How Does Peter Weir Use Visual Techniques In Gallipoli

Courage is one of the most important character traits a person can have. Robert Francis Kennedy once said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.” Courage is shown in both the novel To Kill A Mockingbird by Harper Lee and the movie The Help directed by Tate Taylor. Both the book and movie’s theme of courage, the ability to do the right thing despite challenges and oppressions, is shown through the characters’ action, symbolism, and dialogue.

When looking at film Hidden figures we can see how it explores the ways courage can make an impact and the different ways it can be demonstrated. The importance of courage overlays

Courage is the ability to stand up for ones beliefs and ethics that the Army has been bestowed on them, despite the danger they may face on duty. Courage which is the result of training and discipline is the kind upon which the control of men in battle is based. With such courage, the man when facing

To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who

When people think of war what comes to mind is death, torture, and destruction. War instills fear since everyone dreads involvement in the ordeal (Mazlish 10). The experience of war leaves people with physical and psychological scars. Tim Obrien in “The Things they Carried” brings to light the tribulations faced by the soldiers in their quest to restore peace. He asserts, ‘war is hell (Brien 8).’This is an exhilarating story that brings to light the fact that, despite their participation in the war, soldiers are still human. Stanley Kubrick echoes Obrien’s sentiments in his award winning film the Full Metal Jacket. Both highlight the ugly truths of war as full of cruelties and absurdities. The experience of war for the soldiers shows that they are still human with feelings and emotions (Mazlish 11). For some, their emotions grow stronger while others undergo mental anguish and breakdowns, but whatever the case nobody is ever the same again.

Through the course of the novel, O’Brien attempts to discover an appropriate definition of courage by reflecting upon his comrades in Vietnam such as Major Callicles, philosophers such as Plato, and himself. According to Major Callicles, courage is defined as “not standing around passively hoping for things to happen right; it’s going out and being tough and sharp-thinkin’ and making things happen right” (O’Brien, 200). Major Callicles influences O’Brien’s definition of courage by illustrating what is expected of O’Brien and every other soldier in times of war. In the eyes of O’Brien, Major Callicles is courageous in his own unique manner because he embodies the vigor of an American soldier. In contrast to Major Callicles, Plato’s definition of courage is described as a “certain kind of preserving...of the

Courage’s importance comes into play if choosing to live life to the fullest. “The quality of mind or spirit that enables a person to face difficulty, danger, pain, etc., without fear.” A revealing and mysterious novel “Jasper Jones” by Craig Silvey has Jasper (14) appearing at Charlie Bucktin’s (13) home late one night. Feeling the exhilaration Charlie takes up Jaspers offer to follow him into the woods, nervous and excited they crept through the night. Charlie and Jasper discover something that never will leave their conscience.

gives us simple a wide view, so that we can see lot more scenes and

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

The rambunctious behavior of the soldier’s triumphant victory is a strong message visually for the viewer. These soldiers struggle to find their identity and once the war ends, the identity they’ve build at war vanishes, (McCutcheon, 2007). As a result, they essentially lose a part of them selves, (McCutcheon, 2007). When they return home, many soldiers struggle with psychological issues that prevent them from resuming their once regular lives, (McCutcheon, 2007). The images of soldiers celebrating at the end of war give the viewer a taste of this problem. This also allows the viewer insight to the deeper issues surrounding an American soldier’s mental stability and mentality. Through this image, along with many others throughout the film, the viewer is able to dig deeper and truly analyze what they are seeing.

There is one scene where the three flag raisers entered a crowded stadium before a football game which typified how an image of war can be so different to the reality of war. The flash photography, the cheering, the roar of the crowd all went to John Bradley’s head and he had flash backs of the fighting on Iwo Jima and the genuine heroes that he had left behind. This scene contrasts what the reality of war, were all the men are dug in and fighting for there life, and the images of war. Ira Hayes says “I know it’s a good thing, raising the money and that, ‘cause we need it. But, I can’t take them calling me a hero. All I did was try not to get shot. Some of the things I saw done, things I did, they weren’t things to be proud of, you know?” Clint Eastwood shows continuously, through his characters physiology shows how one single photo can be so different what really makes up the battle of Iwo Jima. The aim was to get war bonds; the minds of the three main characters through Clint Eastwood’s directing showed a strong insight to how the reality of a war and an image of war can be so contrasting.

Wilfred Owen’s poem does a virtuous job of depicting the view of war by young men at the time of World War One. The fact that it mentions the young man lied about his age in order to volunteer for the war demonstrates the way that teenagers at the time viewed the war as an opportunity for adventure, only to find that it was nothing but hell on

The story “The Things They Carried” by Tim O’Brien is an enormously detailed fictional account of a wartime scenario in which jimmy Cross (the story’s main character) grows as a person, and the emotional and physical baggage of wartime are brought to light. The most obvious and prominent feature of O’Brien’s writing is a repetition of detail. O’brien also passively analyzes the effects of wartime on the underdeveloped psyche by giving the reader close up insight into common tribulations of war, but not in a necessarily expositorial sense.. He takes us into the minds of mere kids as they cope with the unbelievable and under-talked-about effects or rationalizing

The war film genre includes films about warfare, including naval, air or land battles. Films in this genre may focus on the battles, prisoners of war, military training, life during wartime or morality and humanitarian issues of warfare. This genre commonly includes works of fiction, works based on historical facts and occasionally works based on alternate-history fiction. According to American Cinema/American Culture, the genre also includes four narrative elements: the suspension of morality during times of war, the prioritization of collective goals over individual motivations, the rivalry between men and their objectification of women and the issues of reintegrating veterans. (Belton 165-71)

Personal Courage: it takes Personal Courage physically to get up, get ready, and be where the soldier needs to be. It takes Personal Courage morally to do the right thing, just like