How Does Shakespeare Present Iago As A Villain

Othello is an easy target in this drama, because Iago already knows that he is a very insecure person. With that stated, it will be easy for Iago to use Othello’s jealousy to trick him into thinking that Desdemona is an unfaithful wife. Iago will manipulate the way Othello sees things in order to convince him that what he sees is innocent acts between Desdemona and Casillo. Iago’s starts to plant the idea in Othello’s head of an affair after Othello sees Casillo rush leaving Desdemona in a manner that looked as though he is guilty (1223). Alone with Othello, Iago begins to make Othello feel threatened by Casillo and Desdemona’s apparent relationship by bringing up the fact that Casillo served as Desdemona’s and Othello’s go-between during the time of their courtship. The conversation ends with Iago asking Othello to watch carefully of Desdemona and Casillo, and Iago exits giving Othello time to question the accusation of Iago (1225-1228).

Revenge is the main theme in the play Othello by William Shakespeare and it is portrayed from the character Iago. Through Iago’s soliloquies he reveals his horrible doings. Iago wants to get revenge on Othello and his loved one Desdemona. The reason why he wants to get revenge at Othello is because he promotes Cassio to Lieutenant. Iago takes advantage of his reputation “Honesty Iago” to manipulate other characters in the play to get revenge from Othello. Iago is aware that he can easily manipulate the people around him to get revenge from Othello that he does not stop and think about the harm he is causing. Iago is a brilliant character that he successfully manipulates Cassio, Desdemona, Roderigo and his own wife Emilia to fulfill his

Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.

Iago’s most notable characteristic is his astounding ability to manipulate people. For example, in Act I, Scene I of the play, Iago requests that Roderigo rouses Brabantio in order to poison his happiness with the news of his daughter’s secretive marriage (1.1.74-78).

The relationships in Shakespeare’s plays are never simple and even less so when one narrows the field to his tragedies. In the case of Iago and Othello this complicated relationship is made more so by the interwoven theme of appearance verses reality. The idea of Iago, the wolf in sheep’s clothing, fighting both for and against his master that permeates the play. Othello, however, a seasoned warrior being unable to see through the guise is a flaw his companion takes advantage of. Iago’s hatred is the biggest mystery of this play, making the reader wish Shakespeare had written a prequel.

In Shakespeare’s play Othello, tragedy unfolds on the account of one man’s actions, Iago. He is a twenty eight year old military veteran from Venice. His personality consists of being obsessive, manipulative, relentless, and bold. From the beginning he expressed his hatred towards the Moor, or North African named Othello. Othello is a highly respected general and is also married to the pure Desdemona. The marriage between Othello and Desdemona is destroyed due to Iago’s actions and lies. His actions consist of getting Michael Cassio discharged as lieutenant and convincing the Moor that his wife is cheating on him. The motives Iago has for despising Othello are he passed him over for a promotion to be his lieutenant, instead he chose

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

William Shakespeare’s Othello uses different and unique techniques in his language to express the nature of evil throughout the play. Verbal twists and the characters most importantly stress the act of evil. Iago, most of all is portrayed as the “villain” or “protagonist in the play. Shakespeare uses this character to set the basis of evil. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language towards the other main characters.

Later in the play Iago successfully convinces Othello that Desdemona is fornicating with Cassio and no longer loves him. In Act 4 Scene 1 Iago and Othello discuss Cassio and Desdemona, Iago argues that he believes that the two are becoming very flirtatious. Othello does not want to believe this about Desdemona. For Iago to prove to Othello that Cassio has been with Desdemona, he orders Othello to hide and watch Cassio’s face throughout the conversation. Iago also tells Othello look out for Cassio laughing as that is a sign that he is admitting to being Desdemona. All of this is Iago’s maneuvers of deception, by acting as the good guy to Othello he makes Othello trust in him more and leads to easier deception on Iago’s part.

Iago's omnipresence is vital to his success; only when present in a scene is he able to manipulate the characters and, more importantly, interpret the scenes for the benefit of those witnessing the events. In the first scene of the fifth act, after killing Roderigo and after Cassio passes out, Iago senses the chance to engage in a bit of creative staging. Iago, left uncontested,

It is interesting to notice how Iago uses images of manipulation, violence, betrayal, and jealousy in Shakespeare’s play, Othello the Moor of Venice. Iago is doing this because he is insecure about himself, and he wants to see other’s fail. Iago uses the innocence of Barbantio, Cassio, Emilia, and Roderigo to dehumanize Othello. Iago stresses the fact that he hates Othello for giving Cassio the position of lieutenant, which he wants for himself.

“Othello” by William Shakespeare is a tragedy about how a general was coerced into murdering his wife. The mastermind behind this elaborate murder is a man named Iago. Throughout the play Iago can be seen manipulating characters like Roderigo, Cassio, and Othello, in order to get revenge on Othello for snubbing him of the position of Lieutenant–a position he believed he earned. One of the first people Iago uses in his scheme is Roderigo, a wealthy Venetian gentleman with a history of pursuing Desdemona.

Iago is widely credited, in the words of Agatha Christie, as “the greatest villain of all time”. He is a manipulative character who “weaves a web of deceit” by exploiting even the tiniest faults in others. By maintaining a facade of comedy and boyishness he uses his honesty and twisted truth to play others “like a virtuoso” and “drive... them to madness”. In the play Othello, Act 2 Scene 1 is perhaps the most enlightening scene with regards to the truly manipulative character of Iago. Containing several soliloquies and interactions between all of the main characters, his manipulation is well encapsulated both in this scene in the play and in the 1965 Stuart Burge film adaptation.