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How I As A Director Will Approach Directing Chekhov

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Chekhov is still associated with the past, but not a specifically Russian or historic past... the world evoked in a Chekhov play by inventive modern directors confronts the past with the present..." (Laurence Senelick, Director 's Chekhov, in A Cambridge Companion to Chekhov, p189.)
Discuss the above quote with reference to your experiences of preparing to direct/design a Chekhov play.

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Within this essay I will look at how I as a director will approach directing Chekhov, commenting on how I went about choosing the sections of the script I wish to use, why I chose these sections and how. I will then reference Katie Mitchell’s twelve golden rules on working with actors to demonstrate how I will approach my rehearsals and working with the actors. I will then go on to mention how and where the piece will be performed, continuing on to how I will use there lighting, sound and setting finishing with costume.
The sections chosen are about illness, whether it be mental or physical. Throughout the piece the audience/readers are constantly reminded that someone is ill, whether it is Anna or Ivanov. This doesn’t necessarily mean this is what Chekhov wants us to interpret from the performance as there are many interpretations: for example, the play could be interpreted as being about hypocrisy, as most characters reinforce this with the words they speak to each other. Another interpretation may be the loss of vitality on Ivanov’s part; his deploring the loss of

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