How Does Mary Anne Change In The Sweetheart Of Song Tra Bong

Mary Anne adjusted to the life in Vietnam, as did the soldiers that were there, and as time progressed she began to enjoy or get a thrill out of being in Vietnam. "I mean when we first got here-all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne,"(97). The learning curve in war is quickened by the fact that it is a matter of life or death when you are working in a war, and it did not matter who you were the you quickly learned how to operate in a battle field. Mary Anne did not fit in a first and did not know or understand her role in the war, and just like the fresh soldiers coming from America did know or understand their role in the war. As the soldiers, as well as Mary Anne, begin to realize the realities of the war they move their focus away from their homes in America and begin to focus on the work that needed to be accomplished in Vietnam. The physical changes that occur to Mary Anne as she begins to be assimilated into the Vietnam War are like night and day. She came as your typical American girl, but then becomes a fighting soldier looking and anticipating ugly war

The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.

In the short story, “Sweetheart of the Song Tra Bong,” by Tim O’Brien, the author shows that no matter what the circumstances were, the people that were exposed to the Vietnam War were affected greatly. A very young girl named Mary Anne Bell was brought by a boyfriend to the war in Vietnam. When she arrived she was a bubbly young girl, and after a few weeks, she was transformed into a hard, mean killer.

Anything can change a person if they are not ready for that change. The short story Sweetheart of The Song Tra Bong, in Things They Carried, by Tim O’Brien represents this by showing change in Mary Anne, who is a character the reader probably would not expect to see in a book about the Vietnam War. There are many parts show the change in her from the average high school girl she used to be into a predatory killer, but there is only one reason for her change, and that is the war itself.

It is a well known fact that experiencing war changes people; there is an innocence that is forever lost. In Tim O’Brian’s, “Sweetheart of the Song Tra Bong”, Mary Anne Bell is an unusual example of the innocence that is lost in war because unlike the rest of the soldiers, she is a woman. Mary Anne’s transformation from innocent “sweetheart” to fierce warrior left readers with mixed emotions because although Mary Anne felt at peace with her transformation, she was also disconnected from reality.

From the moment Mary Anne arrives at the base, the other soldiers know that this was a mistake. But Mark Fossie, blinded by love, doesn’t realize this. He believes that Mary Anne’s innocence could be preserved. But oh how he was wrong. In perhaps the greatest mistake in the entire Vietnam war, a soldier brought his girlfriend to Vietnam. Quickly her innocence disappears, and she turns into something wicked. She wears a necklace of human tongues and begins to take risks not even Ethan Hunt would. She behaves dangerously; she refuses to carry a weapon. This wickedness fundamentally changes Mary Anne’s personality and her attitude toward life. While she feels that she is finding herself, she is instead losing herself. May Anne loses herself to the jungle and the war. Like a hyperbole of the entire Vietnam era, Mary Anne loses her purpose. Around this time, some might say so did the American Dream. Contributing to the entropy of the American Dream, soldiers felt lost, confused, and in a metaphorical fog. Soldiers stopped thinking of the war as just good and bad, and instead as one of lesser

The narrative structure of the "Sweetheart of the Song Tra Bong" and "How to Tell a True War Story" contains two levels, the first on being a discourse about the characters of Vietnam

This chapter covers the transition of Mary Anne Bell, of how she changed from being a normal, sweet teenage girl to being one of the Green Berets, filled with enthusiasm for the war and intrigued with the culture of Vietnam. This message is about how the innocence of women is consumed by the war and how once they begin to learn more about it, they are hopelessly entranced by it, far from returning to their usual selves. Rat talks about how, “Anne made you think about those girls back home, how they'll never understand any of this, not in a billion years. Try and tell them about it, they’ll just stare at you with those big round candy eyes. They won't understand zip.”(O’Brien 108), and this shows that women won’t understand what Vietnam really is like, they have to experience it themselves. Women also won’t understand the grueling mental pain that soldiers experience in the war.

Bao Ninh’s The Sorrow of War is a novel that is a personal view of the Vietnam War from the perspective of a Vietnamese soldier. Like the American novel “The things they carried”, this novel brings about the effects of war on people, and especially how it defeats the human capacity for things such as love and hope. Bao Ninh offers this realistic picture of the Vietnam War’s impact on the individual Vietnamese soldier through use of a series of reminiscences or flashbacks, jumping backwards and forwards in time between the events most salient in memory, events which take on a different theme each time they are examined. His main protagonist Kien, who is basically Bao himself, looks back not just at his ten years at

Change In The Things They Carried a war novel by Tim O'Brien, we are told many short stories compiled to make a whole. I want to emphasis on the importance of the chapter "Sweetheart of the Song Tra Bong". In this chapter we are introduced to the character Mary Anne. She shows the changing power of Vietnam, that a sweet innocent young girl can come into this land and be forever consumed by her surroundings. The speaker show us this through character action, character description, dialogue and metaphor; this enhances the literary work by showing us that the soldiers will always be a part of Vietnam no matter how hard they try to get away from it.

The Viet Nam War has been the most reviled conflict in United States history for many reasons, but it has produced some great literature. For some reason the emotion and depredation of war kindle in some people the ability to express themselves in a way that they may not have been able to do otherwise. Movies of the time period are great, but they are not able to elicit, seeing the extremely limited time crunch, the same images and charge that a well-written book can. In writing of this war, Tim O'Brien put himself and his memories in the forefront of the experiences his characters go through, and his writing is better for it. He produced a great work of art not only because he experienced the war first hand, but because he is able to convey the lives around him in such vivid detail. He writes a group of fictional works that have a great deal of truth mixed in with them. This style of writing and certain aspects of the book are the topics of this reflective paper.

Vietnam made a big portion of history also through its use of slang and war specified language.  This language came about through many means including its adaption to the Vietnamese language, coded words, phrases, profanity and initials that represent war objects, and other means, and to represent or even hide their emotional stand points.  On page 19, O'Brien describes the young soldiers as actors.  They were afraid of dying but they were even more afraid to show it.  On page 12, Lieutenant describes his feelings for Martha as dense, crushing love.  He then explains how he wants to sleep inside her lungs, breathe her blood, amd be smothered.  This sounds like extremely harsh description for love.  However, the soldier's environment became the most they could relate to.  For example, to describe the death of a soldier, they'd used phrases such as "Boom. Down. Like Cement," or "flat fuck fell."  O'Brien explains how the soldiers would make conscious efforts to joke about things and make comical references to have themselves laugh.  Page 19 describes that they used a hard vocabulary to contain the terrible softness.  At the end of page 18 and beginning of page 19, we find that the men would now and then panic and have the desire to cry out for the misery to stop.  They'd make unguaranteed promises to God and their parents in hope that that would be their source of survival.  On page 11 O'Brien tells that the Imagination was a

In Sweetheart of the Song Tra Bong, Tim O'Brien gives a dynamic example of how even the deep roots of ones culture can be modified. The focus is on the young lady, whose boyfriend manages to have her shipped over to Vietnam from the U.S. She is then thrown into a completely foreign culture that thousands of American GI's were experiencing. This change in culture affected the strongest and most skilled of America's ground troops. The affects on a civilian are almost unfathomable.

Mary-Anne was a completely different story all together. "The way Rat told it, she came in by helicopter along with the daily resupply shipment out of Chi Lai. A tall big-boned blonde." She came from the sky like it was no big deal, to see her boyfriend Fossie. A girl coming into a war among the rations and medicine. She was barely a woman, only 17, and when she came to join them at the medical camp she was described as, "had long white legs and blue eyes and a complexion like strawberry ice cream. Very friendly too." It was the "very friendly" part that should have been the problem. It was a

The Greenies report that "a couple of times they almost saw her sliding through the shadows," but she would never return from the jungle (O'Brien 125). "She was part of the land" (125). Like Kurtz, Mary Anne crosses the line by losing her self-control to a primordial madness because of the forces of the Vietnam environment.