How Does The Prince Prospero Symbolize In The Masque Of The Red Death

By using different colors and directional location for symbolism, Poe reinforces this theme. For example, our notes directly state that the Seven Colored Rooms are arranged from east to west. These directional locations propose that the furthest to the east room represents birth and beginnings, then as you make your way through the other rooms, (the other stages of life), you finish in the western most room which

The seven rooms within The Castle could be interpreted in many ways and settings. One interpretation is that the seven rooms are used as an allegory for the seven deadly sins. Pride and vanity correlate with the color violet and is prevalent in the story because Prospero believes that his social status will keep him from death. Gluttony is represented by the color white and is portrayed as running rampant throughout the Castle as Prospero throws a lavish party with more than enough provisions and wine for his multitude of party guests. The sin of slothfulness is represented by the blue room because when Prospero ordered someone to seize the unidentified man Prospero expected them to do his job of protecting them from the red death. Since the orders were not followed Prospero himself had to try to seize the figure but it took several moments before he made his way to him. Another interpretation is that the rooms represent the journey through life. Assuming that the order that Poe lists the rooms is in order from east to west the most eastern room would be the blue room. The blue room represents the beginning of life and new

But we will never know the real reason. It could be because of William Shakespeare’s “Seven Ages of Men”, or Christianity’s seven deadly sins. There are more speculations, but my personal perception would be one of these two. Although Poe was not very religious in his later years, he went to church a lot when he was a child which could have influenced his stories. The vivid colors used in each room would lead me to assume that the rooms actually represent the stages of life. On the most eastern side (where the sun rises) would be infant, then the colors in-between would be your years after infancy, then lastly on the furthest western side (where the sun sets) would be death since the room is black.

Prospero’s character is seen as incautious, and perhaps arrogant, which adds to the foreshadowing of the story’s ending. When nearly half of the town has died, Prosperous packs up his things and takes his close friends to live in the safety of one of his many palaces, leaving all the other citizens to fend for themselves against the Red Death. Upon moving to the castle “Prospero had supplied everything they needed for pleasure” (Poe 2) and never once stopped to consider his subjects, or their safety. In a crucial time of need, the leader could not be bothered and instead decides to flee, revealing the kind of person he really is. The king’s carelessness for everyone, except his own social circle suggests that this trait may get the best of him in the end. Karma is commonly a substantial factor in literature, and Prospero certainly appears to have something coming back to bite him. Similarly, the way in which Prospero’s character is portrayed proposes that maybe his own ego may

Death is something that will happen to everyone eventually. Death is not a thing that can be easily shaked off as if it were nothing. Some people fear death, others wait for it, and some don’t give a care in the world, being too busy enjoying life. Death is something that can happen either peacefully or painfully. Death relates to the hidden message in Poe’s “The Masque of the Red Death” by trying to give the meaning that no matter who the person is and what the person tries to do, no one is capable of being able to escape death.

Within “The Masque of the Red Death,” Edgar Allan Poe presents symbolic elements of both life and death to entice the audiences’ emotions and leave them in a state of wonderment. Some of the symbolisms that Poe uses are “The Red Death”, Prince Prospero, the color of the seven rooms, the ebony clock, and the “dreams” within the rooms. As each symbol is introduced, the suspense builds and the audience is pulled from the joyous lives of the masqueraders to the looming “Red Death” to create a roller coaster of emotion.

For instance, the panes were scarlet, a deep blood colour. The "bloody" red room thus becomes a place of ending not only due to the westward location, but also because of its color. Poe describes the last, black room as the dreadful endpoint, the room the guests fear just as they fear death. The room is feared by the guests because it reminds them of death, which is why no one enters the room. The room is involved in all of the main scenes throughout the course ofthe story. For example, this is the room Prince Prospero and his guests die from the Red Death and also where the clock is located. The reader sees how important the rooms are throughout the story and its main contribution to the theme.

A distinct similarity between the short stories are their protagonists. Both of their protagonists die by the end of the story, but their deaths are both intended to send a message to the reader. In Poe’s case, Prospero is a wealthy prince in a countryside land devastated by a plague. He intends to run away and hide in one of his castles with his friends: “When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys” (Poe). However, Prospero is still killed months later after retreating into the safety of his stronghold. His death is meant to symbolize that you cannot escape death, no matter how wealthy one is. The message sent by Prospero’s tragedy reinforces Poe’s theme of death that the final stage of life comes to all. On the other hand, Jackson’s character Tessie Hutchinson, is a

inevitability of death and the futility of trying to escape death. The prince's name, Prospero,

The seven rooms in the house also conveyed stages in life ending with death. These rooms were set up from east to west. This meaning that the sun comes up in the east and goes down in the west, and death comes in the darkness. "In this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood color." The guest's avoided this room because it was a sign of death.

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

“The boundaries which divide Life from Death are best shadowly and vague. Who shall say where the one ends, and where the other begins?” (Poe). There is no such thing as having the ability to predict or tame the wrath of death, for all we can do is learn to accept it. In the story, “The Masque of the Red Death”, the main character, Prospero, shows through his arrogant actions that death will forever overpower the human instinct to stay alive. Poe uses symbolism to convey the battle between man and nature through the idea of the masquerade that serves as a fortress against the wrath of the disease, an excuse to disguise the true colors of man, and the honest truth that man will never become immortal.

One of the most apparent symbols in the text are the bizarre colored rooms. The rooms represent the cycle of life, blue is birth, purple childhood, green adolescence, orange adulthood, white is the elderly years, violet is dying, and finally black is death. The rooms are arranged like the sun rise and set with the blue room all the way in the east and the black at the west end. Furthermore, the rooms have similar styles, all one color with the decor and windows matching said color. However, the black room is different with black velvet curtains, and the windows a blood red color. The light from the hall isn’t able to enter the room so a candelabra was placed behind each window so that it “projected its rays through the tinted glass… And produced so wild a look upon the countenances of those who entered” (2) The

Poe uses allegory to allude to the double meanings of the characters Prince Prospero and the masked figure, as well as the setting of the chambers. Prince Prospero represents prosperity. While his nation is suffering from the “Red Death”, “…he summoned to his presence a thousand hale and lighthearted friends…and with these retired to the deep seclusion of one of his castellated abbey” (420). His nobility and wealth give him the ability to ignore the horror around him and live in luxury. This refers to real life in that the privileged are the ones who are able to still live comfortably even if others are in a crisis. Prince Prospero also represents an ignorance, selfishness, and arrogance that come with wealth through right instead of hard work. He believes that “[t]he external world could take care of itself” and that it is “…folly to grieve, or to think” (420). Instead of taking action to help his people, he just leaves them in the grips of the “Red Death”. The “Red Death” is

Poe used the rooms of the fortress as a symbol of the progression of a human life. The fortresses design contains seven distinctly different rooms. H.H. Bell, Jr., an expert on Edgar Allan Poe, has suggested that Poe seems to represent these rooms as an “allegorical representation of Prince Prospero’s life span” (Bell 241). The greatest piece of evidence for this is the order in which Poe arranged the rooms. The first room is positioned in the far eastern side of the mansion and the last room’s placement resides in the far western side. Just as the sun rises in the east and sets in the west each day, the arrangement of the rooms suggests the beginning and the end of life. Poe exemplifies this idea with the coloration of the last room. Black, a color connected with night and death, covers the walls in the last room. Also, the color of red seeps through the stained glass windows representing the bloodiness often incorporated with death, particularly the Red Death so feared at this party. Prospero’s guests avoid the last room out of fear, just as the living avoid reminders of death. Meanwhile, music and dancing