How Does William Blake Relate To Religion

who had fallen in love with him at first sight. He taught her to read and write, also instructed her in draftsmanship. Although William Blake is seems characterized by; a self reliant person, ambitious, and inspiring, on Catherine's authority there is a description of his appearance: short with a large head and shoulders; not handsome but with a noble and expressive face; his hair yellow-brown, luxuriant, and curling like flames.

William Blake was a poet and artist who was born in London, England in 1757. He lived 69 years, and although his work went largely unnoticed during his lifetime, he is now considered a prominent English Romantic poet. Blake’s religious views, and his philosophy that “man is god”, ran against the religious thoughts at the time, and some might equate Blake’s views to those of the hippie movement of the 20th century.

In the poems "The Lamb" and "The Tyger," William Blake uses symbolism, tone, and rhyme to advance the theme that God can create good and bad creatures. The poem "The Lamb" was in Blake's "Songs of Innocence," which was published in 1789. "The Tyger," in his "Songs of Experience," was published in 1794. In these contrasting poems he shows symbols of what he calls "the two contrary states of the human soul" (Shilstone 1).

The voice in this poem is one of pure happiness and innocence. In this state of joy, the infant is unaware of the world in which he lives and that awaits him. In these opening lines, we see Blake revealing the everyday modeling and structure that categorizes the world, but is absent in the simplicity and purity of childhood. The child has no name because joy needs no other name. Labeling and classification are products of organization and arrangement that the world uses to assimilate innocence into experience. Blake demonstrates that it is through this transition, that the virtue of child’s play is destroyed. Blake utilizes specific emotions such as “happy,” “joy,” “sweet,” “pretty,” “sing,” and “smile” to describe this uncorrupted state of being. There is no danger, darkness, or struggle for the infant. Instead, he exists in a care free state, free of guilt, temptation, and darkness. The birth of a child is celebrated by Blake and it stirs in us powerful emotions of peace, love, and hope.

William Blake was deeply aware of the great political and social issues during his time focusing his writing on the injustices going on in the world around him. He juxtaposed the state of human existence through his works Songs of Innocence (1789) and Songs of Experience (1794), showing differentiating sides of humanity. The contrast between Songs of

From a young age, Blake spoke of seeing apparitions. On one of his many trips to the countryside, Blake started to ramble about seeing " a tree filled with angels, bright angelic wings bespangling every bough like stars." After hearing him babbling about his visions of mystical and heavenly creatures, Blake’s parents tried to discourage him from his ‘lying.’ But Blake continued his ‘stories,’ none of which amused his parent. In the end, he was saved from some beatings though his mother’s pleadings, who saw and understood that he was different from his peers. All of Blake’s apparitions would have a profound, lasting effect on his work, from rich imagery to prophetic

Born in 1757, poet William Blake grew up through the height of the Enlightenment period, where individuals begin to focus on themselves and discover their emotions, instead of living to achieve approval from a greater God. It is evident in Blake’s poems The Poison Tree and The Garden of Love that he is greatly influenced by these revolutionary ideas that are being discovered throughout his early life. Blake seems to have significantly removed himself from the Church and their teachings, due to the recent revelations of the importance of focusing on humans and their emotions. These ideals coincide with the movement during the eighteenth century where people began to realize that there is no sin in indulging in personal pleasure, regardless of what the Christian church has preached for hundreds of years. In The Garden of Love and The Poison Tree it is evident that William Blake is influenced by the Enlightenment ideals of individualism; therefore, he grapples

Through this, Blake is showing the hypocrisy of religion, a theme commonly shown throughout “Experience.” Throughout “Innocence” a simple, child-like portrayal of religion is explored. This could show Blake as primarily a religious poet as there are common, simple themes running throughout many of his poems in “Innocence.” This simple view of both Christ and religion contrasts the complex metaphors used to represent religion in “Innocence.”

At its fundamental level, adulthood is simply the end of childhood, and the two stages are, by all accounts, drastically different. In the major works of poetry by William Blake and William Wordsworth, the dynamic between these two phases of life is analyzed and articulated. In both Blake’s Songs of Innocence and of Experience and many of Wordsworth’s works, childhood is portrayed as a superior state of mental capacity and freedom. The two poets echo one another in asserting that the individual’s progression into adulthood diminishes this childhood voice. In essence, both poets demonstrate an adoration for the vision possessed by a child, and an aversion to the mental state of adulthood. Although both Blake and Wordsworth show childhood as

William Blake was an English engraver, painter, and poet of the early Romantic Age. Today, his works of poetry such as “The Tyger” and “The Little Girl Lost” are anthologized in books across the world (Mcgills). His works of art, ranging from watercolors to engravings, can be viewed on display in art museums from a multitude of countries (Britannica). Despite the fact that William Blake died an uncelebrated artist, the impact of his work can be found around the world in places ranging from picture books to religious theology.

William Blake is one of the most renowned poets in the history of English literature. Born to the owners of a hosiery shop on Broad Street in the center of London in 1757, William Blake developed into a toddler of extraordinary imagination. While only a young boy (around the age of four), he spoke to his parents of seeing angels playing amongst him, encountering visions of heaven and hell throughout London and the nearby countryside, and spotting God keeping a close eye on him during tasks and chores. It was not long before the young Blake began to stencil out the visions from his imagination, and as an eleven year old, he enlisted in Pars’ Drawing School to learn the art of printing and plaster casting.

Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and

William Blake is one of England’s most famous literary figures. He is remembered and admired for his skill as a painter, engraver, and poet. He was born on Nov. 28, 1757 to a poor Hosier’s family living in or around London. Being of a poor family, Blake received little in the way of comfort or education while growing up. Amazingly, he did not attend school for very long and dropped out shortly after learning to read and write so that he could work in his father’s shop. The life of a hosier however was not the right path for Blake as he exhibited early on a skill for reading and drawing. Blake’s skill for reading can be seen in his understanding for and use of works such as the Bible and Greek classic literature.

The works of William Blake cannot be entirely discussed, so my project particularly focuses on 'Songs of Innocence and Experience'.

Some of William Blake’s poetry is categorized into collections called Songs of Innocence and Songs of Experience. Blake explores almost opposite opinions about creation in his poems “The Lamb” and “The Tiger.” While the overarching concept is the same in both, he uses different subjects to portray different sides of creation; however, in the Innocence and Experience versions of “The Chimney Sweeper,” Blake uses some of the same words, rhyme schemes, and characters to talk about a single subject in opposite tones.