Ct 1 camera angle Low When Charlie walks up to the factory they give a low angle to show the massiveness of the factory, giving the effect of how small the children and their parents are compared to what Willy Wonka has done. In Edward Scissorhands during the aftermath of the movie Tim Burton uses a low angle while Edward is sculpting to show the snow that falls from it. He does to show that Edward is the reason that snow is able to fall just as when it did when Kim had danced in the snow before, he uses his talent to make something beautiful instead of something Evil. In Big Fish Burton uses low angle as Edward walks up to the giant to show how big he is compared to Edward, giving the effect of how as amazing as he seems Edward is still
as a director Tim Burton has more abilities as opposed to a writer to depict mood/tone.In some of his older movies, He utilized a multitude of cinematic techniques to show off sinister tones and mood in movies such as “Batman”. The moods and tones of his movies are practically always eerie and dark. Tim Burton uses lighting, camera movements and sound to depict a distinct, gothic film experience.
Tim Burton uses low angles to establish the scary and spooky structures. For example, consider the scene in which Willy Wonka was walking into the grand opening of his chocolate factory. The use of this technique makes the setting seem empowering and cheerful since everyone is expecting more chocolate. Burton also utilizes this technique in Edward Scissorhands when he shows the low angle of the mansion. The director’s decision creates a suspenseful and wretched mood. Clearly, Burton’s choice in angles makes any places look massive and vast.
Camera angles and shots are essential technique for the director to draw meaning to the character’s stories. A key camera angle is a high angle. In classic westerns the antagonists are presented in high
Across widespread films the use of cinematic techniques can creates a range of moods and tones, especially Tim Burton. Tim Burton has directed films such as Charlie and the Chocolate Factory, Corpse Bride, and Edward Scissorhands. Tim Burton's use of cinematic techniques creates a childish, yet dark, style across films.
Director Tim Burton is brashly thought of as having a dark, macabre, and humorous style in his films. This being true, there is a multitude of ways that the style is created for the audience. Furthermore, Burton’s cinematic technique usage is a direct mark of creative exposure of this dark style throughout the duration of a film’s story. Director Tim Burton uses diverse cinematic techniques to create a variety of effects that represent his style of grim childlike misfortune, tampered by opulent optimism.
Through the use of high and low angles (“a shot that is made by placing the camera above the subject angled downward” and “a shot made by placing the camera below the subject angled upward” respectfully defined by Jon Lewis, author of The Essential Cinema), are almost balanced in this scene. (Lewis) For example, during the first part of the scene, Mrs. Kane, Susan Alexander, and Mr. Gettys are seen as closer to the camera and at a low angle. This could possibly demonstrate that they are more active in the scene than Mr. Kane. Meanwhile, it appears that Mr. Kane is shorter and smaller than the other characters, again hinting at his inability to control the situation.
Tim Burton uses low angles, eye-level angles and high angles in order to contrast human and mans in a distinctive way as well as address the relationship between them. Additionally, he also uses closeup shots and medium shots to create mood and impression and at the same time, show that Edward and people of the neighborhood live in very different conditions. Both of these cinematic techniques leave the audience with meanings which justifies the theme of the movie. These methods of filming shape meaning as well as cause the movie to turn out as an interesting one. Some people might be somehow different than others by an extreme amount, but do understand that we still have sameness within each other, and they have no reason to be disliked
“One person’s crazyness is another person’s reality” was once said by the famous director, author, inspirer, Tim Burton. He creates films that have surprised many of his supporters. Most of the films he has directed have had elements of horror and modernness. Tim Burton uses cinematic techniques such as flashbacks, high key lighting, and dolly/tracking to express his style natural creepiness throughout his movies.
A latter high angle shot involves the elementary school teacher. Mr. Bigey (Georges Flamant), the teacher, is first demonstrated in this film by using a high angle close-up. This angle presents the teacher as a figure of authority and rule. Furthermore it establishes a feeling control. Humans are most likely to look up to, figuratively speaking, figures of authority and control. As to follow with the storyline, the teacher is almighty and can direct the children in any sort of fashion he pleases. He has the control. This particular angle is appropriate for this scene because it establishes, right away, that Mr. Bigey is a force to be reckoned with. For example, when someone is knocked out in a fistfight and the first view they see upon awakening is the opponent towering over them, they are more apt to recognize the authority and control considering the view. That is why this angle works. Speaking of view, the next shot that will be discussed gives an entirely different feel, partly because of the view, but it does remain within the definition of a high angle shot.
second example of evidence is Violet, the little girl who makes all the trouble of making a very bad decision by chewing the three course meal gum. During the point in time she started to look like a blueberry and the camera angle started to lower. The scene achieved the desired effect when Violet appearance has control over Mr. Wonka by eating the gum. Therefor the angle lowering just made the purpose of the scene more noticeable. The purpose was she looked bigger than everyone
Low angle shot, where a camera points upwards from below, generally make people or things look bigger, more courageous and important. However, same angle shots sometimes will be chosen to emphasize different effects in one film. In the movie “Night of the Living Dead,” the director George A. Romero uses low angles for different purposes.
The camera angles varied greatly throughout the film. Multiple times the camera was close to the floor looking up at the characters and other times it was very high up looking down. There are also multiple times within the film that the actors look straight into the camera. This happens when Leland and Kane are talking about the newspaper declaration as well as when Walter Thatcher reading Kane’s newspapers headlines. Most narratives do not have the actors acknowledge that the camera is there, however, some TV shows now have actors look into the camera for an added dramatic effect just as Citizen Kane did.
Tim Burton, the director of Edward Scissorhands which is about a man made person created by a inventor (Vincent price) and Edward Scissorhands is a isolated creature that wants peace and happiness. Also throughout the movie he gets accused of alot of bad things and gets kicked out of the small town he got introduced to. Three examples of techniques Burton used in this film is zoom, pan, and low key lighting. Burton uses all of these angles to capture the audience's attention and to make the movie more suspenseful.
Tim Burton uses camera angles and movement to create an intimidating and distressed mood in his films Charlie and the Chocolate Factory and Vincent. One example of this is in the scene where a small candy store that sells the heavily desired Wonka Bars is at the verge of opening up and there its a zoom on an enormous crowd that is waiting outside ready to barge in and then a zoom on a little cashier inside the store. The zoom emphasizes how small and petite the cashier is and then emphasizes how huge and wild the massive crowd is. It overwhelms one's mind because there is no way that she will be able to attend to them all and the audience can just hope that the cashier can handle the customers’ demands and manages to give and receive the right
Throughout the scene, there is almost a balanced use of both high angles and low angles. For example, during the first part of the scene, Mrs. Kane, Susan Alexander, and Mr. Gettys are seen as closer to the camera and at a low angle. This could possible demonstrate that they are more active in the scene than Mr. Kane. Meanwhile, it appears that Mr. Kane is shorter and smaller than the other characters, again hinting at his inability to control the situation.