How Does Holst Affect Society

Many musical scholars believe that J. S. Bach and G. F. Handel are the two most important, influential composers of the Baroque period. Both of these men were born in Germany in 1685, and since they came into existence around the same time, they share some similarities. As an introductory statement, Bach and Handel were born into two very different families. Handel did not come from a musical family; his father wanted him to study law. By age nine, his talent was too obvious for his father to ignore and Handel began to study with a local organist and composer. On the contrary, Bach came from a long line of musicians. Bach also had four sons which became gifted composers, in their own right. Bach, like Handel, also started as an organist

When thinking of composers, whose works changed the world of music forever, many names may come to mind. Among those on that list, both Johann Sebastian Bach and George Frideric Handel are figures whose effect on music has been felt worldwide. Born in the same year, these composers have much in common and many differences that illustrate their importance to their era and music as we see it today. Their individualism and creativity influenced much of their time and together, their works defined the Baroque Period as we know it today.

Romantic music inspired two smaller movements: nationalistic music and music about legends. Richard Wagner (1813-1883) is a German composer who wrote many pieces on the basis of a story or myth. He revolutionized opera through creativity, discontent with musical formulas and his focus on drama.

He developed the idea of Gesamtkunstwerk, or “total work of art”, which strived to bring music, poetry, visual and dramatic arts together. Wagner was a prolific writer as well as a composers. He made contribution to the practice of conducting as well.

Gustav Holst (1874-1934) was an English composer well known for his orchestral suite The Planets. Holst began his trip into the musical world as a young pianist. His father, Adolph Holst, was a skilled pianist who wanted Gustav to succeed at playing as he did. Gustav, however, was impaired by neuritis making it difficult to play for long hours. As Gustav aged he began trying to compose music instead. Gustav failed to gain scholarships to any colleges and his father, after hearing one of Gustav’s small town operettas, borrowed money to pay for his college. Gustav’s influences were pieces such as Wagner’s Götterdämmerung and Tristan and

Richard Wagner was a German composer who revolutionized the opera genre of music. He composed over thirteen different operas throughout his life, but some of his librettos wouldn't receive the credit they deserve until long after his death. By composing his works with the unique style of writing the music as well as the libretto, he was arguably ahead of his time while setting a new standard for future composers to come. The similarities and differences between the first and last operas he composed help to demonstrate the evolution of Wagner's music over time, while also showing what has remained constant during his career. In comparing and contrasting Die Feen, one of his first works, with Parsifal, one could hope to gain a better understanding

Born on the 21st of September, 1874, and died on the 25th of May, 1934, Holst was an English composer, arranger, and teacher, composing a large number of works across a range of genres. His compositional style was the cause of many influences, Richard Wagner and Richard Strauss being the most vital in his production. After his dreams of becoming of a pianist were oppressed due to neuritis in his right arm, he went on to pursue a career in composition, studying at the Royal College of Music, supervised by Charles Villiers Standford. However, he wasn’t able to support himself by just compositions and became professional trombone player, and eventually became a teacher. He served as a musical director at Morely College from 1907 to 1924. Holst

After marrying Minna Panner, he became then became the first music director of the theater in Riga, Russia. He stayed here until 1839, but later went to Paris, thinking he could make a fortune there. While there, he sold the scenario for Der fliegende Holländer (The Flying Dutchman) to the Paris Opéra for use by another composer. To me this doesn't really make sense. I know he did it for the money, but after putting so much time and effort into something, especially a composition, it becomes special. It seems he would take pride in his music and not just sell it out of desperation. Also while in Paris, he composed Rienzi, but was unable to produce it there because of his political views he stated in the piece. But that didn't stop him, so he sent it to the Court Theatre in Dresden, Germany, where it was accepted. This is the marking point for when he finally became a noted composer. I think this can go to show just how out spoken Wagner was. All of his music seemed so dark and I think that’s one of the things that made him stand out. He was not afraid to voice his opinion or change things up. In my opinion, that’s why even today, he is still considered one of the most influential

In 1832 he published his first composition which was a piano sonata and symphony that were influenced heavily by Beethoven (Bonds 464). However; in attempting to write these kinds of music he realized he loved theatre music (Bonds 463). Wagner spent a lot of time with the theatre he was able to see Geyer preform and see all the inner workings of the theatre (Jacobs 3). Through his experiences with the theatre he began to develop his own ideas of music. He only valued music for the operatic images that struck him (Jacobs 6). His image of music from the beginning seemed to be very narrow

This play is, at last, a miserable and pondering tale about Maria Anna Mozart. In the meantime, it is additionally an update for us about how far ladies have come in the battle for equivalent rights and equivalent expert acknowledgment. Overall I didn’t enjoy this production too much, and I honestly wouldn’t recommend it to

Wagner birth name is Wilhelm Richard Wagner, he was one of the most influential and controversial composers; born May 22, 1813 in Leipzig, Germany and died of a heart attack on February 13, 1883 in Venice, Italy. He is known for writing serveral complex operas, At the age of 21, he wrote his first opera “The Fairies”. It is sid that his music was played at a concentration camp named Dachau to “re-educate” the prisoners.

“’We are still waiting for the man who can compose and write a genuine opera.’” (Furness 14). That man was Wilhelm Richard Wagner he was known for his operas and other compositions which influenced many other composers. Wagner wrote many amazing operas, compositions, and poetic lyrics. Some think he wasn’t so important, but some even think he was one of the best holding him up to Beethoven for his compositions (Furness 7). Wagner’s best composition from his career is a composition called Der Rings Des Nibelungen, which is a composition that is eighteen hours long and four operas which had reoccurring themes connecting them all together.

He adds to this the concept of social dominance. Social dominance is a theory that is more focused on the upholding of social hierarches. This more or less explains why he goes on by saying “…distinctions play a crucial role in the production of the systems of power”. (Benzecry, 170) This turns into a high anarchy because it closes opportunities and resources to the rest of the other members of the community. Whereas Storey opens up by saying that he wants to present more of an analysis of the invention of opera as art in nineteenth-century Manchester. In addition, Storey focuses on the “cultural meanings and the shifting social significance of opera, going in the nineteenth-century Manchester”. (Storey,435) Therefore that shows that shifting social significance results in a change in significant

This turn of events in his life prompted Wagner to stop writing another one of his most highly-regarded pieces, “Der Ring des Nibelungen”, to begin writing “Tristan und Isolde”. One of the more notable pieces of inspiration of his libretto resulted after meeting philosopher, Arthur Schopenhauer. Many of Schopenhauer’s ideas were eye opening and impactful on Wagner’s general perception. His first form

Mendelssohn was born in Hamburg in 1809. His father Abraham Mendelssohn was a banker, while his mum Lea Mendelssohn was a highly educated artist and musician. Mendelssohn first had his piano lesson from his mum, but soon he was sent to study with the best teachers at that time such as Marie Bigot and Ludwig Burger. He also took composition lessons with Karl