How Does Vonnegut Use Satire

Satire, "the use of irony, sarcasm, or ridicule in exposing, denouncing, or deriding vice or folly" (Webster 1193), is very prevalent in Cat's Cradle. Vonnegut hits on many aspects of human life with this satire. Government, religion, medicine, and business are just a few of these aspects. In focusing on government, Vonnegut shows us a leader ("Papa" Monzano), who attempts to create a utopia, but just like in

The beginning of Slaughterhouse Five serves as a forward, as it occurs before the narrative events and Vonnegut speaks in first person with his own voice (Slaughterhouse 30). Like other American veterans returning from WWII, Vonnegut had trouble reintegrating into society, in modern terms, many of these people would be diagnosed with Post Traumatic Stress Disorder (PTSD), but at the time, there were few outlets for their feelings of hopelessness. Vonnegut’s protagonist, Billy Pilgrim’s experiences are often nearly identical to Vonnegut’s, however, shortly after Billy’s capture, he becomes “Unstuck in Time”, and through this, he is able to distances himself from the harsh nature of his reality, spending much is his time randomly jumping, without control, through his entire life, birth to death (Slaughterhouse 54). Accordingly, Critic F. Brett Cox

It is a perfect example because the story takes place in an environment of integral conformity and describes a scene of pure deviance where Vonnegut’s disseminated strong messages. By analyzing Vonnegut’s short story with the help of both “The social animal” by Eliott Aronson and “Wayward Puritans” by Kai T. Erikson we will point all the wrong aspects of perfect conformity in a first paragraph. And, in a second paragraph, we will discuss more about the importance of deviance by analyzing the last scene.

In order to illustrate the devastating affects of war, Kurt Vonnegut afflicted Billy Pilgrim with Post Traumatic Stress Disorder (PTSD), which caused him to become “unstuck in time” in the novel. Billy Pilgrim illustrates many symptoms of PTSD throughout the story. Vonnegut uses these Slaughterhouse Five negative examples to illustrate the horrible and devastating examples of war. The examples from the book are parallel to real life experiences of war veterans, including Vonnegut’s, and culminate in a very effective anti-war novel.

The Tralfamadorians, who explain this nature of time and existence to Billy, are shown as enlightened creatures while the humans back on earth are seen as backwards -- to such an extent that they believe in free will. Billy towards the end of his life becomes a preacher of these virtues of existence taught to him by his zookeepers on Tralfamadore, going around and speaking about his experiences and his acquired knowledge. This is ironic, because he is attempting to reverse the steady path of life, even time itself.

The point of view that Slaughterhouse-Five is written from also affects the way the reader fells about time after reading the novel. Since the story is narrated by a omniscient being that is everywhere with Billy Pilgrim, the reader gets a first hand account of every event in his life. Also Billy is very relaxed and accepting all things around him. A good example of this is Billy's habit of following every death with "so it goes". (Vonnegut 69) The repetition of this phrase not only de-emphasizes death, but also helps Vonnegut assert control over the readers response after a death. (Dawley 2) The way Billy

The Thought-experiments in Kurt Vonnegut's Slaughterhouse Five or the Children's Crusade: A Duty Dance With Death

In the story, Harrison Bergeron, one learns that the author, Kurt Vonnegut, does not like the way society is. He does not like how people judge one another because one is not as attractive, or smarter, or funnier. He

Many people returned from World War II with disturbing images forever stuck in their heads. Others returned and went crazy due to the many hardships and terrors faced. The protagonist in Slaughter-House Five, Billy Pilgrim, has to deal with some of these things along with many other complications in his life. Slaughter House Five (1968), by Kurt Vonnegut, Jr., is an anti-war novel about a man’s life before, after and during the time he spent fighting in World War II. While Billy is trying to escape from behind enemy lines, he is captured and imprisoned in a German slaughterhouse. The author tells of Billy’s terrible experiences there. After the war, Billy marries and goes to school to

Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view

Hattenhauer is the associate professor of American Literature at Arizona State University West. In his above article, Hattenhauer discusses the use of satire in Vonnegut's story, Harrison Bergeron as used to portray the concept of true equality as being absurd and unachievable.

    Cat's Cradle is, "Vonnegut's most highly praised novel. Filled with humor and unforgettable characters, this apocalyptic story tells of Earth's ultimate end, and presents a vision of the future that is both darkly fantastic and funny, as Vonnegut weaves a satirical commentary on modern man and his madness" (Barnes and Noble n.pag).  In Cat's Cradle, Kurt Vonnegut uses satire as a vehicle for threatened self-destruction when he designs the government of San Lorenzo.  In addition, the Bokonists practice of Boko-maru, and if the world is going to end in total self destruction and ruin, then people will die, no matter how good people are and what religion people believe.

Throughout the plot of Slaughterhouse-Five, the idea of time is thrown around in several ways. In the beginning of the story, Vonnegut introduces his readers to Billy Pilgrim, the main character of the story who has the ability to travel to different moments of his life without knowing

This paper seeks to critically inspect the nature of religious satire in literature through examining Kurt Vonnegut’s Cat’s Cradle, Chuck Palahniuk’s Survivor and Anthony Burgess’s The Wanting Seed. These authors slyly lampoon Christianity (and denominations of it) in different ways. Cat’s Cradle, a tale of how the world meets a frosty death by ice-nine , introduces us to the fictional religion of Bokononism. Survivor’s protagonist Tender Branson relates

The idea of making a work that does not fit into a single category of work is how Kurt Vonnegut has become such a phenomenon. Kurt Vonnegut has a hybrid writing style which allows him to critique human nature and this is evident in his work. A hybrid writer is someone who makes something by combining two different genres to create something new. Vonnegut’s work is a hybrid of science fiction and satire. Satire is an author’s way of saying he/she feels that something is subpar, Vonnegut does just this in most of his works, such as Slaughterhouse Five, and Harrison Bergeron. “Any analysis Kurt Vonnegut’s work runs the risk of being too heavy-handed and ponderous to do justice to writing that has self-consciously chosen the path of the lightweight, the naive, and the comical.” (Rigney). This is true because people tend to be judgmental of the fact that Vonnegut uses satire while talking about war. People are not realizing that war is not always something that comes from great honor, war is horrible and people need to start realizing this and stop glorifying it according to Vonnegut.