How Does Jasper Fforde 's The Eyre Affair Testify?

By investigating the gender roles of the Victorian Era in Jane Eyre and looking at the more modern presentation of gender roles in The Eyre Affair, a clear understanding of these author’s intentions to expose the gender issues can be seen. Jane Eyre is a classic novel in which orphan Jane opposes societal expectations by becoming an intelligent,

Jane Eyre is a personal journey for independence and belonging in an extremely unpleasant society. Jane Eyre is very distinctive from other romantic pieces of the era, in the fact that it portrays a woman searching for equality and dignity through independence from those who treat her as a second hand citizen. Finding independence is Jane’s only way to combat the situation she is stuck in time and time again throughout her life. Throughout Jane Eyre, Jane, attempts to find independence and a sense of belonging, while also attempting to form open and equal relationships.

Charlotte Bronte’s novel Jane Eyre incorporates vibrant descriptions of nature and weather, which intertwine literally and metaphorically throughout the novel to reflect the protagonist’s state of mind. Furthermore, Bronte’s meticulous description of everyday objects and experiences provide a world that is both real and tangible to the reader. The novel defies the expectations of social-class, and gender, and transcends various literary genres, while the setting purposely enhances the characters inner feelings and emotions meritoriously, allowing more freedom for commentary, and the expression of taboo topics than solely through the dialogue of the characters.

‘A deeper understanding of relationships and identity emerges from pursuing the connections between Pride and Prejudice and Letters to Alice on First Reading Jane Austen.’

Throughout Charlotte Brontë’s novel, Jane Eyre is afflicted with the feud between her moral values, and the way society perceives these notions. Jane ultimately obtains her happy ending, and Brontë’s shrewd denouement of St. John’s fate juxtaposes Jane’s blissful future with St. John’s tragic course of action. When Jane ends up at the Moor House, she is able to discover a nexus of love and family, and by doing so, she no longer feels fettered to Rochester. Moreover, Rochester is no longer Jane’s only form of psychological escape, and thus Jane is in a position to return to him without an aura of discontent. At the end of the novel, Jane is finally able to be irrevocably “blest beyond what language can express” (Brontë 459) because she is “absolutely bone of his bone, and flesh of his flesh” (459).

Jane Eyre’s life was full of oppression, neglect and sorrow. The novel was formed around a few main ideas. One of those would be the search of love and acceptance. Jane wanted to find a family so desperately and she wanted to belong to people. More than this though, Jane wanted to be treated equally. She was denied equality because of her social status, her income,her lack of “beauty” and most of all because of her gender. The book Jane Eyre shows the struggle that women face while attempting to overcome oppression and inequality in the Victorian era.

Jane Eyre, by Charlotte Brontë, is set in 19th century England, and tells the story of a young woman named Jane Eyre who undergoes many hardships as she matures and ultimately grows into a more complex person. The people Jane encounters throughout the novel both shape her opinions and the person she becomes, and serve as foils, or characters who set off other characters by strong contrast. Many of Jane Eyre’s supporting characters possess unflattering or unfavorable qualities. The way they treat Jane, the manner in which they interact with other people, and their worldviews, either positive or negative, equally impact Jane, and serve as a contrast for Jane’s own traits. Brontë’s use of foils in Jane Eyre as a method of characterization enables the reader to better understand Jane as a character, and emphasize certain

To contain a life, or even some fraction of it, in a single book is certainly a tall order among tall orders. But Jane Erye is so thoroughly and immersively suffused with the minutest realities of adolescence and early adulthood that I can’t help but see every life in it. The eponymous heroine’s story is mine, yours, his, hers, theirs, anyone’s, everyone’s. Analyzing the novel via Virginia Woolf’s literary catechism, however, yields something of an oddity. For all its banal but tangible plausibility, which was so many pages and episodes and humanities in the making, Brontë’s novel does not accord with the ideals Woolf crusades for, namely concepts that the latter refers to as “integrity” and “incandescence.” Who’s afraid of Virginia Woolf?

Jane Eyre, one of Charlotte Brontë’s most renowned pieces of work, secures a relentless connection between the reader and novel even in its most quiescent moments. The convoluted, but compelling relationship between the young Jane and tortured Rochester is utterly enticing, and leaves it’s observers breathless at the poetic phrases exchanged between the two. Inside the inner workings of this gothic love story the reader is exposed to constant acts of familial, and romantic betrayal that transform the emotional condition of the novel and the perspectives of Jane. After the death of Jane’s charitable uncle, she fell victim to her Aunt and cousins endless acts of vicious cruelty.

The development a novel’s protagonist defines the plot and progresses it forward. In Charlotte Bronte’s Jane Eyre, the growth of the protagonist is magnified by the use of foils. A saintly and intelligent friend of Jane, Helen Burns, acts as the most powerful foil in revealing her authentic character. her efforts involve self-negation rather than self-assertion, and Helen’s submissive and ascetic nature highlights Jane’s more headstrong character. Helen Burns is able to help readers understand the complete intricacy of Jane’s character, specifically her ability to adapt in response to fluctuating circumstances.

Charlotte Bronte’s “Jane Eyre” has captivated readers for generations. As with all coming of age novels, young adults can relate to the struggles and triumphs of Jane. Jane’s setting influences and parallel her emotions. A reader can see the novel through her eyes and perspective. In Bronte’s “Jane Eyre,” the location often parallels Jane’s emotional growth through the tone presented by the environment, resulting in the different places she lives revealing her journey through depression. Jane’s behavioral patterns and thoughts suggest clinical depression that affected her choices throughout the novel and her life at Gateshead, Lowood, Thornfield, Marsh End, and Ferdean.

Helen Burns, the childhood friend of the titular Jane Eyre, lives not to see the second volume of Charlotte Brontë’s preeminent novel. Similar to her gravestone inscription, however, Helen rises again, her influence extending farther than those of her childhood exploits. The older orphan’s unique opinions toward feminism, power dynamics, and most importantly, religion, live on through Jane Eyre, forming a parallel legacy to compare all of Jane’s decisions to. Through exploring Jane’s religious transformation in context to Helen, Eyre is revealed as less egalitarian and rather elitist, one who strives for power and domination rather than feminist equality.

Charlotte Bronte's Jane Eyre is presented in the Victorian Period of England. It is a novel which tells the story of a child's maturation into adulthood. Jane's developing personality has been shaped by her rough childhood. She has been influenced by many people and experiences. As a woman of her time, Jane has had to deal with the strain of physical appearance. This has a great effect on her mental thinking and decision making. Jane Eyre's cognitive and physical attributes have been affected by her environment throughout her life.

Jane Eyre was written in a time where the Bildungsroman was a common form of literature. The importance was that the mid-nineteenth century was, "the age in which women were, for the first time, ranked equally with men as writers within a major genre" (Sussman 1). In many of these novels, the themes were the same; the protagonist dealt with the same issues, "search for autonomy and selfhood in opposition to the social constraints placed upon the female, including the demand for marriage" (Sussman). Jane Eyre fits this mould perfectly. Throughout the novel, the reader follows Jane Eyre on a journey of development from adolescence to maturity to show that a desire for freedom and change motivates people to search for their own identity.

Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an altogether divergent novel that demonstrates its superiority by adding depth of structure in narration and character portrayal. Joan D. Peters’ essay, Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre positions Gerard Genette’s theory of convergence, which is that the movement of the fiction towards a confluence of protagonist and narrator, is limited as the argument does not fully flesh out the parodies that Charlotte Bronte incorporates into her work. I will argue that in the novel