How Is Louis Daniel Armstrong Morally Responsible

Louis Armstrong was the greatest of all Jazz musicians. Armstrong defined what it was to play Jazz. His amazing technical abilities, the joy and spontaneity, and amazingly quick, inventive musical mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. Like almost all early Jazz musicians, Louis was from New Orleans. He was from a very poor family and was sent to reform school when he was twelve after firing a gun in the air on New Year's Eve. At the school he learned to play cornet. After being released at age fourteen, he worked selling papers, unloading boats, and selling coal from a cart. He didn't own an instrument at this time,

If one was to go out into the street, walked up to a random stranger and asked them if they knew who Louis Armstrong was, chances are that they would be able to answer you correctly. Louis Armstrong (Aug 4th, 1901 - Jul 6th, 1971) was an American trumpeter, composer, singer and occasional actor who became one of the most influential figures in jazz. His career spanned many decades, from the 1920s to his death in 1971, and many different eras in jazz. He first came to prominence in the 1920s as a trumpeter and cornet player with no technique as well as being very skilled in scat singing, Armstrong was a foundational influence in jazz, influencing many later jazz artists as well as shifting the focus of the music from collective improvisation to solo performance.With his very well-known and recognizable gravelly voice, a technique that was later named “crooning”, Armstrong was an incredibly influential singer, demonstrating great dexterity as an improviser by bending the lyrics and melody of a song for expressive purposes on demand. Renowned for his charming and incredibly charismatic stage presence and voice almost as much as for his trumpet and/or cornet playing, Armstrong 's influence extends far beyond jazz music, and by the end of his career in the early 1970s at his death, he was widely regarded as a deep and profound influence on popular music in general. Armstrong was one of the first very popular

Louis Armstrong learned at a young age, not to let negative views direct your life. At the age of seven he worked for a Jewish family, and noticed how the whites treated them. It was not just the blacks in the early 1900’s that dealt with racial issues. But Louis saw one thing that left a long time mark on him. Many of the Blacks wanted Pity, but this family of Jews he worked for, did not, they made their way. This was something Louis would carry with him the rest of his life. Louis Armstrong’s influence was the style, structure, and joy of his art. It is something that can be seen in many musicians that listened to him. Listen to a Miles Davis cd, and you will hear the Great Satchmo. Yes it is Miles Davis, but the influence of Louis is there to be heard. Many of the musicians today you will also hear Louis’s influence, and not only in Jazz, Swing, Blues, but in any form. Louis Armstrong’s influence is one of the most powerful that has ever been, and may ever be.

Armstrong had elevated music and Jazz to a whole new level. “Armstrong’s contagious humor and flamboyant style made him an ideal goodwill ambassador for American music” (Copton, 632). His style encouraged soloist's art to assemble within jazz, which increased opportunities for black people. “People learned to appreciate both jazz, and African American music even more, because of this man... Armstrong played music up until the day he died at 70 years old, on July 6, 1971” (Musicians- The Harlem Renaissance). His ideas influenced millions of perspectives on African Americans and music, people started respecting his style of music and many also began acknowledging and admiring black people’s music to a new extent. Just like the others, Armstrong often faced racial inequality. However, a few others accompanied him and found a way to crack the racial barrier through music, art, and

Louis Armstrong, also known as the king of jazz was born on Augest 4th, 1901, in New Orleans Louisiana; he died July 6, 1971 in Corona Queens New York. Louis Armstrong is famous for his stunning jazz performance, unique vocals, and amazing styles with the trumpet/cornet. Louis Armstrong recorded many popular songs like La Vie en Rose, and his theme song When its Sleepy Time Down South. Louis's Father left him around childbirth, and his mother often used prostitution for money. He was often left with his grandmother, and left school in fifth grade to start working. Louis was able to get hired as a junk collecter and coal deliverer.

Many great performers have come out of the jazz industry, but the most widely known is Louis “Satchmo” Armstrong. Louis began playing at a young age when he was growing up in New Orleans. His greatest inspiration was Joe “King” Oliver. He began following him and eventually Oliver became Armstrong’s mentor. Armstrong practiced his instrument and eventually he became the jazz great everyone knows today. Armstrong’s unique singing and masterful improvisation transitioned jazz from the traditional style to a newer, more rhythmic style. He popularized scat singing and was the first musician to have his solo on a recording (Rodgers 85). The solos Armstrong performed along with his popular scat singing helped make jazz musicians more popular along with making the fans take notice of Armstrong and jazz itself (Rennert 8).

Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play

A quite hush comes over the crowd as the lights dim in the club; the band shuffles as they prepare for the set to begin. From behind the stage he comes, walking slowly to the microphone. As the song begins, the club goes silent. The piano strikes first, opening with a slow back and forth tune before he finally lets the small brass instrument sing. Under the glow of the stage lighting, the trumpet seems to sparkle, every movement and swing sends sparks into the audience. Some in the crowd recognize the tune, but notice something a little off – as if the song had been forever altered. This new melody, while not fitting the usual tone of the speakeasy, sank into the audience; a new emphasis on civil rights.

Louis was born in New Orleans where he grew up and learned to play the trumpet. He also learned to sing. Because of his long improvised solos, he inspired jazz so that long solos became an important part of jazz pieces and performances. (Cayton, 462) Armstrong was the king of jazz trumpet players. The new style that he created gave a voice-like quality to his horn. (Hakim, 58) Although Jazz was very popular itself, a majority of the fans and listeners were younger people. Flappers were commonly known during this time. They danced to the jazz music with a whole new style.

“Little Louis” sung in a vocal quartet in his early teens. His rise to the top, though not overnight, occurred quickly, he played with mostly all the major bands in New Orleans over the next few years (Friedwald 350). In 1922, his mentor, King Oliver, invited him to work his Creole Jazz Band in Chicago. After recording with Oliver for over a year, Armstrong moved into what would become the most important early-jazz big band, Fletcher Henderson’s Orchestra (Shipton 201). As if it were not enough that Armstrong would rewire instrumental music for the rest of the century, his singing did the same for vocal music. He sang much as he played, but with a playfulness and a rasp, that would forever be part of American culture (Winfield 167). The first important trend in New York Jazz was Hot Jazz that was an incendiary style introduced by Louis Armstrong (Winfield 170). He was known for both his joyous ways with the trumpet and his peculiarly touching and funny vocal style. There was a cheerful impatience in his playing, an optimistic confidence that led him to risk going over the top (Shipton 157). Louis Armstrong is arguably the most important musician that the United States has ever produced (Shipton 160). Eldridge is the obvious link between Louis Armstrong and Dizzy Gillespie. Armstrong could make an audience cheer, but Roy Eldridge, made those top and bottom notes feel like a natural part of what the horn should do (Friedwald 21). Blessed with

There were many jazz musicians. Louis Armstrong is one of the most important jazz figures. Louis Armstrong is one of the first great soloists in the 1920’s musicians. His career rose in New Orleans. He influenced other jazz musicians by his fearless trumpet styles and distinctive vocals. Louis gave jazz music a purpose. He spread jazz throughout the world. Fletcher Henderson also influenced jazz music. He was an extraordinary musician and he impacted jazz music immensely. Without the jazz musicians, jazz music would not have been possible. With the assistance of the jazz musicians, the music industry

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

Louis Armstrong is a man of many talents and skills known for creating a new environment, especially in his home town of New Orleans. He was born into poverty on August 4, 1901 in the streets of Back o’ Town (Meckna). He’s a professional jazz performer who played with Oliver and Henderson. He started as a soloist for Henderson after marrying Lil Hardin. He has many nicknames in which some are Satchmo and Pops. He also played as a second trumpet for King Oliver. He interprets and contributes to the genre of jazz, creates great form through his performance in the “Hot Chocolates,” and his work represents a whole for equality and the civil rights movement.

At the mention jazz music, that person will first think of is likely to be a great figure with a clown image, nicknamed Satchmo. The man was Louis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name. Louis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction of the king of jazz music -- Louis Armstrong and his great influence on jazz history.

Before watching this concert, I knew of Armstrong due to playing a jazz instrument in middle school. Armstrong is a very well known musician in the jazz community and he is very talented. During the concert, Armstrong transferred from playing his trumpet to singing many times. He also had a trombone player on stage as