How Does Wilde Use Lady Bracknell

Wilde uses satire especially with the idea of marriage. In the society that he lived in, marriage is seen as a business arrangement. When Lady Bracknell questioned Jack to determine if he is suitable for her daughter, she

In an age of social registers, Lady Bracknell laments that even the Court Guides have errors. In the next breath, she discusses bribing Gwendolen's maid to find out what is happening in her daughter's life. In Act III she also reveals that her aristocratic brother's family entrusted their most precious possession — Jack — to a woman who is more interested in her handbag and manuscript than in what happens to the baby in her charge. Wilde seems to be

Algernon is demonstrated as a comical character. He is also shown to be a liar and this is seen when he tells Lady Bracknell that there were “no cucumbers in the market” to make the cucumber sandwiches; when he ate them all. He is also very open with women and engages is physical contact before permission from Cecily’s guardian, Jack. Algernon also meets Cecily in a wrong manner as he runs off to Jack’s country house uninvited; which isn’t reflective of an Ideal Victorian man at all.

Lady Bracknell’s character represents the “New Woman” and clearly Algernon has to overcome any obstacle to please her. Lane, as the servant, a lower class citizen, acknowledges the hierarchy and aids Algernon in response. Wilde also wrote the scene where Algernon eats the entire plate of cucumber sandwiches as a sign of rebellion against the supreme woman figure. Algernon feared the consequences, and as a result concealed the truth. The cucumber sandwiches symbolize the need to be accepted within society and its commodities. Wilde devises the cucumber sandwich discussion to provide insight regarding the power shift from men to women at this time.

During the mid 1800’s, commonly referred to as the Victorian Period, social hierarchy was an enormously profound aspect of European societies. Therefore, arranged marriage and the desire to “move up” on the social ladder was a common pursuit. Throughout the text, it becomes apparent that Wilde strongly opposes this concept, as he includes several power-struggles between Lady Bracknell and the younger generation based on their conflicting desires. To expand, Lady Bracknell insists that “An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself” (Wilde 16-17). This quotation reinforces the fact

This play criticizes marriages in Victorian society and the aristocratic norm that marriage is more of a business than for love or happiness. Through these characters Wilde is not only commenting on the nature of love and marriage, but the place marriage holds in society. During this time in Victorian society and throughout history, many women married for financial security and social standing. It was only through their husbands that woman could hope continue living in the lifestyle to which they were privileged to gain political power. Lady Bracknell’s marriage was one of the marriages that was clearly for business and not for love. Wilde shows how Lady Bracknell has no emotions for Lord Bracknell; she doesn’t even really care about him but only uses him to increase her own social standing. Similarly, Lady Bracknell also does the same when she tries to “arrange” for an eligible suitor for her daughter Gwendolyn, not considering whether Gwendolyn loves the man or not. He must be in the same social standing as they are and must also belong to an aristocratic family. Lady Bracknell tells Jack, “You can hardly imagine that I and Lord Bracknell would dream of allowing our only daughter – a girl brought up with the utmost care – to marry into a cloak-room, and form an alliance with a parcel?” Although Jack is rich, he doesn’t have that name and social standing that Lady Bracknell wants rather she is dissatisfied when she finds out that he was found at a train station inside “a handbag!’’ Jack being found inside a handbag suggests that he was an abandoned baby out of illegitimacy which carried a huge social stigma in the Victorian era. Such babies were often delivered in secret and abandoned in a public place, like train stations as Jack’s situation perfectly

Each of the female characters is determined to marry a guy named Earnest. Gwendolen Fairfax with the social gracefulness of the Victorian Era with the help of her mother Lady Bracknell are intensely determined to continue the Victorian lifestyle of social prominence by marring Earnest.

Cecily and Gwendolen were perfectly happy to become attached to something that appears to be true and real rather than taking a closer look to expose the genuine nature of Jack and Algernon proves that the two young women were more attached to the name of both men, and did not consider their actions and words to verify them not being earnest – exposing both women as superficial. Algernon’s occupation with his outer appearance and Lady Bracknell’s need to look good in the eyes of others proves them both to be superficially committed to their external manifestations. It is possible that Wilde was revealing what the upper class life resulted in, and that as one rises higher in status one loses themselves, becoming preoccupied with what others want and what others think, forgetting one’s true

A final way Lady Bracknell's character creates comedy is via gender inversion and role reversal. Lady Bracknell is given a position of power and constantly makes it known; it could even be argues that she is the most powerful character in the play. For example, when talking to Jack she uses imperatives such as 'come here' and 'sit down immediately' which creates a stern

Wilde used many characters to represent various different aspects of society. Lady Bracknell’s character is a representation of society itself. She does everything in her power to try to keep society the way it is, and retain both Gwendolen and Algernon on the right track in order to guarantee their safe future. She is also extremely defensive of her family. For example, when John tries to accuse Algernon of not being a suitable husband, Lady Bracknell objects saying, “Algernon is an extremely, I may almost say an ostentatiously, eligible young man. He has nothing but looks everything. What more can one desire” (Wilde 1634). In this quote, The reader is able to see that she will do anything to get her family to the top, even if it means acting

Jack is overjoyed to find out that Gwendolyn returns his feelings. However, she is taken with the name Ernest and would not consider marrying a man by any other name, especially Jack. Lady Bracknell interviews Jack to determine if he qualifies as a possible future husband for her daughter. When she discovers that Jack doesn’t know who his parents are because he was found in a handbag she is outraged; she forbids a union between the two, declaring it scandalous. In the next scene Algernon shows up in Jacks country estate pretending to be Ernest and falls in love with Cecily.

Later, when Lady Bracknell and Gwendolen enter, two more ideas of marriage are brought to the forefront. Lady Bracknell portrays the aristocratic Victorian view of marriage but to a more extreme extent. According to Ziegenfuss, marriage in the Victorian era was not romanticized or fairytale-like. Love actually played a very minor role in the majority of matrimonies that took place. Engagement was entered into as one would approach a business deal, with rules and guidelines (Ziegenfuss). This is blatantly obvious when Lady Bracknell interviews Jack to see if he’s fit to marry Gwendolen. She attacks Jack with questions about family, fortune, and even place of residency and his answers need be appropriate for a union between the two families. (Kupske, Souza, 122). Even when Algernon wants to marry Cecily, Lady Bracknell voices, “I think some preliminary inquiry on my part would not be out place.” (Wilde, 46). Gwendolen, however, has the same view of marriage as Jack but, still has strong ideals about social protocol. This is seen when Jack tries to propose, she replies, “Of course I will darling…I am afraid you have had very little experience in how to propose!” (Wilde, 11)

“Pardon me, you are not engaged to anyone. When you do become engaged to someone, I, or your father, should his health permit him, will inform you of the fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself” (Wilde, 622). Lady Bracknell’s harsh criticism and stubborn ways are customary of upper-class mothers in the era. Ironically enough, Algernon later develops a kind of forbidden love. The object of his affection is young and being taught to be unimaginative and serious.

The upper classes of society had strict guidelines for their marriages. In the play, Lady Bracknell had some specific requirements for a potential husband of her daughter. When Gwendolen told her mother, Lady Bracknell, she was engaged to Jack,

Such as, Marriage, class discrimination, manners and sincerity. Those themes are presented with the Lady Bracknell’s help. Wilde has created, with Augusta Bracknell, a memorable instrument of his satiric wit, questioning all he sees in Victorian upper-class society. With her power and weakness shown, she, as an upper class lady, connects and presents the themes in the play.