How Does Shakespeare Present Misogyny In Hamlet

The feminist school has various goals when being used to scrutinize a piece of literature. As Gillespie points out, historically texts were written by males with primarily male protagonists, and thus, the male sentiment is most dominantly expressed in many works of literature. The lessened representation of women in literature is usually confined to typical stereotypes of the historical period. This can be seen in Shakespeare’s play Hamlet, and this will be further explored and discussed. Through the feminist lens, women’s presence and portrayal in the play, as well as the common stereotypes about women in Shakespearean society, can be studied carefully, despite the centuries that have passed between the play’s conception and the present. Additionally, as stated in Literary Theories: A Sampling of Critical Lenses,

Hamlet questions the true intentions of the ghost and whether it be “a spirit of health or goblin damn’d,” (1.4.669). The Ghost enlightens the Prince of the treason committed by his uncle Claudius, which Hamlet doubts the legitimacy for an instance. According to “Hamlet’s Precarious Emotional Balance,” “Hamlet conceives a way out of his uncertainty, a way to make certain that he has not, because of his melancholy, simply hallucinated the ghost's revelations or been tricked by an evil spirit,” (Lidz). Hamlet develops a scheme to “catch the conscience of the king” by staging a play that depicts the murder of King Hamlet precisely (2.2.581).

Hamlet has thrust upon him the dual responsibility of avenging his father and becoming a man. These new responsibilities push Hamlet’s already fragile sanity over the edge into madness. “Hamlet experiences anxiety both because of the dysfunction of previous masculine roles and because of his shames at their loss, a loss he holds himself accountable for” (Rosen, 63). Hamlet is instantly roused from a bout of depression at Horatio’s news of the ghost. Hamlet undoubtedly feels that this ghost might be able to put his mind at rest.

Hamlet’s first soliloquy in Act 1 Scene 2 in the play Hamlet by Shakespeare reveals Hamlet’s character for the first time, employs the theme of Suicide, the motif of Misogyny and Incest, establishes a depressed mood for Hamlet and shows contrasts between characters through the use of figurative language like Metaphors and Allusions.

Shakespeare develops the theme of misogyny through diction around Ophelia and Gertrude in order to depict women as inferior to the men in Hamlet. Shakespeare’s diction through Hamlet’s declaration that “Frailty, thy name is woman!” inserts the idea that weakness is feminine from the first Act of the play. Through placing judgement on his mother for her marriage to Claudius and declaring that frailty is an inherently feminine, Hamlet expresses that he believes himself to be above all women, regardless of who they are. Furthermore, Shakespeare’s diction in stating that women will make “monsters” out of the men they marry indicates the belief that women are manipulative forces who ruin the causes of men, despite the fact that the prominent women

In William Shakespeare play, the chief protagonist hamlet shows a negativity view towards women in his life. Hamlet consider that his mother and Ophelia have deceived him through their action; Gertrude married only a mother after hamlet father died and Ophelia heeds her father right not to see hamlet despite confessing her love to him. In this way hamlet views this two women as a fragile and too dependent on the man in his lives which makes him say “fragily, thy name is woman (page 271). In a soliloquy in the second scene of Act I, deploring his mother’s indecent marriage, Hamlet says “Frailty, thy name is women!” Most critics have interpreted this statement as are mark toward all the women in general referring for their moral weakness and distrustfulness advocating the fact of Hamlet’s being a misogynist. But it is also not inappropriate to say that, Hamlet, in this statement, does not mean “frailty” for moral weakness or distrustfulness. By “frailty” he can also mean the flaw of being dependence upon men in women. Gertrude is a woman who values status and affection more urgently than moral righteousness and respect. She is extremely dependent upon men in her life. That is why after king Hamlet’s death, when she finds her position insignificant; she quickly gets married to Claudius only to restore her earlier status which she values more

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

Women were mistreated and portrayed as the weaker sex in the 16th century, also known as the Elizabethan era. William Shakespeare, a famous English playwriter, provides many examples of misogyny throughout Hamlet. As the play commenced, it is shown that Hamlet’s mother, Gertrude, re-marries after Hamlet’s father, who was the king, passes away. Hamlet is not impressed with his mother’s actions, because she not only re-married but she married Claudius, Hamlets uncle, also known as the King’s brother. This causes Hamlet to lose trust and build hatred towards the female influences in his life, Gertrude and Ophelia.

In Shakespeare’s play Hamlet, there are many instances where Shakespeare’s ideas go against those of the feminist lens. This is mainly due to the time period Shakespeare wrote Hamlet. According to the feminist theory, Hamlet’s theme

Shakespeare was possibly the first writer to portray women as strong, crafty, and intelligent. However, he has still received criticism from feminists about his representation of women. Some have even accused him of misogyny. There are only two female characters in the play Hamlet - Gertrude, Hamlet's mother and Ophelia, daughter of Polonius. Any debate based upon gender roles must therefore focus upon these two characters.

Even though Hamlet seems ardent in his intentions of avenging his father’s death during his encounter with the Ghost, by the second act, Hamlet begins to doubt that the ghost was actually his father. While giving his soliloquy after he has seen

The ghost made the whole situation for Hamlet seem even that much more unreal. He already wished that all of the recent events he had to deal with were not real. He then has to deal with the reality of this ghost. It seems to influence him terribly and takes a negative toll on his emotions. This occurrence continues to further diversify Hamlet’s feelings and emotions (Snider, 67).

Hamlet is a critical thinker for the world around him, seeking opportunities to learn. When Hamlet is confronted with the ghost, he isn’t sure if his eyes deceive him. With further inspection, he learns it is his father who appears in front of him.

Women are truly the backbones of society. They continue to bloom and flourish, helping to further grow and expand communities and the world, but are often cast to the shadows because of stereotypes placed on them dating from centuries ago. It is no secret that Shakespearean plays set basis for these stereotypes, but because of the world views on women's rights in Shakespeare's time, his female characters were allowed to break free from the confines of society. In Shakespeare's most famous play, Hamlet, the two leading ladies, Ophelia and Gertrude, break free from the standard by showcasing various acts of defiance, choosing their own paths and _______________________________. Shakespearean plays often portray women as fragile, negligible and untrustworthy people. Because of the dynamics of Hamlet, the women in the play closely fit the accepted stereotype but, prove to be the strongest characters written in this tragic tragedy by defying the restrictions placed upon them.

With the appearance of the ghost the reader is, whether they realize it or not, being challenged to take a position on Hamlet's state of mind. At first the reader may take it at face value assuming that a ghost is a ghost and should be accepted as such. But after a deeper look using the psychoanalytic perspective of critical evaluation, it becomes believable that the ghost is just a trick of Hamlet's mind used to justify his urges to avenge his father's death, a sort of madness. It is hard to decide what to think about Shakespeare's introduction of the ghost because of the two different ways he portrays it.