asks even that he rest from battle.  Her polar opinion between the two brothers serves as an important facet for dissecting the importance of kleos even within a family. Homer shows Helen’s shame and contempt for her husband as he does nothing to defend her or his home against her love for Hector as he fights so gloriously for Troy.

Honor and shame is a theme started long before the Iliad’s opening. Homer did this intentionally, beginning a thread that will connect the storyline beneath the surface. One such reason is to connect the story to a larger narrative; this is not merely a story of war, but of humanity itself. While the characters and the storylines are fictitious, honor and shame are not. This link creates a sense of camaraderie between the characters and the audience, making the plot more real and impactful. On the other hand, the decade old feud is what fuels the Trojan War and thus the Iliad itself. Such a long standing conflict between Paris and Menelaus serves to point out the futility of honor and shame. Paris first shames Menelaus’s by stealing Helen, Menelaus’s wife, and he then, in turn, refuses to admit his wrongdoing and give back Helen, all in fear of being shamed in front of the