How Is Black Swan Psychoanalysis Criticism

Freud even went as far as using dreams from his own children as evidence. (Freud).

Psychoanalysis is a therapy of psychological theory that aims to treat mental illnesses based on the concepts of Sigmund Freud, who emphasized the importance of free association and dream analysis. The model of psychoanalysis aim is to release repressed emotion and experiences, by making unconscious thoughts, conscious. The fundamental principles of psychoanalysis are practiced by putting an emphasis on the patient to gain insight into the origins of their respective problems like a patient presenting symptoms of anxiety would be encouraged by a licensed professional to explore their past, in hopes of discovering problems that manifested the anxiety. The anxiety created may be a defense mechanism directed towards displacement in their world.

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

The literal surface of a work of literature is sometimes called the “manifest content” and treated as “manifest dream” or “dream story.” The psychoanalytic literary critic tries to analyze the latent, underlying content of the work, or the “dream thought” hidden in

Through psychoanalytic theory, the mind likes to play a lot of games on the victim such as dreams of reality, poems and riddles of the past, and isolation creating the best and worst out of them. Upon the first novel, dreams take control of the mind to unleash the most inner desire. An

Reading a narrative from a psychoanalytic perspective can prove to be a sometimes frustrating experience. Psychoanalysis often disregards the actual texts and verbal context of a piece of literature in favor of the Freudian and Lacanian ideas, which seek to find encrypted motifs in the depths of every creation in order to reveal the author’s unconscious mind. Nevertheless, the critiques of psychoanalytic interpretation of literature claim that such interpretations focus on the content of the text at the expense of the literary form and temporal dimension, which can reduce the literary plots to lifeless machinations. Furthermore, psychoanalytic interpretation of a text may tell us less about the author’s unconscious mind and more about the

Freud’s theory is that dreaming is meaningful, unlike the activation synthesis theory. He believed that the mind had three sections, represented in a shape of an iceberg; the conscious, the subconscious and the unconscious. The conscious is the tip of the iceberg above the water involves everything we are aware of right now such as our thoughts. The

Psychoanalysis is the search for evidence for unresolved emotions, psychological conflicts, and whatever else may be hidden in perplexing literary works. Psychoanalytic criticism showcases what has been suppressed by the author’s conscious mind. The author’s sexual conflicts, family life, childhood traumas will be camouflaged in symbolism. One story that lends itself particularly well to this form of criticism is The Cask of Amontillado and throughout the story there are various literary elements that play a major role.

The main character in the film Black Swan, twenty-eight year old female Nina Sayers, displays signs of numerous disorders through her abnormal behavior. Nina’s life is consumed by her occupation: professional ballerina/dancer. Nina resides with her mother and rarely socializes with others. She has difficulty concentrating, is restless, irritable, suffers from muscle tension, and sleep disturbances from nightmares. Nina also feels very uncomfortable in social and intimate situations. She appears to be unable to successfully interact with those around her. The interaction that Nina has with her fellow dancers appears to be strained and superficial. Nina exhibits behavior that indicates she views all other dancers as competition instead of

During Nina’s practice for the Black Swan, Thomas notices what an effective white swan she is, but for her to become the black swan will be a major challenge. However, soon she observes and figures that her peer Lily is dancing with passion and is more adequate for the seductive and impulsive role of the black swan. And when Thomas notes that she is not faking it and knows how to express herself, Nina becomes suspicious of Lily to the point of apparent paranoia. But as a viewer it is challenging to determine whether Lily is really out to take away Nina’s role or if this is Nina’s paranoid delusion.

Psychoanalysis was started and influenced by Sigmund Freud. The object of psychological literary theory is to analyze the phycology of the author or the characters in the book. Applying psychological analysis to the Metamorphosis will require a critique to identify vital Freudian concepts such as; consciousness, unconsciousness, Oedipus complex and phallic symbol.

Psychoanalytic criticism is a type of literary criticism that analyzes and classifies many of the forms of psychoanalysis in the interpretation of literature. As the Concise Oxford Dictionary defines psychoanalysis, as a form of therapy that is concluced ‘by investigating the interaction of conscious and unconscious elements in the mind' (Barry 96). One of the most popularized

In the beginning of the film, Nina was depicted as an average, normal person living in New York that yet lacked the freedom to express herself as a sexually free, young woman due to her mother’s controlling behavior. When she wins the coveted Swan Queen role, the feeling of immense pressure that comes with the role causes Nina to lose her tenuous grip on reality and descend into a living nightmare. For example, she experiences symptoms such as interpreting normal behavior from Lily as an attack because of Nina’s jealousy toward Lily’s effortless embodiment of the Black Swan (Schacter, Gilbert, Wegner, & Nock, 2014). Nina’s attention to negative behavior to Lily is a result of her own imagination – she starts conceiving events that did not happen such as a lesbian fling with Lily and her constant attempts to sabotage Nina’s ability to perform as the Swan Queen. In addition, she suffers through hallucinatory episodes that involve bodily horror, such as her skin tearing off her body and the appearance of an evil twin, every time she reaches a step closer to her full transformation of the Swan Queen.

The purpose of psychoanalytic criticism is to offer the reader a better understanding of a literary piece by the analysis and interpretation of certain aspects through psychoanalytical theory. The aim, as is the case with all critical approaches, is to go beyond the surface structure and into the deep structure of a text, this time through the study of the psyche and by looking for patterns which are significant and convey meaning. The focus of such an approach is either the author, the intricate mechanisms of his own mind, which explain how and why the text came into being, or, in some cases, the characters, whose psyches can shed further light on the content.

Sigmund Freud created strong theories in science and medicine that are still studied today. Freud was a neurologist who proposed many distinctive theories in psychiatry, all based upon the method of psychoanalysis. Some of his key concepts include the ego/superego/id, free association, trauma/fantasy, dream interpretation, and jokes and the unconscious. “Freud remained a determinist throughout his life, believing that all vital phenomena, including psychological phenomena like thoughts, feelings and phantasies, are rigidly determined by the principle of cause and effect” (Storr, 1989, p. 2). Through the discussion of those central concepts, Freud’s theory of psychoanalysis becomes clear as to how he construed human character.