In Jon Krakauer’s Memoir Into Thin Air, Krakauer uses a variety of elements to make his story more effective. Prevalent in Into Thin Air, are Krakauer’s uses of both logos and imagery to convey his experience on Everest. The facts and descriptions in the memoir tie the story together and captivate the reader. Throughout the book, Krakauer utilizes facts and information through logos to portray the expedition in the most accurate way possible. Firstly, Krakauer identifies the time that events, no matter how small, are happening, giving the reader a sense of the pace of the excursion. Without the timeline he creates in the story, the reader would not have as thorough an understanding of the events. In addition, Krakauer enumerates all the statistics of events on Everest comparing 1996 to other years, to conclude that “1996 was actually a safer-than-average year” (page 287); without these statistics within the epilogue of the memoir it would be hard to believe that claim that Krakauer has …show more content…
Krakauer vividly describes the entire expedition, and he does not hold back from the gruesome details. In chapter five on page 62, Andy Harris is described “violently discharging the contents of his gastrointestinal tract”; while there is nothing glorious about this description, the imagery provided is captivating and memorable. Everest being a place that most people have not been and probably will not go, Krakauer’s descriptions of the mountain at different times are essential to the progression of the story and the attention of the reader. In chapter nineteen, Krakauer paints a picture of a “jagged horizon” and the “coronalike glow that flickered and pulsed” (page 257), providing a stronger sense of the environment. Overall, the imagery in Into Thin Air strongly depicts the expedition in an enthralling
The main character and protagonist, Jon Krakauer, is a United States client and journalist who is on an expedition to climb to the summit of Mt. Everest. He takes the reader through his horrifying experiences on the mountain, including the death of his team, lack of oxygen, and horrible weather. The conflict in this novel is an internal and external conflict. It is an internal conflict of man vs. himself. Jon Krakauer, had to go through mental states of giving up and dying on the mountain
In the story Into Thin Air, the author talks about his experiences about Mountain Everest. He uses lots of figurative language as he has to talk about how others and himself are feeling. In the passage “The roar of the wind made it impossible to communicate from one tent to the next. In this godforsaken place.” (Krakauer 284), he uses personification because we imagine roar as loud as a lion and he wants to compare it to the wind that’s making loud noise.
Author’s Goal: Jon Krakauer’s goal is to provide an accurate account of the Mt. Everest disaster, and describe the other events and effects the climb had leading up to it. I think he reached his goal because he was able to connect with the reader in many different ways, and he got his message across well. He provides vivid descriptions, details, and facts, all while establishing that he is credible. The author did convince me of his point of view. Now, I understand that climbing Everest is very difficult, and there are numerous challenges people must face and overcome during an expedition.
Krakauer In the beginning of the second section of the novel uses a narrative and descriptive style. The point of view is 1st person. An example is, “I left my seat and walked to the rear of the airplane.” There is also irony within the novel. An example of Irony is that Jon knew Scott Fischer, and planned to be going with his company to Everest. At the last minute, there was a change of plans, and Jon ended up on Hall’s team. The ironic this is that Fischer and Hall are big business rivals. Jon Krakauer has an angry tone after saying, “I guess I knew on some level that you might not be coming back, and it seemed like such a waste. It seemed so fucking stupid and pointless." Krakauer is respectful towards the guides and the climbers especially when it’s his wife.
Krakauer was fascinated by mountain climbing from a young age. “How would it feel, I wondered over and over, to be on that thumbnail-thin summit ridge, worrying over the storm clouds building on the horizon, hunched against the wind and dunning cold, contemplating the horrible drop on either side?” Asked Krakauer. He had received a book as a child that was full of information about mountain climbing, and he was fascinated. Krakauer was glued to his book for the next decade, until he finally decided to put his dreams into action. When he was twenty
5. Chapters 14 and 15 describe Krakauer’s successful attempt when he was 23 years old to climb the “Devil’s Thumb,” a mountain in Alaska. He also describes what he thinks are parallels between McCandless and himself. Do these chapters increase his credibility for writing this book, or do they undermine his credibility by making it seem like he has his own agenda and is not objective?
“As a youth, [Krakauer was] told, [he] was willful, self-absorbed, intermittently reckless, moody. [He] disappointed [his] father…. Like McCandless, figures of male authority aroused in [him]…confusing medley of corked fury and hunger to please. If something captured [his] undisciplined imagination, [he] pursued it with a zeal bordering on obsession, and from the age of seventeen until [his] late twenties that something was mountain climbing” (134).
In chapters 14 and 15, autobiographer, Jon Krakauer shares his experience on the Stikine Icecap attempting to climb the Devil’s thumb. The inclusion of his personal experience helps the reader see how he can relate to Chris McCandless’s motivation to go to Alaska without having ever met him. Krakauer's experience illustrates the similarities of both of their lives and personalities.Krakauer describes himself as a willful, self-absorbed, passionate, and moody child who had problems with male authority figures. In his late twenties he becomes focused on climbing and begins to undertake more dangerous climbs. After a few years, he is determined to make the climb in Alaska’s Devils Thumb. Much like Chris, Jon will do the climb alone. He quits his
“‘I’m not going to get killed,’ I answered. ‘Don’t be melodramatic. ’”(Hall, pg. 88) The famous last words is a clear indication of the doomed future of Rob Hall, but it also shows how courageous he was throughout the whole expedition. In “Into Thin Air”, by Jon Krakauer, Rob Hall demonstrates time and time again his courage by showing nothing but confidence in getting his clients to the summit, by waiting for Doug Hansen at the summit, and by how long he actually stayed up on the mountain.
The novel mostly occurs on Mt Everest itself. While portions of character development happen elsewhere, Everest forces them to show truly who they are. The mountain is described differently at all parts in the
When Krakauer first meets his team he thinks to himself, “I wasn’t sure what to make of my fellow clients. In outlook and experience they were nothing like the hard-core climbers with whom I usually went into the mountains (Krakuaer 39).” Krakuaer represents a sense of arrogance to his team because he had been on other mountain climbing expeditions and most of everyone else on his team had little to no experience climbing. He is implying that he is one of the best climbers on his team. Another time Krakuaer states the incompetence of other clients and groups on the expedition: “The presence of the Taiwanese on Everest was a matter of grave concern to most of the other expeditions on the mountain. There was a very real fear that the Taiwanese would suffer a calamity that would compel other expeditions to come to their aid, risking further lives, to say nothing of jeopardizing the opportunity for other climbers to reach the summit” (122 Krakauer). Krakauer thinks that the Taiwanese would prevent people from reaching the mountain because all the other expeditions would have to come to their aid, further putting more peoples lives in danger. Krakauer shows pride in his ability in climbing, causing him to be
Throughout Jon Krakauer’s Into the Wild, there are many details that help give the reader a deeper, more profound, meaning of the book's intended purpose. Krakauer is one of the most renowned American writers, publishing many books focused specifically focused on nature, and people’s struggles in nature. Through much of the book, Krakauer incorporates many examples of diction and imagery to help the reader grasp the essence of the book. By using a wide range of literary techniques, Krakauer is able to communicate the events that transpired throughout the book.
Vulnerability impacts any individual throughout each new and interactive experience. To become vulnerable is to open up to the consequences of frantic outcomes. Individuals will lead to vulnerability to cope with a trauma that has created a solemn change to a lifestyle. Jon Krakauer explains how the trauma of Mt. Everest changed his outlooks on reality, through different coping mechanisms. Krakauer uses his writing in his book, Into Thin Air, to cope with the guilt of surviving the terror that occurred upon Mt. Everest, as well as to understand what actions caused each outcome. Within an excerpt from Into Thin Air, Jon Krakauer is reflective towards his audience of how vulnerability shaped the experiences upon Mt. Everest to cope with the
“We are only as good as our equipment” or at least that is how the saying goes, but what happens when we have the best equipment and our bodies no longer tolerate atmospheric conditions? Into Thin Air, written by Jon Krakauer, shows how individuals vary greatly in how well they can tolerate changes in pressure, temperature or oxygen content of the air. This allows them to be one with themselves by bounding with survival, while simultaneously displaying how slowly environmental changes set in, but how rapidly the effects take a toll on the body. Despite breaking down the climb into camps the climb’s structure was one that was also hard to tackle. There was the base camp, camp one, camp two, camp three and camp four. Krakauer, notes that all of the clients going up the mountain have difficulty adjusting to the environmental changes, and though
When I read “Boy and a Man’’ and the excerpt from Into Thin Air, I realized I prefer reading adventures as nonfiction. “I froze in my throat…” ( Krakauer 218) was my first example. In the story they went across a wobbly ladder then a moment later came roar and a serac close came crashing down then it passed. The reason I love it so much is because it can really tell you what he is feeling right then and there with the whole avalanche. The next one I picked was “Sheer rock buttresses seamed with ice pressed in from both edges of the glacier, rising like the shoulders from a malevolent god.” (Krakauer 219) In the story it was the part where they had to go through the stalagmites. The reason I liked this part is because