Ron Rash’s novel—Saints at the River—begins with a short prologue, in which, a twelve year old girl drowns. Rash uses lyrical syntax and emotionally-charged imagery to establish a macabre tone. Rash utilizes several syntactical elements, but the most prominent, and arguably most effective, is his use of polysyndeton. The conjunction “and” is repeatedly numerously in Rash’s leviathan of a concluding sentence. For example, as the girl begins to drown, she “hears the falls and knows there is nothing that will keep her from it and the current quickens and quickens” (4). This repetition sets a rapid tempo and rhythm to the passage. This extends the action, stretching it out across several lines, while in reality it most likely lasted mere seconds.
‘The Grave’ by Katherine Anne Porter is a story that illustrates the initiation of a child from innocence to experience. The underlying theme behind the central idea of innocence to experience is the cycle of life and death and rebirth. This theme is illustrated in the young protagonist, Miranda, and her epiphany on the concept of the cycle of life and rebirth. The dominant tone in ‘The Grave’ is melancholic, and that tone is created through the language elements of symbolism, diction, and imagery. The story’s tone is also supported by the fiction element character.
I am reading the book, River, Cross My Heart by Breena Clarke. I am going to rewrite the first chapter of this book. This chapter includes the main events of the main character Clara, who died on a family trip because she fell in a river and drowned. This book is written from her cousin Johnnie Mae’s point of view and I am rewriting it from Clara’s point of view.
The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.
Inordinate conjunctions pass on the writer’s deliberate disparity between East Egg New York and West Egg New York. Fitzgerald intentionally incorporates a few "ands" with a specific end goal to strikingly articulate how diverse and "bizarre" West Egg is contrasted with the refined, high society that exists in the East Egg. Polysyndeton plays out a few capacities. Not exclusively does it join words, expressions and provisions and in this way gets congruity a sentence, however it acts likewise as an elaborate gadget, conveys cadence to the content with the redundancy of conjunctions one after another. It is likewise utilized as a tool to lay emphasis to the thoughts the conjunctions
Known for his ‘Dirty Realism’ writing style (Rundle, 2007), Raymond Carver wrote about the tribulations of the American Working Class. In his short story, ‘So Much Water So Close To Home’ (1975), Claire’s husband, Stuart, and his three friends go on a fishing trip, only to discover the body of a young woman floating in the river shortly after arriving. Instead of contacting the authorities immediately they continue to fish beside the body until some two days later. Carver examines what ‘men owe women’ and what ‘the living owe the dead’ (Byrnes, 2006). Director Ray Lawrence and his screenwriter Beatrix Christian attempt to develop these themes further in their 2006 Australian adaptation, Jindabyne. While there have been many alterations to the narrative, the film still closely revolves around Carver’s concept of responsibility. Although both Carver and Lawrence have explored societal and moral issues, Jindabyne’s more modern observations may further develop the representation of gender and culture and, more importantly, preserve the intricate ethical pillars of Carver’s short.
Bordering these waters is a remote Sea town inhabited by only women and young boys. One of these boys in particular named Nicholas decides to venture out into the deep boundless depths of this aquatic wasteland. Where he sees a rotting corpse residing at the bottom of the ocean. Shortly after seeing this Nicholas reports the sighting to his mother. Who tells him that he is simply just imagining things consequently Nicholas begins to grow suspicious about his mother and certain activities that are taking place
Grief is a key theme throughout Herrick’s novel “By the River” highlighting the suffering and distress from losing a loved one. Herrick explores this theme through the death of Harry Hodby’s mother and his close friend Linda. The
In ‘The Story of Tom Brennan’, the protagonist confronts a traumatic incident which compels him to undergo a physical relocation and sudden emotional change. The transition Tom predominantly faces is sudden as moving into the town of Coghill where he has to deal with social alienation and the horrific trauma inflicted through past events including Daniel’s anger and selfishness which hinders his physical and mentally growth and development. Tom experiences flashbacks of the ‘usual’ Australia Day with his family showing the complete paradox with what is now their reality and horror juxtaposed towards his flashback of the tragic accident of his older brother Daniel: “Running towards the car. Running into the headlights. Running into the silence of death.” The anaphora and repetition of ‘running’ highlights his emotional and physical devastation which emphasises the initial stages of the novel and negative connotations of ‘death’ assumes the setting. As a result of the crisis, Tom responds rather opposing towards transferring to a new setting of Coghill. Depressing motifs are frequently implied throughout the novel to express the feeling of despair and sadness: “There aren’t words to say how black and empty pain felt. It was deeper than the
If pain is a reliable measure of truth, then Frances, the protagonist of Noah Baumbach’s new film, “Frances Ha” (played by Greta Gerwig, who also co-wrote it)—who sets herself adrift in the stream of time and gets caught in a waterfall—is utterly dans le vrai. Frances is a twenty-seven-year-old woman, originally from California, who starts out in Brooklyn (her changing addresses, in the form of title cards, punctuate the movie throughout) as an apprentice dancer in a small company where she’s aspiring to full membership. Instead, she gets dropped from its roster, and her life goes into a sudden downward cascade.
It is easy to relate to the story and the reader is able to see the characters as reflections of themselves without difficulty. It discusses situations involving death and grieving while sending a positive message to children that is informative and comforting. It contains components of faith that offer hope. The subject of death brings about emotions in young readers, therefore utilizing the same sensitivity in discussions that the writer uses in her book is essential. The most difficult part of the book is when Leslie goes alone without Jess to Terabithia. Jess had been out of town that day. The rope they use to swing on to get to the other side of the gully breaks, and Leslie falls into the rushing water below, drowning. When Jess returns home, he says, “No. Leslie wouldn’t drown she could swim real good” (Paterson 103). Jess agonizes with immense grief over Leslie’s death. His father has become supportive after her death, and after the funeral Jess runs off, his father catches up to him, and finally shows compassion to his son holding him with pronounced gentleness. Through sobs, Jess said, “I hate her. I hate her and wish I’d never seen her in my whole life” (Paterson 147). The father’s behavior is essential to Jess’s ability in overcoming the
To begin with the nursery rhyme, “Ten Little Indian Boys”, that hangs on the wall in each of the characters’ rooms creates suspense. Each person dies in a way similar to one of the deaths in each verse of the rhyme. The nursery rhyme is scary, as it speaks of death, and foreshadows that the characters on the island may die soon. At first the people on the island laugh and call the nursery rhyme “remarkably childish.” (39) However, they soon start fearing it. If one person dies the same way as in the nursery rhyme, it may just be a coincidence. As more people die similarly to the nursery rhyme the reader realizes that the deaths are not accidental. In this way, Christie turns a fun and lighthearted rhyme into a dark and ominous one. This creates a sense of unease as the reader and the characters begin to wonder who the next person will be to die and how their death will connect to the rhyme. Additionally, the mysterious disappearances and reappearances of Philip Lombard’s revolver instill feelings of fear. When the revolver is not with Lombard, it could mean that somebody is hiding the gun and might be planning to use it. see this disappearance as being ominous. Moreover, after a while being on the island, Vera Claythorne notices a hook on the ceiling of her room after imagining that some seaweed hanging from it is a “cold clammy hand touch[ing] her
Set in a rural Australian town in the 1960s, Steven Herrick’s novel by the river is portrayed through the eyes of protagonist Harry Hodby. This novel explores the interconnected themes of loss and leaving. Harry Hodby loses three significant people in his life; his mother, Linda Mahony and Eve Spencer. As we peer into the perspective of the principle character, we understand how he deals with each of his losses in an individual way, and how he finally finds closure and acceptance of the people in his life that have departed.
The plot of Hubbard’s novel is well written, intriguing, unexpected, and heart wrenching. Ariella Montero, nicknamed Ari, is a thirteen year old who has been raised up by her father in a very sheltered house. Her mother left her and her father immediately after Ari’s birth. Throughout her life, she spent her days reading about the outside world, but she had never experienced it in real life. In an attempt at searching for the truth about the reason why her mother left, Ari came to the realisation that her father is a vampire and
Childhood represents a fundamental theme within the poems “First Death in Nova Scotia,” “Sestina,” and “In the Waiting Room.” Each poem depicts the delicate nature of childhood and its state of innate virtuousness. Bishop conveys the
Hell or High Water offers thought-provoking criticism of the obvious disregard for the disparity between people, the cultural elite, and the lower class. It shows a violent revolt against colonialism and globalism through the Old West tropes and Toby and Tanner’s actions. The perspective on guns, ranching, land, and life, evoke thoughts of the Old West and