How Does Romeo Fit Aristotle's Definition Of A Tragic Hero

A tragic hero is defined as, “a great or virtuous character in a dramatic tragedy who is

A tragic hero is a character that the audience identifies with. This character is born into a high position, or worked diligently to achieve their goal. They possess a quality unknown to them, that causes their downfall. Through strife and a long journey, the tragic hero is able to redeem humanity. Three main theories of the tragic hero are the Aristotelian model, the Shakespearean model, and the modern tragic hero. For instance, nobility is characterized by being upper class and having elevated character. Romeo satisfies both these criteria through his position as son of the Montague family, and he was even referred to as a gentleman by his enemies. Although he was respected by many, Romeo’s impulsiveness, or his fatal flaw that moves

Aristotle’s definition of a tragic hero is someone of great importance or royalty. The hero must go through something terrible such as a relative’s death. We must feel what this character is feeling throughout the story. Aristotle also said that a tragic hero scan be defeated by a tragic flaw, such as hubris or human pride. In Sophocles’ tragedy Antigone, both Creon and Antigone are tragic heroes.

In the book "Romeo and Juliet", Romeo is considered a tragic hero. Romeo's family and Juliet's have been hating for so long that they don't know the reason why. At the beginning of the story it says "Which but their children's end, naughty could remove". Romeo is a tragic hero because of his noble birth, flaw, and a fall. First reason why Romeo is considered a tragic hero because of his noble birth.

Aristotle’s version of a tragic hero is a person who makes a judgement mistake which causes his or her own downfall. In the play Macbeth written by Shakespeare, the main character Macbeth is an example of Aristotle’s description of a tragic hero. Macbeth fits the definition of an aristotelian tragic hero by his nobility turning into excessive pride due to his felonious actions, but after his fall from grace he becomes conscious of his lost virtue and he begins to regain his integrity. Macbeth originally appears as a noble war hero in the beginning of the play.

In William Shakespeare’s Romeo and Juliet, Romeo is "a tragic hero.” This is according to Aristotle’s definition, a tragic hero is a character “who is neither completely good nor completely bad, but also a member of royalty.” Romeo is a tragic hero because he does many good things, but many bad things, as well. For example, he is a Montague and he marries Juliet, who is a Capulet. This is prohibited, so Romeo is bad. However, Romeo does everything he can to keep Juliet happy and risks his life for her, which makes him good. Romeo is also a man of royalty because he is Montague’s son. Romeo’s character has many contradictions, which makes the audience think, “is he good or bad?” Asking these questions and not knowing the answer leads

A tragedy in literature is a tragic hero who falls due to a tragic flaw. Romeo’s immature personality has a huge effect on the end of the play. Romeo never thought before he acted, causing things to go wrong. For instance, before he killed Tybalt, he was angry in the moment not thinking about what would happen. When Romeo met Juliet he was in love with another girl. From here, his judgements eventually lead to his death. His tragic flaw is his unripe personality. Romeo enters this risky relationship as a young and carefree man, who doesn’t realize what could happen during this. The play Romeo and Juliet by William Shakespeare fits perfectly with the definition of a tragedy, beginning with two hopeless teens and ending in their death by their own violation.

Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.

A tragic hero, as defined by Aristotle, is a man who is great but also terribly flawed, who experiences misfortunes while still remaining admirable to the audience at the end of the play. One of Aristotle’s favorite works, Oedipus the King, a play by Sophocles, is a play that above all others, defines the meaning of what a true tragic hero really is. In the play, Oedipus the King, the story unfolds after Oedipus unintentionally kills his own father and goes on to marry his mother. The events of the play are tragic, but it is the way that Oedipus handles the tragedies that make him a tragic hero.

A tragic hero is defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. The hero in these tragedies is often presented as a noble however, flawed character whose demise is often impart to their own decisions, often due to their previously mentioned flaws, error in judgment and imprudent actions. Written in the early 1600’s Shakespeare wrote one arguably one of his greatest and highly controversial plays, the tragedy known as Hamlet, Prince of Denmark. Shakespeare in his play introduces us the pays one of his most popular, enigmatic, and dynamic characters the tragic hero Prince Hamlet. Hamlet is presented to us a sensitive, religious, loyal, moral, intellectual, and young

The tragic hero is the protagonist of the story; the purpose of a tragic hero is to evoke sad emotions, such as pity or fear from the audience. The flaw or mistake of the tragic hero leads to their downfall. Although the hero has been defeated, humanity is shown to have redeeming qualities. Three main theories of the tragic hero are the Aristotelian model, the Shakespearean model, and the modern tragic hero. Each model has five defining characteristics, which are nobility, hamartia, downfall, anagnorisis, and suffering. In the Shakespearean mode of tragedy, the play Romeo and Juliet best models the tragic hero. For instance, nobility is characterized by being upper class and having elevated character. Romeo satisfies both these criteria through

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

A Tragic Hero is a common figure in many of Shakespeare’s works. A Tragic Hero is usually a figure of royalty, fame or greatness. This person is predominately good, but falls from prominence due to personality flaws that eventually lead to self-destruction.

As defined by Aristotle, A tragic hero is a literary character who makes a judgment error that inevitably leads to his or her own destruction. In the play “Hamlet” by William Shakespeare, Prince Hamlet is the tragic hero. Prince Hamlet can even be considered a quintessential tragic hero due to how closely he relates to Aristotle’s definition. Initially he has noble motives which were to avenge his father’s death but by the end, his flaws and bad decisions lead him to his death. The fact that Prince Hamlet’s best trait is also his downfall makes him one of the most tragic heroes in Shakespeare’s work. In these ways and more, Prince Hamlet fulfills Aristotle’s definition of a tragic hero.

According to Aristotle, "the hero of tragedy should be "a man who is neither a paragon of virtue and justice nor undergoes the change to