During the late 1770s in England, the social class system one was born into determined their future success. Class was primarily determined by the status of one’s ancestors rather than financial wealth. There was little interaction between the classes except in a servant and master dynamic, and people usually did not change classes. Those who did rise in social class standing were seen in a different light than others with their same monetary worth. Wuthering Heights by Emily Bronte is a British gothic romance novel that was published in 1847. The setting of the story is an old 1770s moor populated by two households owned by Heathcliff, an adopted boy who rose in power throughout his life. The story is based on Heathcliff’s background and tells of how he was not meant to be the proprietor any of the manors but used manipulation and force in order to make his family and neighbors miserable and gain ownership of all their land. Heathcliff was successful in his goals to gain wealth, but was alienated and despised because of his rising in social class. Bronte’s distaste for social class hierarchy and feelings that it is both unfair and discriminatory …show more content…
Unlike her sisters and her aunt who raised her, Emily was quite skeptical of religion and rarely attended church services (Symons). Her mysterious background is reflected in Wuthering Heights given that the book has many gothic and romantic elements. While Wuthering Heights may currently be considered a classic of English literature, at the time of its release, the novel was not accepted as a respectable work. Appearing as the first two volumes of a three-volume set that included her sister Anne’s Agnes Grey, the novel was seen as offensive to the public as it challenged strict Victorian ideals regarding religious hypocrisy, morality, social class, and gender inequality (Knapp
Class is likewise an issue. There was a class chain of command in Bronte's England, and this can be found in the novel too. The family of Wuthering Heights appear to be less fortunate than the Lintons at Thrushcross Grange. Despite the fact that she adores him, Catherine won't wed Heathcliff after he has been corrupted, and rather weds into the rich Linton family, bringing on the majority of the real clash in the novel. The Lintons are of a higher class both in light of the fact that they have more cash and don't appear to need to work, and on the grounds that they are better taught.
The social class imposed upon the people of the Victorian Era followed harmed people’s lives instead of improving them, as seen through the novel Wuthering Heights by Emily Bronte. Through symbolism, characters, and settings, the negative effects of the class structure prevents people from living a life they want, thus causing people to adopt a persona instead of living their true
The social classes in Wuthering Heights are an insight to the society that Emily Bronte experienced. The British society of 1770 wasn’t accepting of a person with darker features which is reflected in how Heathcliff is treated in the novel. Orphans were also never meant to rise from their station below the servants. This is an insight into why Hindley Earnshaw hated Heathcliff and referred to him as a usurper of his father’s affections. When Hidley became master of Wuthering Heights he returned Heathcliff to his “rightful” place.
The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a
Conversely, 'Wuthering Heights ' may be interpreted as a socio-economic novel. The novel opens in 1801, a date Q.D. Leavis believes Brontë chose in order “to fix its happenings at a time when the old rough farming culture, based on a naturally patriarchal family life, was to be challenged, tamed and routed by social and cultural changes”. At the time, the Industrial Revolution was under way in England; it was a dominant force in English economy and society. The traditional social class- dynamic was disrupted by an upwardly-inspired middle class. A new standard for defining a gentleman was challenging the conservative ideals of breeding and family. This reality provides the context for socio-economic readings of the novel. [8]
In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.
Wuthering Heights by Emily Bronte was published in 1847 and received many contradictory judgements. One main judgement that criticized the novel was how multiple characters can have a change in characterization depending on the reader. Many of the novel's characters, such as Heathcliff, possess positive values, but readers tend to focus on their negative qualities which allows these characters to change. Growing up poor and homeless, Heathcliff’s character changes many times throughout the novel as he grows older and possess negative qualities towards other characters. Later residing as an old, lonely master, Heathcliff’s change in character at the end of Wuthering Heights signifies that he has gone mad and leads to intentions that Heathcliff has not committed suicide, but lost all will after all he has been through.
Social Classes in Wuthering Heights Wuthering Heights, a gothic novel written by Emily Bronte in the early nineteenth century, describes the conflict and the passionate bond between Catherine Earnshaw and her rough but romantic lover, Heathcliff. In the beginning of the book, Heathcliff, an orphan is made a part of the Earnshaw family. This adoption is not readily accepted by the older brother, Hindley, who sees the new child as a rival to his claim of dominance in the family. However, Catherine, the sister is quickly attracted to young Heathcliff, so different from anyone she had ever known. As the two grow older, Heathcliff finds himself falling in love with Catherine.
Many authors use the setting of a novel to illuminate certain values and principles in their writing. In Wuthering Heights, Emily Bronte utilizes this technique to enhance the theme of the work. The novel is set in a harsh environment in Northern England, highlighting two specific estates, Wuthering Heights and Thrushcross Grange, as the main places of action. The dreary landscape and houses not only serve as the primary setting, but also as major symbols that aide in establishing the tone and enhancing the novel's theme of good versus evil.
Someone having their true lover marry another person whom they do not truly love would be a difficult and undesirable situation. How a person in a similar situation reacts to it, especially in the long term, can reveal a lot about their character. Such is the case with Heathcliff, the main character of Wuthering Heights, a novel written by Emily Brontë. Wuthering Heights takes place from the late eighteenth century through the early 1800s (decade) within the two houses of Wuthering Heights and Thrushcross Grange and on the land surrounding them (1, 58). The two houses are located in England and are near the village of Gimmerton (1, 102).
was to run away to the moors in the morning and remain there all day."
Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P, 341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. However, change was on the horizon with an underlying movement of business and domestic changes both home and abroad, with industrialization, and the suffragist movement. Women were beginning to gain autonomy and began to grasp their opportunities, thus significantly curtailing male supremacy and the definable acceptable ‘role’ of the woman.
Human beings can be truly deranged creatures. Often times they are seen as elevating and putting themselves on a pedestal. They will treat people who are not the same as them as they are garbage and worthless. Although it is not their fault to simply put it, it is human nature. More specifically the ugliness of human nature. The complex characters in Wuthering Heights are guilty of this. Their circumstances drive them to do unthinkable things which unfortunately have drastic outcomes. Emily Bronte’s Wuthering Heights is a beautifully written novel that shows the ugliness of human nature as seen through the depiction of toxic relationships, displaying revenge and vengeance in the differentiation of social class.
The novel ‘Wuthering Heights’ (1847) by Emily Brontë and the film adaptation ‘Wuthering Heights’ (2011) by Andrea Arnold each convey respective values and perspectives reflective of the contrasting contexts and forms of each text. The novel, set in the Romantic period, is centred around two families living on the isolated, Yorkshire moors, and the explosive interactions between them. The concept of confinement contrasts against the freedom of nature throughout the novel. Nature is another key theme and a fundamental aspect of the Romantic period, used to present ideas such as rebellion and freedom. Finally, passion within human relationships is thoroughly explored through Catherine and Heathcliff’s relationship within the novel. However, as the film adaptation is a product of a contemporary post-feminist, post-colonial time period, these themes can now be explored through lenses such as racial discrimination, feminism, and human connection.