How Does Ric O Barry Use Ethos In The Cove

Blackfish is a documentary centered around the treatment of killer whales held in captivity, most notably that of Tilikum, an orca that was held by SeaWorld at its facility in Orlando, Florida. The documentary begins in 1983 with the capture of Tilikum and sheds light on the deaths involved with the infamous killer whale. Moreover, it features interviews with former SeaWorld employees who interacted with Tilikum and witnesses who were present for some of Tilikum’s reported attacks. Jeff Ventre, a board-certified medical doctor and former SeaWorld Trainer, and John Jett, a marine mammal scientist are also brought onto the documentary to analyze the scientific facts presented and to describe it in a way that is easily understood by the viewer. In the documentary, there are many examples of rhetorical devices used to provoke the viewer to stand against the captivity of killer whales.

Any little child is able to connect the name Shamu to the massive black and white creatures that dwell in the ocean waters, termed orcas or killer whales. However, the recent release of the film “Blackfish” has aimed to revise the common opinion of killer whales who are known by the title Shamu. As the film strikes marine life parks such as SeaWorld with apparent reasons as to why these orcas should not be in captivity, the question of “Blackfish”’s validity arises. How truthful can a film be that was created to persuade its viewers to ceases visiting attractions such as the killer whale shows? Since the release of “Blackfish,” animal rights activist, writers, and amusement park aficionados have been expressing their speculations on the “Blackfish”

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

In Blackfish, the use of ethos, pathos, and logos are used to condemn SeaWorld’s mistreatment and irresponsibility of taking orca whales into captivity. The use of the rhetorical device ethos, which refers to the credibility of a source to persuade an audience, is used repeatedly through the use of interviews with SeaWorld trainers. During the documentary, former SeaWorld trainers talk about their time at

Documentaries are a form of genre in the film industry that aims to discuss a certain topic in the world, often trying to prove a point or persuade the audience towards a particular cause. The cove (2009), directed by Louie Psihoyos, is about the annual dolphin slaughter in Tai Ji that happens every year in Japan. It shows the ventures of the activist Ric O’ Barry who tries his hardest to expose the injustice within the industry. Blackfish (2013), directed by Gabriela Cowpertha is about the captivity of Orca Whales in public wild life parks such as Sea World. Very much like The Cove, Blackfish attempts to expose a certain dark side of what seems to be a harmless company and show the world that captivity can be dangerous for whales and even

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Blackfish, a documentary by Gabriela Cowperthwaite, analyzes the horrific treatment, containment, and use of Orca whales within entertainment facilities. The discussion of treatment began in 2010, when Dawn Brancheau was killed and drowned by the whale, Tilikum. Since this incident, there have been multiple investigations into SeaWorld and similar facilities. It is argued that the whales should be released from these facilities due to the posed dangers they have to humans, and themselves.

The death of Dawn Brancheau made national news back in 2010. Dawn was working as an orca trainer at the SeaWorld of Orlando when the tragic accident occurred. While doing a relationship session with Tilikum, the largest orca in captivity, Dawn was pulled into the water and drowned. It was a story that not only shocked the nation but left people wondering how something so horrible could happen. Gabriela Cowperthwaite‘s use of the accounts of retired SeaWorld trainers exposed the harsh reality of captured animals in her documentary Blackfish. In creating a piece focused on the life of one orca, Cowperthwaite has allowed viewers to look into the lives of captured animals and has shown the greater social issue of animal rights, the treatment