The Metamorphosis tells a story of supernatural yet bleak and desolate context, explores the life of Gregor Samsa as he awakens to find himself metamorphosed into a “monstrous vermin” and his struggle to appropriately find his role in life as a bug. The Metamorphosis an absurdist fictional novella written by Franz Kafka aptly depicts the alienation and seclusion Gregor experiences through the use of irony and symbolism.
Irony, though perhaps meant as an off form of humor or “inside joke” between the author and reader is quite alluring, giving a deeper implication within the novella. For example, “[The] mother sewed fine undergarments for a fashion shop. The sister, who had taken on a job as a salesgirl… studied stenography and French… to obtain a better position” (Kafka 41). This exemplifies the contrast of life previously and presently for Gregor, as before he felt satisfaction in being the sole breadwinner of the family, but presently however in his “imprisonment” as the narrator puts it, he is left with nothing but to watch his family through their privation.
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For example, “[The picture] showed a lady done up in a fur hat and a fur boa… raising up against the viewer a heavy fur muff in which her whole forearm had disappeared” (Kafka 3), and later, “[H]e saw, hanging conspicuously on the wall… the picture of the lady all dressed in furs, hurriedly crawled up on it and pressed himself against the glass, which gave a good surface to stick to and soothed his hot belly” (Kafka 35). This demonstrates the concept of Gregor’s isolation first as a means of conveying to the reader of his former humanity, perhaps of a future spouse but however progresses into his desire and ravage to hold onto his only sole possession that he feels is an escape from his
With this in mind, Gregor, being an allegory for Kafka, portrays his feelings towards his family and his involvement with them. He portrays most of his feelings through his sister, and father, who are mainly static characters
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Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working
Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use
The main character of Kafka’s book, The Metamorphosis, is a normal, everyday salesman named Gregor Samsa who happens to wake up one day only to find that he had suddenly become a hideous insect overnight. Throughout the book, Gregor experiences neglect, disgust, and eventually complete isolation
Gregor, the travelling salesman, is well placed as the head of the family in a society where assimilation and conforming to the convivial hierarchy is key. Kafka takes pains to portray the structures comportment of Gregor’s interactions within a male dominated society. This societal construct is illustrated through
Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.
Kafka describes the tedious, murky and muggy environment that foreshadows the decomposition and fall of Gregor’s life. When Gregor opens his eyes, he finds himself changed into a grotesque vermin or an enormous insect, an insignificant creature. Gregor does not scream. He does not panic at least not until he worries about going to work, that a gigantic insect doesn’t need to bother showing up for work doesn’t cross his mind. It seems as though Gregor accepts his fate so willingly. With this striking opening, Kafka sets his mystifying psychological fantasy in motion. Kafka’s diaries and letters point out that he considered “Gregor’s fate no worse, or better, than that of any person.” The prior life of a traveling salesman vs. the one-room Gregor occupies, as an insect are both lives of solitude. Kafka wrote that “the cares we have to struggle with every day” are emotional anguish. Kafka lived a sad life. He was persistently haunted by the oppressive image of his father. This could be clearly seen in Gregor’s attempts to get out of the bed. But, since his door was locked, he would need to call for help, which he does not favor. This shows Kafka’s fear of his father. He would rather lay on the bed forever than call his father to help him. Kafka’s fear estimated here as Gregor’s fear
Franz Kafka’s renown novella, The Metamorphosis (1915), is divided into three sections. Each section approaches a different aspect of the main character, Gregor’s life after his metamorphosis, which in turn makes them easily identifiable. Accompanied by each section are a different set of emotions, knowledge and aesthetics, the potency of each growing or dwindling as the reader reaches the climax of the narrative.
When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply
Why Do I Want to Be a Kappa? Everyone in life has a desire to be successful, and depending on who that person is, that definition of success is different. Going to college and getting a degree in a field of choice was an extensive goal of mine through out high school. With that degree I will be able to have a career in something that I love. With this career I hope to make enough money to satisfy the amount of bills I will need to pay.
Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.” Gregor is a traveling salesman who sees new people
Franz Kafka’s The Metamorphosis is a masterfully written novella about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understand the relationships around him. The underlying theme of The Metamorphosis is an existential one that says that any given choice will govern the later course of a person’s life and that a person has ultimate will over making choices. In this case, Gregor’s choices of his part in society cause him to have a lack of identity that has made him to be numb to everything around him.
In Franz Kafka’s “The Metamorphosis” the character Gregor Samsa is transformed into a giant bug while he is sleeping. Although it is never said why he turns into an oversized insect, the characters never seem to wonder why or how this has happened. It is ironic that even after undergoing something dramatic and life changing as becoming a vermin, Gregor does not question his transformation; his reaction undermines the situation entirely. Irony in “The Metamorphosis” is a reoccurring theme that affects each of the characters in the story. Gregor, who was once a genuine hard working, family orientated man, is now a beetle who feels guilty about not being able to help his family anymore. Gregor’s family sees him as a burden. Their bitterness towards him instead of sympathy through his ordeal is greatly satirical.
However the central theme of the masterpiece “The Metamorphosis” is change. The novel illustrates the idea of change and transformation through its main character Gregor Samsa who transforms into a large insect. The real