How Fashion Is Seen as a Performative Art

The futuristic looks of 60s clothing were revived, as were the neon colors of the 80s, and the “hippie” style of the 70s (Korsnes n.p.). The fashion of the decade got many elements from previous styles, and many old trends were redesigned and made popular again. Thus, a lot of vintage clothing styles became very popular in this era. Because of globalization, designers based their items on various styles from around the world, causing the fashion of the 2000s to be more diverse, and become a mix and match of different styles. This increase in the variety of the styles made it easier to express one’s identity through fashion (Rindfuss

We come across many different cultures and fashion in our society. Some may indicate that the culture influences one’s fashion while others may oppose and state that each aspect stands alone. Fashion and culture fall into the following identity categories: chosen and assigned. Culture affects many parts of an individual, in some cases you can determine an individual 's culture by their speech and clothing; in addition to traditions and the environment in which they were raised. Whereas fashion may be impacted by culture and tradition, but it may also not interact with culture at all.

(Choose a garment, which can be used to discuss fashion from the point of view of the consumer. This garment must be able to demonstrate how the consumer individually constructs their identity and conveys that identity through the style and styling of clothing. You should treat this garment as an object as a form of evidence, which can help you to explain theories of fashion discussed in the sessions. The intention of your analysis is to examine the ways in which we can ‘read’ objects and images, understand their meanings and explain them in the context of broader theoretical and social concerns. You should aim to be as analytical as possible. You may want to use further

Fashion is everything to society and the media. The fashion industry has transformed into a necessity in the life of people. Everyone wants to look good, feel fabulous and feel as if we belong with everyone else. The envy and desire to wear certain things and look a certain way all come, from wearing the latest fashion handbags, accessories, dresses, shoes, and the list goes on. But, when is considering fashion into an individual’s life going too far to the extreme? Many do not consider the whereabouts of fashion materials and how the environment is affected by the mere existence of certain garments. Some may believe these objects grow on trees. But that is clearly not the case. Even though it would be nice. The fashion industry as a

Fashion reflects the attitudes of a society more than any other art form. Like art, fashion is a material record of the ideals that swayed the nations at the time of their creation. Through examining the styles, and tastes of a particular era, we can realize where the interests and priorities of a time lie. As Frank Parsons wrote in his 1920 study, The Psychology of Dress, "There is surly no better field in which to trace the devious paths of human thought than in that of clothes, where man has ever given free play to self expression, in a way which, thought not always a credit to his intelligence, is yet quite true to his innermost self, whether he will acknowledge it or

In the article “Fashion in the 1960s”, Paul Phipps describes the fashion trend and style of each year from 1960 to 1969. It mainly talks about the ‘trend’ of each year and how the ‘trend’ impacts art, music and problems. It contains how women were showing more skin than ever. They wore incredibly short skirts. The topless bathing suit also created lots of problems. A woman got arrested for wearing it in public. In the beginning of 1960s, the fashion was all bipolar. But later in the 1960s, people wore brightly colored, tie-dyed clothes. In 1950s, everyone was pressing themselves down, then they exploded in 1960s. Paul Phipps’ purpose of writing this article was to learn more about fashion in 1960s himself, but to let the readers know how fashion has evolved through the 1960s. Paul Phipps’ work is important because his article lets the readers to gain knowledge about the fashion through 1960 and 1969. Paul Phipps’ article describes how people’s fashion trend and the idea of fashion changes through time.

“BEFOR I CAN TALK TO YOU, PEOPLE SHOW THEIR SEX, AGE, CALSS, POSITION, WITH WHAT THEY ARE WEARING. ALL THIS IS REGISTERED UNCONCIOSLY“ Those words said by Alison Lurie in the language of clothes (1992), reflect perfectly the main point of my research. The society we are now living is an extremely conscious society regarding body image and the way we are presented to the exterior. We found an obsessive trend on wanting to look like celebrities by having certain items or looks and in relation to that a fear of not being percepted the tight way. This is where we found relation to how clothes are part of a conversation we haven 't started and are a form of expression. As there will be explained further on, we use clothes as a sign of our identity,as a way of representing ourselves and stand out from the crowd and also influence on how we appear in front of others making them (clothes) a huge part of our non verbal communication. This essay will discuss the ideas behind self -expression and the role of clothes has changed in that mater thought time.

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

During our life we construct many different identities of who we want to portray ourselves as to the rest of society; fashion plays a vital role in generating who we are. With the ideas from Storry and Childs they state that “the way that we dress can either serve to confirm or to subvert various facets of our identities, such as our gender,

Elizabeth Wilson discusses this in ‘Adorned in Fashion’. She examines modernism’s constant creation of the new ideal persona rather than embracing individualism. Wilson argues that ‘new fashion starts from the rejection of the old and often an eager embracing of what was previously considered ugly’ (Wilson, Elizabeth. 2007). Hence fashion goes through a life cycle as Marilyn DeLong describes in ‘Fashion, Theories of’. This process circulates from birth, maturity and death, followed by rebirth. Hence fashion evolves from the past, revisiting and reinterpreting it in order to infuse it into a modern context for the continual generation of new innovations. Therefore fashion can be seen as a medium in which expresses a duality between the past and present, like in a woman’s identity. These texts respond to my research question as they make it clear that fashion in Western society cannot be acknowledged without acknowledging the past. This is because fashion evolved from the past. Thus facets of the past are naturally embedded in fashion. I will emphasis this by embedding the past more prominently within Western society and fashion today through the adornment of nature on the body in reference to our past origins which fostered a connection to nature more

When you think of the word fashion, what do you think? Do you think about outrageous runway outfits? Cocktail dresses? Tracksuits? Whatever your impression of fashion, it is obvious that fashion plays an important role in today's society. We are judged by our clothing and appearance on an everyday basis, so why not make the most of our choices?

This essay aims to analyse the key role that the surrealist movement has played on fashion and the fashion industry. Both from a historical point of view, as well as its continued impact on fashion today, as a source of inspiration for contemporary fashion designers.

“Fashion, as noted above, is a product of class distinction and operates like a number of other forms, honor especially, the double function of which consists in revolving within a given circle and at the same time emphasizing it as separate from others.  Just as the frame of a picture characterizes the work of art inwardly as a coherent, homogeneous, independent entity and at the same outwardly severs all direct relations with the surrounding space, just as the uniform energy of such forms cannot

The passageway of modernism has introduced innovative components in the development of an individual's personality. The identity character as a social construct is highlighted through the effect that fashion has brought in, experimenting, producing and changing individual identity. The style and appearance of an individual is a portion of the fashion's period and usually refers to the possibility of people to utilize fashion industry products. This takes place just like any other consumer good that can be modified with respect to the prevalent societal codes. The modifications can be made either through surpassing or through copying them. Modern fashions are part of postmodernism. This is in the view of the fact that developments and growth in the fashion industry accompany and express development of the society through embracing postmodernism. Developments in the fashion industry offer options regarding styles, image and clothing through rejecting the options presented in modernism. This paper discusses Versace designs and their relationship to postmodernism.

To some, fashion is an art form. To others, it is life. For most people it is a method of utilizing clothing, accessories and hair. Fashion is a mode to express yourself, to serve as an extension of your personality, or even to disguise your true self (Nellis, 1999).