How Does the Language in Mary Shelley’s Frankenstein Reflect its Gothic Genre

As they start the long journey they discover the dangerous riskier side of things.Since they are younger and haven't matured enough and they don't know how life-threatening and unsafe the long and rough journey is.Their faces are filled with mixed emotions they don't know how to fell. They analyze the distances of the journey.They started the long

The novel Frankenstein; or the Modern Prometheus cannot be categorized into only one genre because it has various features of different genres. It is certainly a tragedy. Although the core narration starts with a story of how Frankenstein’s father meets and marries the protagonist’s mother, she first has to endure the death of her father called Beaufort. Thus, the novel already begins as a tragic exposition. As a result, the narrative fiction ends with almost everyone including the protagonist and the antagonist as dead.

In what ways can Mary Shelley's Frankenstein Be considered as a Gothic novel? Can Gothic literature still appeal to us today? Gothic Literature was most popular from about 1764 until 1832, a period of nearly seventy years. At this time there were many successful and famous authors who wrote books which contained a somewhat 'gothic theme'.

Mary Shelley utilizes figurative language in this excerpt to describe the surroundings of Frankenstein on his journey home and set the tone of gloomy, because of his brother’s death. Shelley uses personification to express the pattern of the raindrops as “violence quickly increasing” as if the raindrops were a person becoming very violent. This figurative language device develops the tone by tying into the violent actions of whoever murdered William, Frankenstein’s brother. Shelley uses the figurative language device of simile to compare the weather of nature such as, “vivid flashes of lightning dazzled my eyes, illuminating the lake, making it appear like a vast sheet of fire”. Shelley begins the sentence with a cheerful tone then takes a

adopts a new attitude in place of the sorrow and despair he encountered earlier. Now filled with

We react with ambivalence to this question because we have been exposed to both sides of the story, which is a rarity in most cases. Shelley represents the creature as truly monstrous and evil through the eyes of Victor Frankenstein, which gives readers the opportunity to view Frankenstein as the hero. It is only when we read the creature’s account that we began to feel both sympathy and even empathy for the struggles he has encountered. The creature never asked to be born and continually suffers at the hands of other throughout the novel. It is hard not to feel sympathy with someone who is so childlike and “new” to the world. Especially when the creature cries out in agony: “‘Cursed creator! Why did you form a monster so hideous that even you turned from me in disgust? God in pity made man beautiful and alluring, after his own image; but my form is a filthy type of your’s, more horrid from its very resemblance. Satan had his companions, fellow-devils, to admire and encourage him; but I am solitary and detested’” (Shelley, 91). The creature also goes on to say: “‘Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed?’” (Shelley, 95). How could one not feel sympathy for someone who hated themselves? Humans have experienced such feelings of loneliness and isolation. The creature even says that Satan, of all people, had friends, but he is so hideous that he is utterly alone in the world. All

Sometimes considered one of the first science fiction novels of supernatural terror, Frankenstein proved itself an instant success when released anonymously in 1818. The mad scientist Victor Frankenstein and his creation provoke readers with the fear of the unknown and the power of natures forces. A deeper look into the character of Victor Frankenstein, the role of scientific experimentation and the intricate settings of nature in which the story evolves, prove Mary Shelley's novel, Frankenstein , a worthy example of both Romantic and Gothic representation in nineteenth century British Literature.

Mary Shelley creates a sense of gloom, mystery, and suspense, in her novel Frankenstein. The book generates these perceptions though the setting and the terrible events that go on throughout the book. Gothic novels came from the English genre of fiction popular in the 18th and 19th centuries. Gothics are defined by the mysterious and horrific atmosphere, similar to that of Mary Shelley’s writing. Frankenstein is a gothic novel because of the combined elements of extreme and sinister landscapes, horrifying events, supernatural elements, and a passionate, wilful villain.

Romanticism was a movement that swept over all of Europe; it affected all areas of life and society, not only just literatruture. At its base was a belief in the rights of man and this impetus led to two enormously important resolutions: the American Revolution and the French Resolution. Romanticism does not only mean romantic love, it is a literary term characterized by elements. Some elements of romanticism are growth of industrialization, mingling of races, frontier, experimentation, and optimism. One of the writers that include romanticism in their writings is Mary Wollstonecraft Shelly.

A story of mystery, tragedy, and terror, Mary Shelley’s Frankenstein continues to captivate millions. She writes the tale of mankind’s obsession of the unknown, pulling readers to Frankenstein’s many lessons. Mary Shelley affects literature with her seemingly paradoxical use of both Romanticism and Gothicism. Shelley takes elements of romanticism, such as heavy use of emotions, innocence, and characters achievements, while also using gothic aspects like death, violence, and dark weather. Weaving the two genres together, Mary Shelley creates a timeless science fiction novel containing characteristics of serenity with a sense of eeriness.

One of the most important aspects of any Gothic novel is setting. Mary Shelly's Frankenstein is an innovative and disturbing work that weaves a tale of passion, misery, dread, and remorse. Some would argue that Frankenstein is a classic Gothic novel. By a classically Gothic novel it is meant that the story employs a traditionally scary theme. This could include such things as dark and dreary castles set in isolated surroundings replete with dungeons. Supernatural beings such as ghosts and living dead may be included in the twisted, thrilling, unveiling tale. The novel does contain many Gothic characteristics in a sense that it does explore

Frankenstein is a novel written by Mary Shelley. Frankenstein is about a man who had a strong urge to finish a scientific project and did not accept his consequences for his own mistakes. Mary Shelley’s work consists of Gothic elements and have great emotion that go along with them. Mary Shelley’s childhood may have affected her writing, she had a tough life growing up and her book shows this. Throughout the novel there are many Gothic elements that all contribute to the events in the book. Victor neglecting his own responsibility and disrupting the natural order of things ultimately leads to the death of the two major characters in the end of the novel.

Gothic novels are stories written in the gothic genre which is a literature genre of fiction characterized by an atmosphere of mystery and horror. This genre rose to, and flourished in, popularity during the 18th and 19th centuries. One of the most famous novels of this Genre is Frankenstein, also known as the Modern Prometheus, by Mary Shelley. Frankenstein is about a scientist who creates a grotesque sentient monster in an unorthodox science experiment. Other examples of popular Gothic books include; The Castle of Otranto by Horace Walpole, Dracula by Bram Stoker, and The Monk: A Romance by Matthew Lewis. The Gothic genre, as well as most

In the gothic novel Frankenstein, author Mary Shelley offers an ominous tale of science gone terribly wrong using the theme of the father and son relationship that also goes terribly wrong. Though Victor Frankenstein does not give birth per se to the Monster, Frankenstein is for all intents and purposes the Monster's father as he brings him to life via his scientific knowledge. Once the Monster is alive he looks to Frankenstein to protect him as a father would, but Frankenstein who is mortified by his creation shuns him. The longer the Monster lives without Frankenstein's love and the more he discovers what he is missing, the angrier he gets and he sets out on a mission to destroy Victor Frankenstein. In Frankenstein, Shelley's purpose is to reveal what happens to society at large when individuals fail in their duties as parents.

Eagleton’s idea by underscoring the concept that “Mary Shelley’s answer [in the novel Frankenstein] does not entail the restructuring of society, the elimination of the class system; it does entail a revolution of the human spirit and of the emotions which will issue in benevolent action towards one’s fellow human beings, and in so doing, creating a better society whilst alleviating present ills” (89). In this instance, Mary Shelley’s piece of gothic literature can be defined as alive and purposeful as it strives to promote action and change by the people. Developed through imagination and creativity, it carries political weight that contrasts the rational capitalism of the time and instead is aimed at change in support of the people. Literature of the past can be defined as imaginative, creative, and soul-stirring as can literature of the present.