How Does Shakespeare Present Misogyny In Hamlet

Throughout centuries men have been seen as the gender that have more rights than women. According to Diane Elizabeth Dreher’s 1986 book, Domination & Defiance: Fathers and Daughters in Shakespeare, she explains that a woman during renaissance England, “was to conform patiently and silently to the will of her father and, later, to that of her husband, accepting commands, correction, physical abuse, with sweetness and humility” (16). As a result of a renaissance society that promotes and even encourages this type of behavior, men believe that they have more power. When someone believes that they have more power than another person a pattern of disrespect, and in the most extreme cases, physical and emotional abuse are likely to follow. In Hamlet, Shakespeare contrasts two female leads of the play, Ophelia and Gertrude, through reduction to appearance, instrumentality, and silencing in order to show that during this time period, the objectification of women in the play was parallel to the objectification of women during renaissance England.

In act 1 scene 2 of “Hamlet” the character Hamlet speaks his first soliloquy which reveals his innermost thoughts and feelings to the audience. In this soliloquy Hamlet’s unstable state of mind is evident as well as his feelings of despair about his father’s death and his disgust of his mother’s remarriage to his uncle Claudius. Hamlet’s hatred for his uncle is shown through harsh comparisons between Claudius and his late father. This soliloquy takes place after Claudius has begun his reign as king and has addressed the court for the first time but before Hamlet hears about the apparition that Horatio and the guards have seen. Hamlet’s character and personality are shown in this soliloquy through the use of classical imagery, diction and

Hamlet is mourning over the death of his father, he is in a depressed mood. He is mad at his mother Gertrude for marrying his uncle Claudius.

After Hamlet’s depressive first soliloquy, his second is far more motivated and aggressive. Hamlet’s second soliloquy occurs right after the ghost of the dead King, Hamlet’s father, leaves, having charged Hamlet with the duty of taking the revenge upon his murderer. In this soliloquy, Hamlet

The use of attitudinal tones makes Hamlet react in a way that develops his character to dislike his uncle, Claudius. Hamlet’s opening statement in Act 1 Scene 2, displays a sarcastic tone and his inner struggles surrounding his mother’s remarriage shortly following the death of her former husband, which is considered incestuous in his perspective. He describes his uncle as “a little more kin and less than kind” (I.2.65) which displays hatred towards his uncle and emphasizes the discomfort in their relationship. There is outward conflict between them as there is tension in the air whenever Hamlet and King Claudius are present together. He first expresses suicidal thoughts in a melancholic tone, when he describes the corrupted world he lives in as an “unweeded garden/ That grows to seed; things to rank and gross in nature/ Possess it merely” (1.2.135-136) where he wishes his “too sullied flesh would melt,/ Thaw and resolve itself into dew” (1.2.129.) He expresses his disappointment in his mother for marrying too soon and describes his father as “So excellent a king, that was to this Hyperion to a satyr” (1.2.138-140.) He explains how his father was by far a better king than his uncle. This betrayal exposes Hamlet’s repressed feelings about his mother, and the impact of his father’s death is increased through his perceived betrayal to faithful marriage and family ties. His tone changes in Act 3, Scene 3 as he is now exposed to Claudius’ confession of being responsible for the

In act one scene two, the audience sees Hamlet for the first time as a distraught man who has just lost his father and is in a state of confusion and anger over his mother’s new marriage. In this scene he gave his first soliloquy which gave the audience a clearer view of Hamlet’s mind. He began the soliloquy by wishing that his flesh could melt away or that God had not made suicide a mortal sin. In lines 136 to 137 Hamlet said, “ O God, God, / How weary, stale, flat, and

Throughout the play, Hamlet uses many mythological allusions to show his feelings towards other characters such as Claudius, Gertrude and the old king as well as inform us of his “fall”. After Queen Gertrude is re-married to Claudius, Hamlet shows his feelings when he compares the late King Hamlet to Claudius. Hamlet tells his mother, "So excellent a king, that was to this / Hyperion to a satyr." (Ham. I ii 139-40). This

Hamlet’s first soliloquy comes in act one scene two, as Hamlet reflects on the current state of events. The chief focus of this soliloquy is essentially the rottenness of the king, queen and the world in general. In this passage the reader is introduced to Hamlet pseudo-obsession with death and suicide, which later will become a chief point of indecision. In this particular speech, however, Hamlet is fairly confident. He wishes that his “too too sullied flesh would melt”

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

Her feelings of confusion and unsure loyalty reflect some of Hamlet's deep-seated weaknesses, while her unnatural sexuality and traitorousness ultimately reflect the darker qualities of Claudius. Gertrude - though distinctly female and independent in her worldview - is in many respects tainted or misguided by the flaws in both her lover and her son.

In Hamlet's second soliloquy, Act 2, Scene 2, his speech moves through anger, self-condemnation and agonised self-accusation, impassioned fury and mocking self criticism, deep reflection and determination. He continuously points out his faults on how he cannot raise himself to adequate passion to avenge for his father's murder, he comments on how the actor showed grief for his lines, and how he cannot, even though he has great reason to. Hamlet's mood is far beyond normal and has gone into philosophical realms, continuously using metaphors to show his disgust and anguish for himself and his attitudes to the current affairs in the state of his own home.

Queen Gertrude is the mother to Hamlet, widow to the late King, and new wife to King Claudius as shown within the first act of Hamlet. Following her marriage to King Claudius, her relationship with her son Hamlet becomes strained. Queen Gertrude symbolizes much of what is considered to be a negative aspect of womanhood. To Hamlet, Queen Gertrude is a failure of a woman. Through his dialogue, it is presented that Hamlet desires a woman and mother to be concerned for her family and place tradition above all else. When Hamlet’s mother makes a decision outside of that realm and marries King Claudius, Hamlet strives to berate her for her choices. Through

He acidly snaps at Gertrude, "Mother, you have my father much offended" (Hamlet, III, iv, 13). It is not that his mother is a woman that haunts and maddens Hamlet, but the fact that she chooses Claudius over himself. He believes that she does not actually love Claudius, but was merely seduced or tricked, and he cries out in anguish:

Many theatre students will tell you about Shakespeare, who he is, what plays he has written. But what if a theatre student came up to you and the first thing he said was that Shakespeare was all about gender and sexuality. Many people in the theater community may have to agree. If you don’t agree your mind may be changed by the end of this paper. In the plays The Winter’s Tale and Hamlet, you will find that Shakespeare brings out the theme of gender and sexuality.

Shakespeare’s depiction of the relationship between Hamlet and Claudius aids him in implying that his statement refers to Claudius’ impact on Denmark, rather than a more literal account of a garden. The first instance the two share a scene, it is clear that Hamlet does not appreciate what Claudius undoubtedly believes to be words of wisdom. Hamlet’s father died less than two months prior to the beginning of the story, yet Claudius insists, “But to persever in obstinate condolement is a course of impious stubbornness; ‘tis unmanly grief. It shows a will most incorrect to heaven…” (Shakespeare 1.2.92-95). Here, Claudius displays a lack of sympathy for Hamlet’s grief, which both fuels Hamlet’s dislike of him and initiates his lack of trust, for Hamlet undeniably views Claudius’ absence of grief as an alarming oddity. Hamlet later laments about how quickly his uncle wed his mother: “Within a month, ere yet the salt of most unrighteous tears had left the flushing in her gallèd eyes, she married” (Shakespeare 1.2.153-156). This untimely union again highlights Claudius’ lack of sorrow, for less than a month after his brother’s death, he chose to marry Gertrude. Hamlet’s anger is a result of his mother’s ill-timed remarriage, but it is a product of Claudius’ insensitive involvement in it as well. Furthermore, although Hamlet does not directly come to this conclusion,