How Does Matsuo Basho's Journey Affect Literature

All of these sites possess their own feeling and give Bashō unique motivations. Some of the places provide morose poetic inspiration, for which Bashō is commonly known, while others cause the poet to drift away from his common tone and write in a much more upbeat manner; a testament to the true power of the natural beauty of Japan and impact of historical poets on Bashō. This variety calls to the different inspirations which Bashō was seeking. Instead of maintaining a stagnant style, as many of the less-travelled poets would have, Bashō's journey allows him to not only write about sights that he would have never otherwise experienced, but it also allows him to connect with other writing styles that he ordinarily may not have explored, causing a stark development of his own writing style.

Amongst this writing which attempts to navigate the subject of grief, nature is a recurring element. By examining the locations or settings authors used as a backdrop for their reflections on death

Momaday makes meaning of his life and culture through the unique textual structure of The Way to Rainy Mountain. While reading, I almost felt as if I was reading poetry versus a novel. The inclusion of mythology makes the reading have a poetic tone. Within this beautifully constructed piece of literature, I am struck by the irony between Momaday’s connection to his grandmother and the Kiowa treatment of women.

The poem “I Am Learning to Abandon the World” by Linda Pastan is closely similar in context with Sharon Olds’ “Still Life in Landscape.” Each of the two poems narrates an ordeal with the persona being the writer of the poem. The persona directly speaks to the audience. However, these two works differ in the number of lines, the length and appearance of each line and the entire apparition of the poems. The two authors employ a similar tone as both use a melancholic and reflective tone. The poets present their thoughts in a simple diction and understandable language. It is evident that both authors have an impeccable interest in narrating their story.

A physical journey brings inner growth and development from the experiences a person encounters from a physical transition from one place to another. All physical journeys include obstacles and hardships however they also involve emotional and spiritual journeys along the way. Peter Skrzynecki’s poems “Postcard” and “Crossing The Red Sea” are both examples of an emotional journey within a physical journey. A feature article ‘A Desert Odyssey’ reported by Sue Williams and Robert Frost’s poem ‘The Road Not Taken’ also involve emotional journeys within a physical journey.

A little boy scavenges in a dumpster in an alley, desperate for food. Separated from his family, he is lost on the streets of Calcutta. After weeks of barely surviving on the treacherous streets, he is taken to an adoption agency and adopted by an Australian couple. Although it seems like fiction, it is fact. This remarkable story is Saroo Brierley’s, and his memoir A Long Way Home, tells this miraculous story of his childhood and how he came to find his birth family. Throughout the memoir, Brierley weaves a tale of his hardships and developing his identity. In his memoir A Long Way Home, Saroo Brierley uses the literary devices of pacing, imagery, and external conflict to illustrate how the hardships one must endure shape one’s identity,

Each of the characters in “The Monkey and the Monk,” represent an important trait or idea of buddhism, and this novel can be used as a basic representation for buddhist ideas. Either the strengths, weaknesses, or backgrounds of each character can be analyzed and applied to traditional buddhist

Melissa Hamilton, a journalist for the Australian newspaper recently wrote an article tilted This (Transplanted) Life, which is a physical, inner and spiritual journey. It is a recount of her journey home, it’s written in first person to personalize her journey and evoke mood and tone with her audience. The composer uses juxtaposition to compare the city to her country home, “When we arrive I stumble with soft city feet over the gidgee stones” and to compare the people of the city and country “the quite is loud enough to keep them up at night.” Through her thorough description of the country surroundings and the lifestyle of the people that live there, she takes us on a spiritual journey of her hometown. The composer also uses creative language such as exaggeration, repetition, alliteration, personification and a metaphor to establish her love and knowledge of

With every journey comes a destination which is dependent on the degree of the individual and their will to potentially better themselves. A journey offers travelers the opportunity to extend themselves physically, intellectually and emotionally as they respond to challenges. Ruby Moon by Matt Cameron is a contemporary fractured fairytale in the form of a play that explores the grim, Australian legend of the missing child. This text portrays real issues in an absurd representation which forces the reader on an imaginative journey as well as the characters in an inner journey to establish an identity. Beach Burial by Kenneth Slessor is a distressing elegy about loss of life through war. Slessor’s sophisticated language, allows the responder to empathise and mourn the wastefulness of life in war while also to appreciate the commonality of human existence. This text highlights the concept of journeying of the soul from both the reader and the responder. Through the use of a variety of visual and written techniques, these texts portray the concept of an existential journey, the indefinite search for true self and true personal meaning in life. Deep loss of an individual or one others’ individuality triggers an existential crisis and without journeying imaginatively, the chance to create one’s purpose becomes absent.

In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways through particular words. He relies upon adjectives, personification and the use of imagery to describe the suffering.

In this free-verse war poem, the idea of 'journey' extends itself to cover both the physical and emotional aspects of the subject matter of the poem. Repetition and word

In the poem beach burial Slessor writes with soft elusive words in a solemn, muted tone of quiet. He uses long descriptive sentences that are heavy and slow like the lifeless bodies that Slessor describes … no rhyming gives it a cheerful or light-hearted quality and no abrupt sentences give any false impressions of life.

“Tree Grave” is a poem published by Oodgeroo Noonuccal in 1964. The poem gives an Indigenous Australian perspective on the demise of one of their kin. Noonuccal comments on the adversity the Indigenous Australians face through the use of traditional aboriginal word choice, poetic techniques and her ability to manipulate tone and mood. Through the use of this she is able to effectively communicate her message of adversity.

This essay will reflect the meaning, as well as the mythological interpretation of a movie titled “Little Buddha.” In the movie, “Little Buddha,” there were Tibetan Buddhist monks from a monastery in Bhutan, led by Lama Norbu, searching for a child, who they believed had been reincarnated, as the Buddhist leader, Lama Dorje. This individual was thought to be in an American child named Jesse. Jesse was believed to be the son of an architect father, named Dean, and a school teacher mother, named Lisa. The family lived in Seattle, Washington. The monks traveled to Seattle to meet the boy, observe his daily routine and habits, learn his personality to determine if he could undergo further testing to prove whether or not he was the reincarnated being of Lama Dorje.

Both poems entitled Abiku discuss the title child who returns to haunt his family after dying at a young age. However, they are formatted and presented in different manners to give alternate meanings to the story presented. The first, written by Wole Soyinka, is written in stanzas, while John Pepper Clark’s is in block form. However, they also share a variety of qualities in common, such as nature imagery and belief in incarnation.