How Is Catherine Linton Different From Wuthering Heights

Creating a haven from the cruel outside world, families ideally provide protection and support for each of their members. In Emily Brontë’s Wuthering Heights, however, bitterness grows between the Earnshaws and the Lintons. Within these two families, siblings rival for power and parents fail to fulfill their roles as caregivers. The intertwining relationships of the Earnshaws and the Lintons are marked by physical abuse, degradation, and emotional negligence. These reduce each of the family members’ life to a lonely and meaningless journey though the cold and misty moors.

Partly influenced by her stay at the Linton’s, Cathy (Earnshaw) sees Heathcliff as lower than herself, and that “It would degrade me to marry Heathcliff now; so he shall never know how I love him.'; This harsh rebuke according to social structure distorts Heathcliff’s very temperament into a nature even more twisted than it previously had been, and upon Cathy’s marriage to Edgar, Heathcliff finds a target towards which he can divert his unyielding rage.

However, despite changes, the literary world remained predominantly male, and women writers not encouraged, or taken seriously. Consequently, to counteract this Emily Bronte published her novel Wuthering Heights, under the male pseudonym of Ellis Bell. Wuthering Heights is the story of domesticity, obsession, and elemental divided passion between the intertwined homes of the Earnshaw’s residing at the rural farmhouse Wuthering Heights, and the Linton family of the more genteel Thrushcross Grange. This essay will discuss how the language and narrative voices established a structural pattern of the novel, and how these differing voices had a dramatic effect on the interpretation of the overall story.

Mr. Heathcliff’s sadistic actions contribute his wicked mindset found in the

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

Emily Bronte’s dramatic novel, Wuthering Heights, is a compelling look into the human nature of the individual persona. Most of the novel could be used as an analysis of contrasts, the traits and personalities that form in the environment of little rules found crafted in the novel are each as unique as they are distinctive in how they represent themselves. Using the juxtaposition inherent in characters personalities, such as Heathcliff and Edgar, and the differences presented by settings of both Wuthering Heights and Thrushcross Grange, Bronte submits us to the extreme conflicts and emotions that brood and grow with such polar characters. It’s in the polarity itself that the novel finds its power, using opposites of setting, personality, and traditional conventions Emily Bronte argues that humans are inherently selfish, only thinking of themselves before others and as such can only operate in a

He was not only a harsh individual, however. “Heathcliff can also play the romantic type” (Galef 244). This statement holds nothing but true, as he managed to court Catherine for numerous years, and also his wife Isabella, showing them both his affectionate side. The passionate thoughts of Heathcliff vanished after Cathy’s rejection, however, replaced with nothing but vengeance and rage as he set out to make her suffer.

Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.

Characters in Wuthering Heights exemplify the effect of dual natures and the destructive impact such internal struggles can have on filial relations. The motives that drive the characters are inextricably linked to the warring forces inside them that are the impetus for the rash and ruinous actions that are common to both major households in the novel. Consequently, the prevalence of duality throughout the novel signifies the importance of a double nature in characterizing humanity. Catherine is the most relevant example of contradictory natures as they define her personality throughout her life. Therefore; in Wuthering Heights by Emily Bronte, the recurring

Heathcliff, like Dhulia, is obsessed with the idea of revenge, and like Dhulia, he is merciless to his victims. Behind their motivation for revenge lies their desire for power. At the end of the 9th chapter, Heathcliff leaves home after hearing that it would degrade Catherine to marry him and therefore she will marry Edgar Linton. This event shows the last point of Heathcliff‘s humiliation and dismissal from the society, and a landmark for his metamorphosis. Mary Burgan in her article, ―Identity

Cathy Linton, speaking above, displays the ability to love someone even when they do not deserve it. She draws her greatest strengths from love and kindles a fire of hatred towards Heathcliff because she has fallen for Linton.

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.

Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly

“Find what you love, and let it kill you.” said Bukowski. If love really destroys people, then “Wuthering Heights” by Emily Bronte is the best example. Bronte is a British poetess and novelist. She wrote only one novel which is Wuthering Heights. Her novel was and still controversial for critics. This essay will discuss how Wuthering Heights represents a unique literary work of art that resembles a crossover between romanticism and realism, the defying features of ideal romantic heroism regarding Catharine and Heathcliff, the unusual ending of the novel and eventually my personal evaluation of the ending along with an insight assessment of the cross racial relationship during the Victorian era.

Wuthering Heights is a work marked by bewildering characterization. Perhaps most complex of all is Emily’s portrayal of Catherine Earnshaw as a pitiful victim and an abusive victimizer. With such qualities, Catherine’s character was violently at odds with ideals of the Victorian womanhood. Namely, that a woman should be passive, obedient, and an angel in the house. (Towheed, 2012). Indeed, not major characteristics of Bronte’s female protagonist. However, this victimizing behavior could be justified by Catherine’s own victimization; a mixture that is incapable of affecting one’s own sympathizes towards her.