How Does Mary Shelley Discredit The System Of Government?

Frankenstein puts the monster into a situation that causes him to be one of a kind. The monster had no one to whom he could relate. Victor thrusts the burden of existence upon the monster by creating him, leaving no route for escape from the situation. Frankenstein causes the monster to live a life in solitude, and the monster realizes the contempt others have for him. The monster feels as if he is no different, and believes he “deserved better treatment”(Shelley 114). Through his observations, the fiend ponders whether his existence is truly that of humanity or rather of “a monster, a blot upon the earth from which all men fled and whom all men disowned”(Shelley 119). By creating him, Victor forces these hardships upon the monster.

The reader can immediately see this because the Monster says, “I am malicious because I am miserable. Am I not shunned and hated by all mankind?” (Shelley 124). He begins to murder members of Victor’s close friends and family. His first victim is William Frankenstein. The Monster has no intentions to kill William, but he says, “Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed” (Shelley 116). The Monster shows his frustration with Victor creating him in this way and for making him into an outcast. After Victor breaks his promise of creating a female monster, the Monster murders Henry Clerval. The Monster’s anger continues to build up over time and he believes the only way to face it is by taking the lives of those who have a close relationship with Victor. The Monster kills Elizabeth Lavenza on her wedding night. He takes the lives of the people who are in a close relationship with Victor due to the anger he feels toward him. The violence the Monster uses is his way to try and seek revenge on Victor because he feels that he set him up to fail, to be an outcast, and to be unacceptable to

Frankenstein by author Mary Shelley was published in 1818. The novel was published at the end of the French Revolution and at the very beginning of the Industrial Revolution. With these major events occurring when the novel was being written and published, revealed how this novel was influenced by socioeconomic standards. Marxist theory attempts to reveal how socioeconomic system is the source of our experiences and conflicts we portray in literary works, as well as how literature in turns to serve to influence the minds of the people. Frankenstein follows Marx’s social theories of how socioeconomics have profound effects on literary works and how they are interpreted.

While Creature is full of humanity and has a thirst for knowledge, his longing for acceptance in society is met with constant rejection. Through this rejection, it sparks anger into the Creature for his irresponsible creator, Victor Frankenstein. Creature’s anger leads to greater tragedies for Victor. The greater of the tragedies are the murdering of innocent people including Victor’s family that is seen to be the fault of Creature since he is the one who murdered them. If Victor did not abandon the Creature and had taught him murder was not morally correct, Creature would not have committed the heinous acts.When Creature was first theoretically born, he was introduced into the world in a very harsh way. Metaphorically, Creature starts out into the world as a newborn, needing a parent 's guidance and teachings. Victor abandons him immediately with no sense of direction. Creature, after his “birth”, approaches Victor with a hand of longing for compassion. “He held up the curtain of the bed; and his eyes, if eyes they maybe called, were fixed on me...He might have spoken, but I did not hear; one hand was stretched out” (Shelley 35). Victor instead of showing acceptance immediately runs away at the sight of him.

Victor and the Monster are extremely intelligent. Victor was a master in the sciences and in alchemy, which allowed him to be able to create a living human being out of disposed body parts. He delighted in studying under M. Krempe, a professor of natural philosophy, and M. Waldman, a professor of chemistry. He was gifted in being able to use his eloquence to convince people to do things. This was demonstrated when he was able to persuade the men on Walton’s ship not to perform a mutiny, but rather to be proud at successfully being able to break through the ice instead of giving up and turning around. The Monster proves his intelligence when he learns to speak French and learns human sensitivity just by observing the De Lacey family. He is then able to read notes that Victor wrote which were shoved in Victor’s jacket pocket, as well as the Paradise Lost book that he found. He discovers fire and its ability to both cook and to burn. The Monster is smart enough to be able to hide from society and to also evade Victor when Victor is hunting him down for revenge. The Monster is eloquent, like Victor, and is able to convince Victor for a short time that making a female monster would be a compassionate thing to do.

One such aspect of Shelley’s life portrayed in the novel was the role of women in society. In general, the predominant contenders in literature in the Romantic era were men. Mary Shelley, who was tutored by her father, had to publish her novel anonymously because it would not have been accepted otherwise. In Romantic literature, women were depicted as passive with a sense for nature and intuition. This can be seen in Frankenstein during Victor’s description of Elizabeth Lavenza: “While I admired...pretension” (Volume I, Chapter I, p 39). This quote can be viewed as an oppression of women due to the patriarchal structure of the language, as well as an emphasis on the nature of women. Mary Shelley also criticizes this oppression, but does not criticize overtly. This may be due to the fact that Shelley read her mother’s works as a child, and was influenced by the pro-feminist ideals that her mother advocated for. In addition, Frankenstein, at its core, is an expression of Shelley’s political viewpoints. The years 1811 to 1817 were ones of severe deprivation and hardship for the new working class created by the Industrial

Mary Shelley’s story of internal turmoil, the cruelty of altering the laws of nature, and the consequences of redefining the laws of nature is a harrowing one, known widely by many audiences, yet it is never the nature of the characters that is discussed, only the outcome. Shelley’s deliberate use of different character foils portrays the deeper connections and themes in her 1818 novel, Frankenstein. The creation and presence of Frankenstein’s monster directly foils the character of Victor Frankenstein himself, illustrating overarching themes of self inflicted isolation and internal conflict, exposing the dangers and consequences of complete and total narcissism, and revealing a truth many still refuse to accept: we, as humans, are capable

In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.

Mary Shelley makes us question who really the “monster” is. Is it the creature or Victor? While the creature does commit murder, he does not understand the consequences of his actions. He is like an infant who is unfortunately left to learn about the workings of society, and his place in it, on his own. He has no companions and feels a great sense of loneliness and abandonment. The creature voices his frustration and anger and seems to try to project his feelings of guilt onto Victor, as if to show him that he is the ultimate cause of the creature’s misery while he is simply the victim of Victor’s manic impulse. Shelley utilizes words, phrases, and specific tones when the creature vents his misery to Victor and this evokes, amongst the

He believed that his Creature murdered his brother and framed Justine, the Frankenstein’s maid, in order to achieve vengeance for Victor abandoning him, but according to Levine, Victor is the cause for this evil, “...evil is a consequence of maltreatment or injustice,” (Levine 31). Victor’s internal flaws and shortcomings prevent him from revealing the truth about his Creation and therefore he is unable to disclose details of Williams death to save Justine. Victor cowers and stands by as the town unjustly convicts and “executes” Justine, (Shelley 117). The cowardly act committed by Victor shows that he does not possess a strong enough moral compass to do the justified act.

Victor uses his knowledge not for the benefit of society, but for his own purpose of experimentation which ends up turning out the opposite way that he imagines. Knowing his own vanity, Victor says "lean from me, if not by my precepts, at least by my example, how dangerous the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow" (Shelley 38). After creating the monster and all the hardships Victor had to go through, he realizes that a person should be happy with the world around him/her and not try to change it. He admits that trying to become a man greater than who he could be drove him mad and his knowledge went in tow with it. From

Alas he does not and "justice" proceeds on Justine. Shelley persists in representing Frankenstein as feeling genuine heartfelt remorse, " A thousand times rather would I have confessed myself guilty of the crime ascribed to Justine" but this is not as genuine as it may seem as Shelley does not proceed to describe Frankenstein's sorry with a confession. Instead he goes on with more lies and deceits. Shelley intended these chain of events to be the worst behaviour of Victor Frankenstein, although more people go on to die and in arguably a more horrific and gothic fashion, on this occasion he lies to his friends, family, the court and just about fails on every natural law of human kindness and responsibility. He is being unjust.

     Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s

Then his creation all suddenly turns on Victor killing everything he is dear too in the name of vengeance. The monster eventually murders three people in cold blood as well as one indirectly. First Williams’s brother who is accidently strangled to death. With the death of William the monster framed the servant Justine by placing a picture of William in her pocket. Justin was then executed for the unjust murder of William. Sadly Elizabeth, Frankenstein’s cousin and new wife on the wedding night. He also kills a good friend of Frankenstein’s Henry Clerval. The deaths of these innocent people were a result of the monsters revenge on Victor. The monster is seeking this revenge on the doctor because he did not want to be brought into this world especially looking like he did. Another key point that this book beings forth is why human beings should not try to play God and artificially create a being in a laboratory. When Victor creates a bride for the monster he decides to kill her before the monster can have a companion. Victor can’t give the monster what he wants not after what the monster did to his family.