How Does Life Of Pi Affect Yann Martel's Life

Throughout his young life, Pi has been guided by a strong set of morals and values. A strict pacifist and vegetarian, Pi never dreamed of killing an animal, especially for food. Pi states, “…When I was a child I always shuddered when I snapped open a banana because it sounded to me like the breaking of an animal’s neck” (Martel 197). However, faced with starvation at sea, Pi must decide between adhering to his morals and satisfying his ravenous hunger when a school of flying fish descends upon the lifeboat. He chooses his own survival and decides he must butcher a fish to feed himself. Martel uses vivid details and language to convey Pi’s feelings about the necessity of violence and killing a living creature for survival. Martel conveys a sense of suspense to the reader as Pi raises his hatchet several times to

In Life of Pi, author Yann Martel utilizes metaphors to foreshadow future events and to reveal new insight about Pi’s character and the theme. When Pi is a young boy, his father teaches him and his brother why they should never put their hands in the animals’ cages. Pi’s father decides to teach them this valuable lesson by forcing his sons to watch a hungry tiger devour a vulnerable goat. Pi says, “I don’t know if I saw blood… or if i daubed it on later, in my memory, with a big brush” (39). As Pi tells two stories of the same event, it foreshadows the ending of the book where Pi tells news reporters two stories of his survival out at sea. This reveals that Pi is very creative and imaginative,

There are certain events in our lives that can change a person. When an Individual goes through traumatic events, their subconscious has a method to trick them into believing events that have not transpired. In Life of Pi, Yann Martel constructs two stories about the main character Pi. One about the animals and other about humans. The two stories that are told are extremely identical, it appears that all Pi did was replace animals with humans. This gives us a deeper insight into Pi's subconscious and his method of dealing with trauma and struggle caused by his journey. This theme is evident throughout the novel because when the ship starts to sinks, trauma causes Pi to slip into madness. Not to mention, later in the journey Pi ultimately recognizes

In the novel, Life of Pi, by Yann Martel, the theme of truth is seen most prominently in the last part of the book when main character, Piscine Patel is being interviewed by two Japanese men. Pi defines truth as being relative and an invention of man, when the believability of his story is questioned. He argues that even stories, such as his, can still be true to some no matter how difficult to believe they are.

In Yann Martel’s novel Life of Pi, he wants the reader to decipher whether his first story or his second story is real. The first story consists of the protagonist, Piscine Patel, being trapped on a lifeboat with a Bengal tiger, Richard Parker, and many other animals from his father’s zoo after they were lost together at sea. In the second story, Piscine re-tells a different story with a chef, his mother, and a sailor, this was to give the Japanese investigators “a story that wont surprise them (you)” (Martel 302). Martel clearly wishes the reader to understand why “Pi” might

Bengali polymath, Rabindranath Tagore, once said “you can’t cross the sea merely by standing and staring at the water.” In the novel Life of Pi by Yann Martel, the protagonist, Pi, faces many challenges at sea while being accompanied by a tiger by the name of Richard Parker. This tiger, though a nuisance, proves to be essential in the role of Pi’s survival. Throughout the story, Richard Parker symbolizes survival, a reflection of Pi, and a being of God.

Isolation plays a significant role in Pi's story, and both Martel and Lee have their differences in conveying this theme. Martel does not write Pi's journey in chronological order. Despite this, the author manages to effectively express the protagonist's emotions to the audience. Throughout the first chapter, the reader learns about Pondicherry Zoo, which was ran by his father and was considered his home. Martel makes Pi describe his life at the zoo, stating that "it was a paradise on earth. I have nothing but the fondest memories growing up in a zoo. I had the life of a prince," (page 14). Martel writes is past tense here, thus indicating to the reader that Pi no longer has a life at the zoo. This is soon confirmed a couple of pages later, with Pi stating that "the Pondicherry Zoo doesn't exist anymore. It's pits are filled in, the cages torn down. I explore it now in the only place left for it, my memory," (page 19).

Yann Martel offers two accounts of Pi’s survival story so that Pi is able to personify animals and also give animalistic qualities to humans. This exchange is only seen after both accounts are read. The reader is able to determine which he or she accepts as reality, but since the facts of the story go unchanged and both tales are primarily the same, the sole purpose is to highlight the traits humans and animals posses. Yann Martel exemplifies human traits in animals and animal traits in people through his claim in passage A by telling the two stories of Pi’s survival.

Dispelling his desire for physical comfort, he decides to continue his journey. Therefore, Pi’s realization about the danger of the island and determination for survival fuel him through the “abyss” stage, the final obstacle of his

On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which

Yann Martel’s theme of truth being relative is again established when Pi experiences a shipwrecked. On the lifeboat, Pi continues to survive living with a bengal tiger, he survives after seeing the other animals on the boat kill each other, and he survives by eating fish even though he is a vegetarian. Inspite of all the suffering Pi is going through he still turns towards God. This is proved when Pi says, “I practised religious rituals that I adapted to the circumstances – solitary Masses without priests or consecrated Communion Hosts, darshans without murtis, and pujas with turtle meat for prasad, acts of devotion to Allah not knowing where Mecca was and getting my Arabic wrong. They brought me comfort, that is certain. But it was hard, oh, it was hard. Faith in God is an opening up, a letting go, a deep trust, a free act of love – but sometimes it was so hard to love. Sometimes my heart was sinking so fast with anger, desolation and weariness, I was afraid it would sink to the very bottom of the Pacific and I would not be able to lift it back up...The blackness would stir and eventually go away, and God would remain, a shining light in my heart. I would go on loving” (208-209). Through this quote, Yann Martel is showing how Pi continues to worship God even though he was suffering and struggling with his faith. Pi still believes that God is the most important to him inspite of what his is going through emotionally

Throughout time, humans have written books based on various genres in an effort to tell a story, whether it is fact or fiction. Storytelling is one of the most beautiful ways to express ideas, and creative thoughts, involving characters, settings, to create a plot. Life of Pi, by Yann Martel, cleverly incorporates ambiguity from the omission of information, and lack of resolution. These aspects in turn, create the ambiguity, which leaves the reader to interpret the text in anyway. The ambiguity formed develops the significance of Pi’s storytelling, to the author and the readers. The post-modern aspects in Life of Pi, leave many things open to interpretation based on Pi’s storytelling ability.

The island Pi encounters, in one of the last legs of his journey, is as compelling as it is ominous; seemingly bending the rules of reality. Additionally, the very essence of the island is puzzling and initially leaves both the reader and Pi bewildered. First introduced to the island through the eyes of a despondent Pi, it is so notably incongruous with the surrounding mass of water, seeming virtually surreal. Originally appearing as a utopia in which Pi could seek refuge, the veil is gradually lifted ﹘ revealing a masked dystopia. Why would Yann Martel forge a lush green paradise only for it to emerge as carnivorous purgatory during the dead of night? The island, a paradoxical symbol for the sin of temptation, as well as a warning against religious fundamentalism, proves that neither are mutually exclusive as they both are encompassed in the biblical myth of Eden.

Yann Martel keeps the story of Pi's long voyage moving at an interesting pace. You know from the beginning that Pi will survive, which can disturb the curiosity authors usually want from the audience regarding to the ending. But at times you wonder how he will overcome each challenge he faces. Martel doesn't allow Richard Parker’s character to develop, he is nothing more than a dangerous Bengal tiger and Pi was never more than a desperate boy lost at sea. The first section of the book was very fast paced, and middle section is their entire life boat ride, their survival adventure dragged on so long I was desperate to skip some pages and skip straight to the climax. Martel set a pattern of repetitiveness throughout the entire book, leaving

Furthermore, his vast knowledge of animals, having grown up at a zoo, helps him to tame Richard Parker. Pi knows tigers’ psychological thinking and exploits this by classically conditioning Richard Parker. Likewise, Pi’s experience of watching a tiger kill a goat in his early childhood taught him the fundamental lesson that ‘an animal is an animal’, enabling him to strategically and mentally survive his long and testing time at sea. In addition to that, during the early parts of Part 2, Pi comes across a survival manual, a crucial object for his continued existence. The book gives him critical information on the do’s and don’ts of survival at sea and it is hard to imagine that Pi could have survived without this book which also gave him the opportunity to write down his words which were “all he has left’’.