How Does W. F. Harvey Create Suspense In August Heat

The short story consists of both short sentences and long sentences. The sentences are short when something dramatic happens and the short sentences make it more dramatic and interesting to read

In both the excerpts "Jams" and "Swimming with Nightmares" by Peter Benchley, the author creates suspense in many ways. The author utilizes descriptive words, character's choices, and dangerous situations for creating suspense.

Harvey uses to create suspense in his story is by withholding information. By withholding important information about the character or the setting around the main character, makes us want to read more to find out what these little bits of detail mean. For example, “The final result, for hurried sketch, was, I felt sure, the best thing I had done. It showed a criminal in the dock immediately after the judge had pronounced sentence”(Source 2). This small part of the passage is what makes one to wonder who is this man and why he is seen in a courtroom waiting to hear his a sentence, which is the very suspense Mr. Harvey is trying to create. Another example of withholding information, “There? what do you think of that?” he said with an air of evident pride. The inscription which read for the first time was this -- SACRED TO THE MEMORY OF JAMES CLARENCE WITHENCROFT BORN JAN 18TH 1860 HE PASSED AWAY VERY SUDDENLY ON AUGUST 20TH 190-- “In midst of life we are in death.”(Source 2). This is the part of the story where Mr. withencroft sees what the man, Mr. Atkinson, has been working on with this piece of marble, only to find out it was a gravestone with his name on it. Its these type of scenes that build up on the suspense and makes one read on to find out what will happen to the

In short stories, often an author can find him/herself limited on space to develop one or more of the story’s characters. A skilled author can use small vignettes to relate instances of character development that can be used to infer a relationship with the character. These passages can be a line or two, but can carry the weight of a full chapter if executed properly. Will Weaver paints an idyllic farm scene in “A Gravestone Made of Wheat,” featuring a full cast of traditional characters. Nevertheless, through glimpses into specific instances in Olaf and Inge’s respective lives together, the audience can appreciate their nontraditional nature.

W.F Harvey uses foreshadowing as a way to surprise and terrify his readers. The story starts on the first line of “Penistone Road, Clapham, 20th August, 19-” (line 1). The author gives the readers the year missing, which gives the reader a clue to a major event that happens in the story. The author most likely did not include the year because he wanted the reader to figure out that the year was suppose to be a date. The missing date at the end helps the reader determine the end. In the end it is suggested that the narrator James will die. If James did in fact not die then he would of have made it to the next day and the date would have been written but the date is not written, the reader can assume that the character did die, which the narrator leave the reader to figure out.

In the story, “August Heat” various acts are considered to compose it suspenseful. Therefore, the focus in which is has to generate this story shocking is the benefit of foreshadowing. To explain, these are the details given or hints which suggest events that will occur later in the plot. In partial cases, this can lead to show what awaits for a character. Consequently, as in an illustration, the text says, “There was something unnatural, uncanny, in meeting

Many people read for some sort emotion the words invoke. Whether it is joy, sadness, fear, or anticipation, readers love being able to feel the emotions the characters feel without actually going through the same experiences. This is especially true for horror and suspense stories. Elizabeth Bowen’s short story “The Demon Lover” is able to invoke a lot of emotion through different literary elements, which is why it is so popular. Elements such as point of view, suspense, and foreshadowing really put the readers on the edge of their seats.

“‘Watch out!” screamed Maggie. Suddenly the road took a sharp turn, and a huge oak tree loomed in my headlights”(Shusterman 39). When Neal Shusterman uses suspense it’s usually in a way that would probably end badly. He loves to try and hook the reader with suspense, so then the readers would want to keep reading that same book. As evidence in Full Tilt by Neal Shusterman and “The Abandoned Farmhouse” by Ted Kooser, suspense can be effectively created through the use of imagery.

Poe and Dahl both create the effect of suspense. The feeling of being uncertain of what may happen next. In "Lamb to the slaughter" Dahl illustrates suspense when Mary Maloney knocks her husband over the head (pg. 4) after she's introduced as a sweet, loving, woman. After she kills

There are many factors that can create a theme in a short story. Most of the factors are the elements of fiction, which include plot, setting, characters, symbolism, conflict, and point of view. The two stories that will be compared in this essay are “The Yellow Wallpaper” by Charlotte Perkins Gilman and “The Story of the Hour” by Kate Chopin. The elements that especially contribute to creating a theme for these short stories are the characters, point of view, and plot.

George Saunders once said, “When you read a short story, you come out a little more aware and a little more in love with the world around you” (Quote). This quote is absolutely relatable because short stories are filled with wisdom and advice that one can typically compare their own life circumstances to. Short stories can have multiple life lessons hidden within the text, requiring the reader to dig deeper and reread the story until the messages are clear. While reading them, it is important to try and identify the point of view, plot, character, setting, and theme within the piece. This will help you relate to the story on an exceptional level, and will give you insight on what the author is trying to convey. With all of these elements in mind, you will be able to relate to the story on a more personal level, and will ultimately get more out of it.

The author writes the story in a very interesting way. The way that there are only a few descriptions scattered about and that it focuses on dialogue is what allows us to figure out what the characters are speaking about and to find the intentions behind their words. The subject of this short narrative stands out boldly. Though it was written in

There are many components involved when analyzing a short story such as, main characters, point of view, plot, theme, and setting. Sometimes the answer is in black and white and other times it takes critical thinking to come up with a response. Some short stories have an important real life lesson while others are simply easy to relate to. Symbolism also plays a role in short stories by giving an event, object, or words being said a deeper meaning than the surface that brings importance to the story. “The Fat Girl” by Andre Dubus, “The Red Convertible” by Louise Erdrich, and “An Ounce of Cure” by Alice Munro are stories that contain most of the components of analyzing short stories.

The short story is a concise form of narrative prose that is usually simpler and more direct compared to longer works of fiction such as novels. Therefore, because of their short length, short stories rely on many forms of literary devices to convey the idea of a uniform theme seen throughout the script. This theme is illustrated by using characteristics that are developed throughout the story such as, plot, setting and characters. The three main components are developed throughout the story in order to guide the reader to the underlying theme, which is necessary as a short story lacking a theme also lacks meaning or purpose.

There are so many different things one can learn from reading a story. Stories vary in length but it seems that your appetite for reading will gauge the kind of stories you elect to read. People who enjoy long thought out complex reading will enjoy much longer published works than what a short story has to offer. However there is a large population in the world of people who do not want to spend days on end reading a novel that is several hundred pages long and takes days to convey a simple message. In fact, many people want just the opposite in their reading. Many readers want a story that is short, sweet, and to the point. Something that they don’t need to spend hours or weeks on end reading but instead can get the exact same message or meaning from instead of having to spend a ridiculous amount of time reading a much larger work. Authors often want readers use the Formalist approach when reading these short stories as authors use words to convey the same message or meaning in less text than a much longer published work with hundreds of pages, it does this by using the text itself as a canvas for creativity. The Formalist approach is a great tool when it comes to writing short stories, and its use in Good Country People by Flannery O’Connor is classic example of how the Formalist Approach can be so effective in such a short story. Authors are incredibly