How Does Marquez Use Imagery In One Of These Days

Bernardo de Galvez had a very interesting adult life like the facts of this paper will show. Bernardo

By exaggerating circumstances, emotions, and thoughts, he really shows how his fourteen-year-old mind worked. A great example is when he writes, “The hotel reserved by my parents’ friends featured army cots instead of beds and a half-foot-long cockroach evolved enough to wave what looked like a fist at us.” This humorous example shows that he now looks back and realizes the ridiculousness of his own thoughts about the rooms in which they stayed. Yet another example of hyperbole shines through when Shteyngart says, “I felt coldness, not the air-conditioned chill of southern Georgia but the coldness of a body understanding the ramifications of its own demise, the pointlessness of it all.” Though he must have been disappointed, the reader can assume that at that moment, Shteyngart did not feel that the vacation and life in general were pointless.

The reader sympathizes with Enrique as he is making his seventh attempt to reach his mother. It is this small glimmer of hope that propels him through his treacherous journey all though he, yet again, fails. The author uses “pathos,” the emotional appeal, heavily throughout this chapter in order to grab the audience’s attention. She wants the reader to empathize with Enrique, an archetypal martyr with heroic behavior. The narrator describes the cruelty and suffering of the gangsters, bandits, “la migra” and others. “Enrique thinks of his mother…she will never know what happened.”(Nazario) Nazario uses stream-of-consciousness reflections such as this to cause the reader to subsequently reflect on their own families, and how one would react to this circumstance. Although Nazario uses pathetic writing, she does not make a fully-pathos driven argument such as that of Leslie Marmon Silko’s “The Border Patrol State.” In fact, Enrique’s Journey is written in exposition mode with anecdotes within narratives, which purports as journalistic rather than objective, or biased, writing. It is through this writing style that Nazario builds her credibility, or “ethos.” The exposition mode lays out the effects throughout Enrique’s path as well as brings extent of the hazards to fruition for the

Junot Diaz was born in the Dominican Republic and immigrated with his family to New Jersey, where a collection of his short stories are based from. Out of that collection is a short story “Fiesta, 1980”, which was featured in The Best American Short Stories, 1997. This story is told from the perspective of an adolescent boy, who lives in the Bronx of northern New Jersey with his family. He is having trouble understanding why things are the way they are in his family. Diaz shows Yunior’s character through his cultures, his interaction with his family, and his bitterness toward his father.

Dillard’s essay, unlike Woolf’s, is written in a positive tone. She is surprised and absolutely happy to see the weasel for the first time in her life. Dillard says that it was “a bright blow to the brain, or a sudden beating of brains, with all the charge and intimate grate of rubbed balloons” (2). It seems like everything around them lights up, the world is beautiful and they are in the center of it. The cheerful tone, that author uses to depict her meeting with the weasel, makes the reader feel excited as

Junot Díaz’s “Fiesta, 1980” relates a story of Yunior, a young Dominican boy, and what he experiences in his family trip to a party. In narrating the story, Yunior employs a unique choice of a cultural shift in diction; there is a continuous change between English and Spanish words, which creates both a sense of familial intimacy and cultural struggle in adjusting to the United States. Additionally, Yunior tells the story in a past-tense narrative, thereby allowing himself the room to express a scene both in an immature perspective as a child, as well as a mature one as an older, more reflective version of himself. Altogether, the integration of two different languages and two different perspectives work together to portray a more holistic picture of Yunior’s childhood experience.

The mood for Joyas Voladores while living is the subject is very upbeat and elated. Brian Doyle uses hummingbirds as his subject. They represent living and dying in Doyle’s essay. “More than three hundred species of them whirring and zooming and nectaring,” is a line from the essay. It is significant because it includes words that presume life. Words like “zooming” and “whirring” are examples of that. Having the author talk to the reader is a clever thing. It makes the reader really think about what the author is saying or trying to say. Due to Brian Doyle talking to the readers, they are more likely to feel the liveliness of his words and maybe even have that feeling in themselves.

Francis Martinez  Literary Analysis “First Muse”        The story “First Muse” by Julia Alvarez tell us about her childhood in the Dominican  Republic and her life in the United States. Since she started reading the thousand and one  night book under her bed she saw herself reflected in the dark haired almond eyed girl on the  book cover. Alvarez compared herself with the bright ambitious girl stuck in a kingdom that  didn”t think female were very important. Scheherazade gave Julia the courage to explore the  power of storytelling. When Alvarez came to the United States it was very difficult for her  especially for a child who got teased on the playground because of her accent. Julia had a lot  of obstacle in her life but she overcome all

A Very Old Man with Enormous Wings by Gabriel Garcia Marquez is a complex story about the author’s experience of poverty and hardship during the civil war in Colombia. Throughout Marquez’s late teen years, Colombia was plagued by social and economic problems. In 1946, Colombia’s problems grew into a violent rebellion that lasted for ten long years. “The violent war was named La Violencia or The Violence; it became the most bloodshed period in Colombia” (Bailey 4). Marquez’s choice of magic realism made it possible for him to place hidden messages in the story by creating a deeper connection to his readers. The intricate characters and scenes Marquez portrays in the story all have a significant relation on his emotions, his life, and his

In the story, “A Very Old Man with Enormous Wings,” writer Gabriel Garcia Marquez intertwines the supernatural with the natural in an amazing manner. This essay analyzes how Marquez efficiently utilizes an exceptional style and imaginative tone that requests the reader to do a self-introspection on their life regarding their responses to normal and abnormal events.

In the story “A Very Old Man With Wings”, Gabriel Garcia Marquez writes about the

Gabriel Garcia Marquez’s text depicts the cultural life and setting of Latin America. His inclusion of conventional values portrayed in the novel such as pride and honor influences specific characters such as Pedro

Circularity is also evident when the beginning of the story is compared with the final paragraph. Consider the alliteration in lines 3-4: "summer," "streets," "shuttered," "Sunday," and "swarmed" and the ending (p. 71), where the "s" sound is repeated once again: "stared," "smiling," slowly," "small," and "shone." In addition, the image of a lamp plays a key role in each situation: to expose the "shape and hue" of the crowd in the opening (lines 4-6) and to expose the sovereign Corley holds in the final scene.

“James,” he says. We begin walking where there is a bundle of people and he looks concerned. “How about I send you to the sheriff’s station? They will surely help you out,” he says. “If it will help,” I say. The chirping of birds seems to follow me, it triggers a memory of home. When Mama and I would take short walks through the meadow behind our home. Whistling along with the bird's melody is what we did. Back then, I had no worries at all. Now, all I have is worries.

“I didn’t know what to think but the lost thing made an approving sort of noise”, “They all seemed happy enough”. To sum up I believe that the city in which the book is set in is a retro-futuristic world where everything seems grey, dull and suffocating and the body language of the crowd reinforces it.