How Does Katherina Change In The Taming Of The Shrew

Shakespeare brings us back to the sisters in act II scene 1. This is a

The story of A Midsummer Night's Dream was mainly about love and its abnormal dealings. In the play, Shakespeare tried to show that love is unpredictable, unreasonable, and at times is blind. The theme of love was constantly used during the play and basically everything that was said and done was related to the concept of love and its unpredictable ness. Shakespeare made all of the characters interact their lives to be based on each other’s. At first, everything was very confusing, and the characters were faced with many different problems. In the end, however, they were still able to persevere and win their true love, the love they were searching for in the first place.

That the film includes these elements of feminist material reflects its modern context of a society that is not unfamiliar with feminism. In this area it challenges the original text, where within the context of the Elizabethan era, Katherina’s rejection of her inferiority as a woman is unaccepted and repressed. As Hortensio mocks: ‘ ‘Mates’, maid? …No mates for you/Unless you were of gentler, milder mould’ (1.1.59-60), he manipulates Katherina’s reference to him as a ‘mate’- a crude man- to mean ‘husband’ in an attempt to silence her. Such repression- and that of Katherina at the hands of Petruchio- though exaggerated and outrageous, was acceptable and approved of in the context of Shakespeare’s play.

In addition, one can also argue about Paulina’s love-hate relationship with Gerardo, as she is clearly very emotionally attached to him, yet seems as though she treats him with a sort of disrespect or harsh manner. Paulina’s strange relationship also brings the audience to question this woman’s sense of judgment, and maybe even her past. Ironically, later she refers to him as ‘my little man’, contrasting with how he called her, and making sure that Gerardo knows that he is her husband, and she’s in charge.

   William Shakespeare is considered the greatest playwright of all time.  His gift for developing characters is one major aspect that accounts for this lofty acknowledgement.  Shakespeare created various characters from drunks and fools to kings and generals.  The characters are so human and so real that the audience can see aspects of their own personalities represented on stage for better or worse.  Inadvertently, Shakespeare's ability to characterize any type of person demonstrates his holistic education and knowledge of everything from military strategy and open sea sailing to music and religion.  As a result of Shakespeare's true-to-life

Petruchio may have been mean to her in order to tame her but by the end; he shows how he truly loves her. “Come, my sweet Kate/Better once than never, for never too late” (Shakespeare Vi 149-150). Kat’s sonnet about her feelings towards Patrick show that she has accepted that she can be in love. This is her version of being “tamed” because she can rely on someone other than herself. Patrick uses the money he made dating her to buy her a guitar and beg for her forgiveness. He has fallen for her though that was no his original intention. “I thought you could use it. You know, when you start your band. Besides, I had some extra cash, you know. Some asshole paid me to take out a really great girl but I screwed up. I fell for her” (10 Things I Hate About You). Besides the story, the filmmakers have used several exact lines from the play in the movie. Cameron echoes Lucentio’s line, “I burn, I pine, I perish”(Shakespeare Ii 155) when he sees Bianca for the first time. Kat, like Kate, tells her sister “You don't always have to be who they want you to be” (10 Things I Hate About You). The filmmakers kept Shakespeare’s story of love and deceit intact in the modernization.

The two characters who play Bianca and Lucentio are also dating during the making of the play. Lois, who plays Bianca, is a very flirtatious woman who always seems to get more than her share of attention form men. Bianca is also a character who receives similar attention from men. These two roles fit hand and hand. Bill Calhoun plays Licentious, who eventually weds Bianca. Bill is dating Lois throughout the performance of the play. He, like Lucentio, feels insecure and worrisome about the way his relationship with the woman that he is in love with. When her and Lucentio get married in the movie, it appears to be directly following the wedding of her sister. In the play they are married in ACTIV and Katherina was married in ACTIII SCENE II. There is a lot of detail in between, that the movie does not show. For instance, the play talks about a man named Vicentio. This is the father of Lucentio. Tremio, Lucentio’s

Lucentio is a suitor to Bianca. In the beginning of the play, Lucenito is portrayed as the cliché “love at first sight” type of person. He must do everything in his power to get Bianca to wed

The story is about two sisters Katherine and Bianca. Bianca has a suitor who would like to marry her, Lucentio, but the only way that he will be able to marry her is if her older sister is married first. When Petruccio arrives to Padua he agrees to court and marry Katherine because she will provide a lovely dowry. Rumor has it that Katherine is a cynical, unruly, and

Lucentio's treatment of Tranio is reflected in his treatment of Bianca and their role as man and woman. Lucentio never hits Bianca or mistreats her in anyway, but spends the play wooing her and showing her his love. However, Bianca does not completely mimic Tranio's obedience in her role as wife to Lucentio. Though Bianca is not as stubborn willed and shrewish as her sister, Katherine, she does not obey her husband when he calls her to him. Biondello comes back to Lucentio to report: "Sir, my mistress sends you word that she is busy and she cannot come." [7] This action is in direct contradiction with An Homily on the State of Matrimony which states: "Let not therefore the woman be too busy to call for the duty of her husband where she should be ready to perform her own, for that is not worthy any great commendation." [8] Though Lucentio is consistent with his role as master and husband. His relationship with Tranio differs slightly from Bianca, Tranio's servant hood more apparent and selfless.

Baptista has to decide who shall marry Bianca, which the one who has the most property is the one that will win. This is said by Baptista, “Content you, gentlemen: I will compound this strife: / 'Tis deeds must win the prize; and he of both / That can assure my daughter greatest dower / Shall have my Bianca's love. / Say, Signior Gremio, What can you assure her?”

until a fight with Kat about her mother’s pearls takes an interesting turn towards Bianca’s relationship with Joey, when Kat tells Bianca the reason for her acting out of the norm is because an uncomfortable encounter with Joey. Furthermore, in the play Bianca doesn’t have as many insights as such, however many quotes suggest that Bianca is by no means short of whits. One such quote being, Katerina and Bianca’s are arguing about who Bianca shall marry “is it for him you do envy me so? Nay, then you jest, and now I well perceive you have but jested with me all this while.” Additionally, many similarities can be seen in Bianca’s relationship with Joey in the film and with Hortensio and Gremio in the play.

She has a sister named, Katherina. Lucentio ends up falling in love with Bianca. The issue is that Bianca has two suitors named, Hortensio and Gremio. Baptista is a rich and wealthy old man and the father of Katherina and Bianca. Baptista, specifically stated that Katherina who is older than Bianca is to get married first.

Lucentio is discovered by affection for Bianca at first perception, says that "he will die if he cannot win her heart", and thusly puts into movement a sentimental and capricious arrangement to do as such. Though cherish in the play is frequently moderated by monetary and entertaining concerns, Lucentio is cleared up in a dream of dignified affection that does exclude the useful contemplations of men like Petruchio. All through a great part of the play, then, Lucentio and Bianca's relationship seems, by all accounts, to be invigorating and unadulterated in contrast with the relationship amongst Petruchio and Katherine. Petruchio's choice to depends on his self-declared yearning to win a fortune, while Lucentio's depends on sentimental affection.

Love is one of the most powerful things in this world. People will go to great lengths to achieve another’s love. From youth we have been showered with tales of true love’s kiss and of Prince Charming breaking the Evil Queen’s curse. Time and again, we are made to see the power of love. In the play, “The Taming of the Shrew” by William Shakespeare, the renowned playwright takes love deeper than just passion. Shakespeare goes under the surface of love, all the way to its core. The story truly begins as Baptista Minola’s two daughters are readied for marriage: Bianca the sweet and innocent; Katherina the shrewd and curst. Men gravitate towards beautiful Bianca and flee when Katherina appears. Hortensio, a good friend of the main protagonist, Petruchio, wants to marry Bianca, in order for that to happen, Hortensio must get Petruchio to marry Katherina. Yet, Petruchio knows what he is getting himself into and he wisely sees past Katherina’s prickly outer shell. He proves that the Katherina isn’t what everyone in Padua thinks she is. Petruchio exposes the superficial problems in his society and demonstrates that respect and love are one and the same. Furthermore, Petruchio’s determination and heart allows him to woo the girl, marry her and activate the Taming of the Shrew.