How Does Hurston Characterize In Their Eyes Were Watching God

In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus

In the novel, Their Eyes Were Watching God, Hurston describes the horizon as possibilities and opportunities. When the story starts out Janie’s perception of the horizon changes first from desire for love to the need of love, and ultimately the feeling of contentment towards love to show Janie maturing throughout the novel.

She was perched by the gate “when the pollen glided the sun and sifted down on the world [... she expected] things” (25) to happen but then she learns another perspective in which the seeds were communicating with one another as they passed. This was “Janie’s first dream [dead and] became a woman”

[she longed] to be a pear tree - any tree in bloom! With kissing bees singing of the beginning of the world! She had glossy leaves and bursting buds and she... [was] waiting for the world to be made" (11). Janie, feeling herself opening like the petals of a flower, yearns to delve into the unfamiliar - to find the sweet marriage represented by the bees and blossoms.

Zora Neale Hurston is considered one of the most unsurpassed writers of twentieth-century African-American literature. Published in 1937, Zora Neale Hurston’s Their Eyes Were Watching God depicts the life of Janie Crawford, an African-American woman, who is in search of true love and ultimately her true self. In the novel, Janie shows us that love comes in all shapes and forms, and love is different with each person you choose to love. In the opening of the novel, Hurston uses a metaphor to say that, while men can never reach for their dreams, women can direct their wills and chase their dreams. Hurston uses this metaphor to make a distinction of men and women gender roles, and Janie went against the norms that were expected of her.

Their Eyes Were Watching God In the novel, Their Eyes Were Watching God, Zora Neale Hurston portrays the life of Janie, an African American woman, who is struggling with identity and social issues. Even though Hurston wrote during the modernist movement era, it’s quite evident that the realism literary movement influence her writing. Even though there are aspect of Romanticism in the novel, Realism influences Hurston writing more, because it explores the everyday lives of the people, and the harsh reality of life for women.

Zora Neale Hurston had an intriguing life, from surviving a hurricane in the Bahamas to having an affair with a man twenty years her junior. She used these experiences to write a bildungsroman novel, Their Eyes Were Watching God, about the colorful life of Janie Mae Crawford. Though the book is guised as a quest for love, the dialogues between the characters demonstrate that it is actually about Janie’s journey to learn how to not adhere to societal expectation.

Zora Hurston’s Their Eyes Were Watching God is, among other things, a creation story. For creation stories are not simply myths about the historical origins of the universe and humankind but metaphors for individual maturation. Individual perception is, to a large extent, what constitutes the world. Hence, the individual is the source and embodiment of the world; Janie is, the narrator tells us, “the world and the heavens boiled down to a drop” (72). And Janie’s awakening, or maturation, represents not only a personal transformation, but the creation of a universe. As a child seeking meaning, Janie does not look forward to merely “growing up” but waits “for the world to

From the first sentences of the beginning of the novel we are lead to learn about the dreams of men. Starting with those first few paragraphs meant the audience needed to keep a look out for Janie’s dream. From the first moment we see her with the pear tree Janie’s dream seems obvious. Her dream is to find out what true love is. Using Hurston’s Their Eyes Were Watching God, Edwidge Danticat’s foreword, and my own annotations Janie’s dream will be explored.

Zora Hurston’s Their Eyes Were Watching God follows protagonist Janie Mae Crawford’s journey into womanhood and her ultimate quest for self-discovery. Having to abruptly transition from childhood to adulthood at the age of sixteen, the story demonstrates Janie’s eternal struggle to find her own voice and realize her dreams through three marriages and a lifetime of hardships that come about from being a black woman in America in the early 20th century. Throughout the novel, Hurston uses powerful metaphors helping to “unify” (as Henry Louis Gates Jr. puts it) the novel’s themes and narrative; thus providing a greater understanding of Janie’s quest for selfhood. There are three significant metaphors in the novel that achieve this unity: the

Janie’s first significant romantic experience occurred one spring, at the age of sixteen, when she observed bees pollinating a pear tree.

Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.

Zora Neale Hurston’s Their Eyes Were Watching God tells the story of Janie’s journey towards spiritual enlightenment and her development of individuality, largely through Janie’s relationships with others. Hurston uses the themes of power, control, abuse, and respect, in Janie’s relationships with Nanny, Killicks, Starks, and Tea Cake, to effectively illustrate how relationships impact identity and self-growth.

It’s quite common for an individual to undergo an internal and external battle within ones self. Outwardly, many people plaster on a facade to conceal an unpleasant or discreditable reality, while inevitably suppressing those feelings inwardly. In the novel, Their Eyes Were Watching God, Zora Neale Hurston uses symbolism and metaphors to convey the complexity of Janie’s experience.

In Zora Neale Hurston's novel, Their Eyes Were Watching God, there are many major points in the novel that reflect the meaning of the title. Hurston seems to relate God to love and life and this could be one reason why a book about love and self-realization would have a title relating to a higher power. The title also reflects a sense of lacking control over the outcome and direction of life. Through Janie's experience with Teacake and one of the major turning points in the novel, the hurricane, the reader can see the relevance of the title to the novel as well as the novelist.