How Does The Change Made People Pay More Attention?

Giotto di Bondonne created “Lamentation” circa 1305. This piece depicts Jesus Christ removed from the cross as Mary the Virgin embraces Him. There are two figures in the foreground with their backs facing the audience. Dawning a new style of artwork creating a sense of depth. John the Baptist is seen flailing his arms backwards. Body gestures were stiff and stern in comparison to previous works. Bondonne is an early artist in “the revival of the visual arts” by painting a scene to suggest a story (Richards). For example, angels are captured flying in the distance watching the people care for the deceased Jesus Christ. They grieve in unison with the crowd down below. Bondonne successfully creates a feeling of three dimensions by including a cluster of people on the far left tucked away in the corner. The mass of people gathered around to offer praise for His ultimate sacrifice.

Art in the early Renaissance began with artists such as Giotto, who was credited with beginning a new style of art that Masaccio had taken up and integrated into his art later in the Renaissance. This specific style, being the use of massive figures, relation of background/landscapes to figures, and visual representation of perspective, was utilized by Masaccio in his frescoes in the Brancacci chapel. Masaccio’s Tribute Money is showing a biblical tale ,as the renaissance was not entirely anti religion, but with subjects that are being made to look realistic through a use of perspective (vanishing point, horizon line, etc,) and it is said that Masaccio's work was said to be “ living, natural, and real”. Artists such as Uccello took this style and adapted it to also make his art more realistic by using figures to show the laws of perspective, while others like Pollaiuolo

The Renaissance began in the 1300’s and brought with it many new ideas and ways of thinking. The main one of these ideas being humanism, or that the best that a man can be is greater than the idea of theology. The Italians began to spread this idea and it began to grow. The Italians decided that the best way to express and spread the idea of humanism during the Renaissance was through their sculptures and paintings. This can be seen in many works of art from this time period such as the Mona Lisa by Leonardo da Vinci, The School of Athens by Raphael, and Michelangelo's David.

Giotto is considered the first artist to be fully immersed in the Renaissance, and the man who truly brought the Renaissance to Florence. He learned from the skills and progress of the artists before him and took their work one step further. By this time, artists were viewed as skilled workers in society, whereas before they had been seen more as craftsmen. It was recognized that creative and intellectual skill were needed to create art, and artists became more educated, prosperous, and prominent in society, and this increased respect allowed the artists to develop their skills further and take greater pride in their work. One of Giotto’s most extensive projects was the Arena Chapel in Padua, which was a series of frescoes lining the walls and ceiling of the chapel. He worked on this for five years, from 1305 to 1310. Giotto was commissioned to paint this chapel by Scrovegni,

In general, both Giotto’s Lamentation and Caravaggio’s Entombment are idealistic paintings for their times. They both show the artistical achievements for their era by their use of detail and new techniques that are available for them to use within their perspective paintings. These

The popular belief that people were unrighteous because of sin was washed away by the new idea of humanism as interest in the individual had grown. It was seen through mediums of both art and humanities with literature. The value of religion went down are the interest in the power of men strengthened. The Mona Lisa painting done by Leonardo Da Vinci during the renaissance is an excellent example of how individualism became a major focus during this time. As it portrays one human woman, and is not necessarily associated with the image of any religious figure which was popular in art from the Middle Ages (a time period before the Renaissance). More people began to create philosophies elevating the possibilities of men and developed principles on what the ideal man should be.

The lamentation by Giotto depicts the death of christ and the subsequent morning of his followers including Marry, after he removed from the cross. The scene itself is nothing new, it has been depicted countless of times before. It is Giotto’s revolutionary style, or rather his regressive style, that brought European art back to a more realistic depiction of figures in religious art. In The Lamentation the viewer can sense a three dimensional space in which the subjects inhabit. In addition to giving the work a little depth, Giotto also added figures that did not serve a narrative purpose and only existed to assist the viewer’s eye and provide a surrogate figure for the viewer to identify with. These figure have their back s turned to

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

The Renaissance began around the fourteenth century and created a “rebirth” of cultural ideals. The Renaissance was a period when ideas began to move away from the restrictive ideas of the Middle Ages. “The period can be described as the rise of humanism, which was an intellectual movement that emphasized secular ideas found in literature from Ancient Greece and Rome” (Atkinson). One of the most important newfound ideas during the Renaissance was individualism. Unlike the Middle Ages, the Renaissance brought new interest in art. The religious hierarchy became less important while people became more curious about the capabilities of man.

Suddenly, people were recorded in an entirely new way. Artwork focused on more realistic features of the human body as humanists revitalized Greek and Roman styles surrounding love for accurate shape (Hunt et al. 428). Giotto di Bondone’s work, Lamentation of Christ, is a perfect example of this transition. Being a piece painted just at the beginning tip of the Renaissance, it utilizes realistic human bodies and faces. Bondone also played with depth, adding a small amount of three-dimensional space to his piece. The proportions are relatively realistic, while most of art previous to the Renaissance was much more abstract. At this point artists were being rediscovered and began to expand on the idea of linear perspective, horizon line, and vanishing point, making the Lamentation of Christ a great preview of what many wee focusing on and how they chose to communicate during the 14th and 15th

Giotto picked and masterminded his subjects deliberately. The larger than usual, forcing Madonna, the grave, noble infant Jesus, and the mindful, devout holy messengers and holy people at their feet are all similarly urgent parts of the artwork and, separately, appear to have their very own existence. Maybe the most momentous part of the Ognissanti Madonna is Giotto’s amazing utilization of shading. With a conventional gold foundation, the gold of the blessed messengers' radiances and gold lines along the royal position, the sketch appears to sparkle in a majestic, heavenly light. The warm greens and reds, diverged from the light pinks and purples, serve to acculturate and help the generally profound, ethereal painting. Surface assumes a key part in the Ognissanti Madonna, particularly in the characteristics of di Bondone's subjects. An investigating take a gander at the composition uncovers the strikingly human-like surface of the fragile living creature and the painstakingly nuanced outward appearances of elegance, delight and regard. The apparel, as well, exhibits di Bondone's careful scrupulousness. The thick, rich robes of the Madonna fall reasonably between her legs, the free creases appearing to possess genuine space. As he would do all through

The second paining he did in the Sistine Chapel is titled the “Last Judgment”. Panted in 1534-41, taking about seven years to complete. He began his second fresco more than twenty years after he finished his first. This one located on the wall behind the alter depicting the second coming of Christ and the final judgment of all humanity by God. This work also depicts his muscular three dimensional dynamic figures which highlighted Michelangelo’s love of sculpting the male nude body. During the time of creating this piece he wished that he was sculpting instead of painting, he also received criticism about painting nude figures inside of a church. This led him to paint a mask on St. Bartholomew’s peeled of skin, one of the focal points in his piece. The mask is supposed to represent a self-portrait of the tortured artist at the time of creation. Unlike other works, Michelangelo’s Last Judgment is to be considered one of the more darker and chaotic out of all the other depictions of this biblical scene. He uses light and color to provide focal points, the brightest point of the picture is a light surrounding the figure of God who is the largest figure in the piece in the middle. He also uses the color blue in

Giotto’s Arena Chapel was built during 1305 for the Scrovegni family which was a very rich family during the Renaissance. It was built as a worship center and burial space where a Roman arena used to be located. It was previously connected to the family’s palace which made it in fact more private. Giotto was an expert painter and architect considered one of the most important artists of the Renaissance. The Chapel represents how important religion was during that time. The chapel is organized in a way that it tells a story, from Christ Grandparents, to the passion which are the events at the end of Christ life. The Chapel was made due to the Scrovegni family’s guilt of charging interest, which was a sin. The paintings on the chapel are frescoes

Giotto made his sketch Lamentation (Mourning of Christ) dated back to 1305-1306 with Byzantine procedures. In Giotto's artwork "The Mourning of Christ" speaks to an excited story between the light and diminished shades and the looks on the figures faces demonstrating a reaction to the demise of Christ. This painting can be found in the Arena Chapel in Padua. "The Mourning of Christ" displays a sad night. Displaying dull blues in the sky and disheartened countenances painted on the points, men and ladies.Most of the figures are wearing battered old pieces of clothing with obscured shades of red, orange and green addressing the diminish ages and religious workmanship.

In conclusion, Lamentation and Entombment of Christ are similar in terms of subject matter and the representation of a transition, one out of the Renaissance and one into, but they are wildly different in the stylistic impact the transition had on their depictions. Giotto departed from the standardized Byzantine Style of the middle ages and became one of the first Renaissance painters, making naturalism and humanism characteristic of the artistic movement. Figures were bulky, centralized and set in a clear plane, there was a direct and comprehensible narrative, harmonious color and composition, and normative to idealized proportions with a universal appeal that synthesized both religion and humanism while simultaneously being accessible to