How Does Wart Show Courage In The Once And Future King

Four have already left home, one will leave soon and the other three still dwell in the house with her. She then begins to express the dangers of the world around her in a bird’s point of view. For example, she is afraid that her young will fall in a fowler’s snare, be caught in a net or by birdlime on twigs, or hurt by a hawk. In a human world a fowler’s snare might be fallings into the hands of trickery, robbery, or any other type of crime. Caught by net or birdlime might represent being in the wrong place at the wrong time, and a hawk-inflicted injury might symbolize being wounded or killed by an Indian or criminal.

During Louie’s time at the POW camp, one guard, called the Bird, was out to get him. Louie showed resilience in this trouble by speaking up to avoid getting himself and others hurt.

In Elia Kazan’s movie On the Waterfront, we see that pigeons and hawks are used to symbolize different characters in the movie. Pigeons are used to represent characters that are weaker and more susceptible to the mob. On the other hand, hawks are used to represent characters that are more powerful and influential to others. Certain individual in the movie begin as either a pigeon or hawk and mutate into the other by the end. Timothy Dugan is an example of someone that remains a pigeon while Terry is one that begins as a pigeon and morphs into a hawk by the end of the film.

Louie never was the one to break down and give up. The Bird took a huge toll on the way that Louie felt internally. The fact that Louie was brutally beaten, degraded, and dehumanized, Louie’s spirits remain unbroken. As a child, Louie always seemed to be a rule breaker and having some type of secret defiance. Louie kept a diary which to the guards, was a punishable offense . Louie wrote in the diary daily, while hiding it under the floor in his barrack. Throughout the novel, it is clear that Louie’s dignity is the most important thing enabling the men to survive. Although their bodies were broken, they refuse to allow their dignity to be taken away as well with their survival

Singing “Beasts of England” continually unified the animals. Even when the animals received no orders, “ without waiting for further orders, they charged forth in a body,” they unified to fight the enemy and protect their home.

Over thousands of blacks were discriminated in the 1950s because of their skin color. Blacks and whites were prohibited to go to the same school just because of their skin color. However, in the year of 1957 the Little Rock Nine were the first nine black students that integrated to Central High. If this group of people didn’t have the courage to attend Central High our schools would be extremely different today.

     Another one of Wart’s transformation places him in a flock of geese. These geese are a

Probably the most notable use of birds occurs when after ten years, Sula returns to the Bottom accompanied by a “plague of robins”(89). The word plague indicates that the birds represent a wave of sickness that Sula brings alongside her. The citizens of the Bottom recognize the birds as a sign of evil, but choose to accept its wickedness rather than try to rid of the robins. “But they let it run it’s course, fulfill itself, and never invented ways to either alter it, to annihilate it or to prevent its happening again. So also were they with people” (90). Here, Morrison is comparing the townspeople’s feelings both towards the evilness of the robins and towards the evilness of Sula. They welcome Sula’s return to the Bottom the same way they they welcome the birds. Sula’s personal experiences with wickedness are also acknowledged through the robins as Sula

One of the women made the comment that Mrs. Wright used to be pretty and happy, when she was Minnie Foster not Minnie Wright. This is just the beginning of realizing that she was just pushed to far into depression and couldn't live up to John Wright's expectations anymore. The Wrights had no children and Mrs. Wright was alone in the house all day long. The women perceive John Wright to be a controlling husband who in fact probably wouldn't have children and this may have upset Mrs. Wright. They eventually find vacant bird cage and ponder upon what happened to the bird, realizing Mrs. Wright was lonely they figured she loved the bird and it kept her company. The women make reference to the fact that Mrs. Wright was kind of like a bird herself, and that she changed so much since she married John Wright. They begin looking for stuff to bring her and they find the bird dead and they realize someone had wrung its neck. This is when they realize Mrs. Wright was in fact pushed to far, John Wright had wrung her bird's neck and in return Minnie Wright wrung his.

During all of this The Bird is hiding and try's to fake his death and it works for some time. "They cant kill you if your all ready dead"-Commander Fury Captan America the Winter Solder He is being hunted by Japan and at the same time is trying to get into the United States of America. But during all of this Louis goes to japan for there Olympics and get to cary the torch. Low and behold not so far from there is where Louis was help POW. He try's to meet up with The Bird and give him his forgiveness but The Bird refuses.

     In the final transformation Wart visits the badger. The badger is a great philosopher who enjoys giving scholarly commentaries. While Wart is visiting him, he explains a story he has written on the creation of the animal kingdom’s hierarchy. In his commentary he explains how man answered God’s riddle and is awarded control over the animal kingdom. He lives a life of solitude because many other animals do not think at his level. They listen he is old and experienced, and with this comes respect.

In the Hitchcock version, we meet an overbearingly controlling mother and the lawyers young sister, whom the lawyer visits from time to time when not working. In the original story, we meet not only the main character’s family, which are two children and an almost timid wife, but we meet the Trigg family, who help us see the difference between the main character's demeanor as opposed to the rest of the town’s lackadaisical mindset towards the birds, thinking it was less of a problem that it soon turned out to be, which ultimately results in the demise of the ignorant Trigg

Cockatrice rules his manor with threats and fear. Unlike his father, Senex, who always remembered the canonical crows to help unite his animals, Cockatrice never crows the canon. "So under him the day lost its meaning and its direction, and the animals lost any sense of time or purpose...They were tired all the day long, and at night they did not sleep" (page 82). Under his evil rule, the creatures suffer from disunity, distrust, and dishonor. Cockatrice shows no concern for the animals of his land and resorts to having the Toad speak for him. He humiliates the animals and is an enemy to the creatures rather than a Lord. He rapes the hens and forces them to bear his children and suffer a cruel indignity. He swallows up thousands of children that hatch as Basilisk creatures and then vomits them back into the river. Rather than protect the creatures of his land, he orders his Basilisk children to kill everyone living until only he sits silently in his tree. Cockatrice leaves his land and flies west for he has no creatures to lord.

Norman’s psychotic ways are also revealed through Hitchcock’s use of motifs. His repeated use of birds have an underlying meaning of Norman’s dangerousness. His hobby is avian taxidermy and in numerous shots birds are displayed in the background. A shot of when the mise en scene evokes his eerie connection towards his hobby is in the parlor. The parlor is decorated with his stuffed trophy birds mounted on the walls or on stands - an enormous predatory, nocturnal owl with outstretched wings, and a raven. Both owl and raven are in frame lurking behind Norman and representing his concealed character. Like the owl, he is a predator, in full attack mode on Marian. He also doesn’t wait until the daytime to kill her, he slays her in the shower at night like a nocturnal psychopath. As if with the raven’s knife like beak, Norman murdered Marian, following in the footsteps of killing when it is easiest.

For a while, the loneliness birds stayed away. Until Peekay’s boxing coach was killed. Geel Piet was Peekay’s first real boxing coach. He taught Peekay an eight punch combination making him one of the few kids his age able to do so. Geel Piet met Peekay when he went to visit Doc at the Barberton Prison, where Geel Piet was imprisoned. Since Geel Piet was of mixed descent, he was treated poorly by the warders in the prison. Geel Piet died on the night of Doc’s concert at the hands of Captain Borman. “Geel Piet lay face down, as though he had fallen, his arms stretched out to either side of him. His head lay in a pool of blood where he had hemorrhaged from the nose and mouth. “