How Does Morrison Present Claudia's Identity

The characters within The Bluest Eye, by Toni Morrison, all attempt to conform to a standard of beauty in some way. This standard of beauty is established by the society in which they live, and then supported by members of the community. Beauty is also linked with respect and happiness. Both people who reach the standard of beauty, and those who try, are never really satisfied with who they are. This never-ending race to become beautiful has devastating effects on their relationships and their own self-esteem.

Throughout Toni Morrison's novel The Bluest Eye, she captures, with vivid insight, the plight of a young African American girl and what she would be subjected to in a media contrived society that places its ideal of beauty on the e quintessential blue-eyed, blonde woman. The idea of what is beautiful has been stereotyped in the mass media since the beginning and creates a mental and emotional damage to self and soul. This oppression to the soul creates a socio-economic displacement causing a cycle of dysfunction and abuses. Morrison takes us through the agonizing story of just such a young girl, Pecola Breedlove, and her aching desire to have what is considered beautiful - blue eyes. Racial stereotypes of beauty contrived and nourished by

The concept of physical beauty and desire to conform to a prescribed definition of what is considered beautiful can destroy a person's life. In Toni Morrison's novel, The Bluest Eye, many characters are obsessed with attaining the idealist definition of what is considered beautiful. The characters of Geraldine, Pauline, and Pecola all believe that physical perfection leads to acceptance; however, it is the same belief that causes their personal downfalls and prevents them from recognizing their own inner beauty.

No matter how ugly, mean, pitiful one can be, the family is always meant to support, raise, guide, nurture and be a means of inspiration in anyone’s life. In the novel, this isn’t the case for Pecola, which is why she gets mentally unstable as she couldn’t bear the torture of ugliness of not having blue eyes. Blue eyes are the one and only reason she could blame as per to her ability and thought process. In fact, she doesn’t get the real ugliness of how her father rapes her, the ugliness of how the mother choose the white girl over her, the ugliness of the fights between her parents is coming from their unpleasant past. After all, she doesn’t have that mentor in her life to explain what was happening. Everybody in her family is occupied with their own mindset. She is very young to understand and analyze on her own. The narrator Claudia even gets to compare between her and Pecola and starts accepting life and feel blessed for having a supportive family, which she doesn’t feel until Pecola enters in her life. So, this shows how young kids psychology is totally built upon the type of family environment she/he gets. There is a saying that young kids are like a raw clay ready to be shaped into the different form of objects by the potter. Undoubtedly, it stands so true. Indeed, kids shape themselves according to the type of environment they grow up with. By all means, Pecola’s family is the

The affiliation between beauty and whiteness limits the concept of beauty only to the person’s exterior. The characters are constantly subjected to images and symbols of whiteness through movies, books, candy, magazines, baby dolls and advertisements. Another example of the images and symbols in the novel is when the black protagonist, Pecola, feasts on a ‘Mary Jane’ candy.

“The Bluest Eye” by Toni Morrison, is a story about the life of a young black girl, Pecola Breedlove, who is growing up during post World War I. She prays for the bluest eyes, which will “make her beautiful” and in turn make her accepted by her family and peers. The major issue in the book, the idea of ugliness, was the belief that “blackness” was not valuable or beautiful. This view, handed down to them at birth, was a cultural hindrance to the black race.

The desire to feel beautiful has never been more in demand, yet so impossible to achieve. In the book “The Bluest Eye”, the author, Toni Morrison, tells the story of two black families that live during the mid-1900’s. Even though slavery is a thing of the past, discrimination and racism are still a big issue at this time. Through the whole book, characters struggle to feel beautiful and battle the curse of being ugly because of their skin color. Throughout the book Pecola feels ugly and does not like who she is because of her back skin. She believes the only thing that can ever make her beautiful is if she got blue eyes. Frieda, Pecola, Claudia, and other black characters have been taught that the key to being beautiful is by having white skin. So by being black, this makes them automatically ugly. In the final chapter of the book, the need to feel beautiful drives Pecola so crazy that she imagines that she has blue eyes. She thinks that people don’t want to look at her because they are jealous of her beauty, but the truth is they don’t look at her because she is pregnant. From the time these black girls are little, the belief that beauty comes from the color of their skin has been hammered into their mind. Mrs. Breedlove and Geraldine are also affected by the standards of beauty and the impossible goal to look and be accepted by white people. Throughout “The Bluest Eye” Toni Morrison uses the motif of beauty to portray its negative effect on characters.

In the Autumn chapter, starting on page seventeen, Claudia describes her hatred for Shirley Temple. She continues to describes her hatred for a white babydoll, and explains how she dismembered the doll. This turns gruesome when Claudia describes not only taking apart of her white babydoll, but also taking apart little white girls. However Claudia is not an evil character, in the book she represents innocence, and the reader gets to see the book through that innocent lens through her perspective. How can Morrison have a character that describes such gruesome acts, like squeezing the eyeballs of little white girls, and still be lovable and innocent? What is Morrison saying about jealousy and rage, directed not at a specific person, but more at the concept of whiteness? Claudia then goes on to reflect that she was shameful of her violence, motivated by this shame she hid her hatred in love, thus bringing her one step closer to loving Shirley Temple. Can a shame for such an intense hatred for something really move someone to love that hated thing? Is that true in other areas of supremacy, including gender and class? What does this say about the socialization of young girls and beauty? More specifically is the hatred Claudia possess towards whiteness stemmed from

Throughout history, beauty standards have been enforced on females. They are taught what the ideal beauty is by the media and current culture of that time. Society creates certain expectations that require women to look a certain way to be beautiful and if not they are considered ugly. They change their appearances in order to conform to the established beauty standard and often lose a part of their identity in the process. In Toni Morrison’s novel, The Bluest Eye, she captures the struggle young girls and women face to meet the expectations that popular culture has on the ideal beauty in the early 1940s.

Morrison introduces us to Claudia and promptly shows her apparent masculine personality when Pecola and Frieda are “Talking about how cu-ute Shirley Temple [is]” (Morrison 19) and Claudia explains, “Younger than both Frieda and Pecola, I had not yet arrived at the turning point in the development of my psyche which would allow me

In the novel The Bluest Eye, author Toni Morrison uses the internalization of beauty standards and its effect on characters’ social interactions with the community to reveal society’s assumption that appearance is the decisive factor in determining one’s status and critique its detrimental effect on one’s personal identity.

It is more plausible that Claudia is the embodiment of Morrison than say Pecola or Freida in that Claudia is the narrator; if Claudia is the narrator, then Claudia’s perspective was written to an extent, through the similar eyes of Morrison. It can also be argued that Claudia is the external projection of Morrison’s reaction towards racial beauty, with both having experiences of disdain with blue eyes. As a child where Morrison’s friend wanted to possess blue eyes: “She said she wanted blue eyes. I locked around to picture her with then and was violently repelled by what I imagined she would look life if she had her wish. The sorrow in her voice seemed to call for sympathy, and I faked it for her, but astonished by the desecration she proposed, I ‘got mad’ at her instead.”

            Pecola's friend Claudia is angry at the beauty of whiteness and attempts to dismember white dolls to find where their beauty lies.  There is a sarcastic tone in her voice when she spoke of having

For decades there has been an ongoing discussion on society’s standards of beauty and what makes someone beautiful. In Toni Morrison’s The Bluest Eye she challenges white standards of beauty. Just like today, the society in Loraine, Ohio establishes a standard of beauty, and this beauty is defined as being as close to white as possible, having blonde hair, blue eyes, and a “Jack and Jill” family. Most of the characters in The Bluest Eye attempt to conform to society’s standards (complicating this idea) and believe if they can achieve at least one of the aspects of beauty their life will be better and they will be treated in higher regards. Through the female characters of Pecola, Claudia, Maureen, Geraldine, and Rosemary it is prevalent that there is a spectrum of beauty and the person who is closest to this standard, white skin, blonde hair, and blue eyes, is considered pretty and is respected by society, while a person who is not close to this standard is considered ugly and is treated poorly by society. By ascribing to society’s expectations of beauty, Geraldine extends the role of white supremacy and undermines her own self-worth.

Toni Morrison offers a means for a little black girl to feel worthy of love even if the world tells her differently. She uses Claudia MacTeer to illustrate this idea. Claudia feels worthy of love because of her family. For example, Claudia tells us “I had only one desire: to dismember it… to find the beauty… all the world had agreed that a blue-eyed, yellow-haired, pink- skinned doll was what every girl child treasured” (22). She mentions later I destroyed white baby dolls” (22). White baby dolls are symbols of beauty. Claudia dismembers the white baby dolls to find out what is inside of them. She finds nothing inside of the dolls to justify their beauty, only the white skin on the outside. She learns that being black means you are not beautiful and unworthy of love. In order to be beautiful according to society, you must be white. Claudia destroys white baby dolls because she wants to destroy the idea that you have to be physically white to be beautiful. Despite society considering Claudia not being beautiful, she still feels that she is unworthy of love. For Christmas, Claudia wishes she could be with her grandmother and grandfather in the kitchen. This shows that