How Is Lutie Johnson 's Murder Of Boots Smith And Bigger Thomas Essay

Ann Petry’s novel The Street (1946) is a commentary on the social injustices that confronted the protagonist Lutie Johnson. Lutie is a single African American mother who lives in segregated America during the 1940’s. Throughout the novel, we see that during this time period Lutie is confronted by racism, sexism, and classism on a daily basis while in her pursuit of the American Dream for herself and her son Bub. Lutie is convinced that if she follows the example of Benjamin Franklin, by working hard and saving wisely, she will be able to achieve the dream of being financially independent and therefore be able to move out from the Street in which she is confined to. Benjamin Franklin is embodied in the text through the character Junto. It is Junto that is supposed to get Lutie closer towards her dream. However, Junto, through his secret manipulations tries to possess Lutie sexually, ultimately leading Lutie towards her path of destruction and she ends up committing the murder of Junto’s henchman, Boots. Junto represents the writer Petry’s deep disillusionment with this cultural myth of the so-called American dream. In Richard Wright’s novel Native Son (1940), The protagonist Bigger Thomas, is a 20-year-old African American youth who grew up in segregated America during the 1930s. Throughout this novel, we see Bigger also striving towards the pursuit of the American Dream. Bigger risks everything to not compromise his pursuit towards success. Unfortunately, he ends up falling

In his most famous novel, Native Son, Richard Wright's female characters exist not as self-sufficient, but only in relation to the male figures of authority that surround them, such as their boyfriends, husbands, sons, fathers, and Bigger Thomas, the protagonists. Wright presents the women in Native Son as meaningless without a male counterpart, in which the women can not function as an independent character on their own. Although Wright depicts clearly the oppression of Blacks, he appears unconscious of creating female characters who regardless of race, are exploited and suppressed. Their sole purpose in the novel is to further the story by putting Bigger in new and more dangerous situations by

In the novel, The New Jim Crow Mass Incarceration in the Age of Colorblindness, author and criminal rights lawyer, Michelle Alexander emphasizes her overall thesis as our nation is currently in a state of racism, prejudice, and mass incarceration, and it is ultimately turning back time to the years of Jim Crow. Throughout her novel, she analyzes series of significant civil rights cases that support her thesis, and describe ramifications that these cases had on her thesis. In my critical analysis, I will discuss the importance of Alexanders thesis describe several turning point cases and the ramifications these cases had on her thesis, and give my own argument of why I overall agree with Alexanders novel.

In the reading, Jones explores the relationship between class, race, and gender. She states that African Americans, in general, are oppressed, however, black women

To engage a large audience, Staples appeals to readers with his use to two different points of views throughout the essay: societal views and black views. Staples tries to connect with the readers by giving examples of unconscious thoughts that run through the minds of most people when in the same situation as the “white women.” In his opening sentence, Staples calls the women a “victim.” In her own eyes, she herself was “victim” due to the influence of generalized stereotypes presented in our culture. She becomes quick to judge based on Staples appearance: his skin tone. Because of his color, his every action becomes nothing but threats and anxiety on the women. “She casted a back worried glance. To her, the youngish black- broad six feet two inches with a beard and billowing hair, both hands shoved into the pockets of a

Richard Wright, wrote the fictional novel Native Son, using three intellectual forces, which include: Naturalism, Existentialism, and Communism. He uses these forces, along with racist ideology, to shape the life of a young black male, Bigger, living in the ‘Black Belt’ of Chicago in the 1940’s. Wright refers to the ‘Black Belt,’ as a ‘black world’ where violence is directed towards other American Americans, and warns that this violence will be aimed at white people. Bigger, is used to depict the criminal actions that come along with living in racial confinement under the fear of white people during this time.

Ann Petry’s novel The Street (1946) is a commentary on the social injustices that confronted the protagonist Lutie Johnson. Lutie is a single African American mother who lives in segregated America during the 1940’s. Throughout the novel, we see that during this time period Lutie is confronted by racism, sexism, and classism on a daily basis while in her pursuit of the American Dream for herself and her son Bub. Lutie is convinced that if she follows example of Benjamin Franklin, by working hard and saving wisely, she will be able to achieve the dream of being financially independent and therefore be able to move out from the Street in which she is confined to. Benjamin Franklin is embodied in the text through the character Junto. It is Junto that is supposed to get Lutie closer towards her dream. However, Junto, through his secret manipulations tries to possess Lutie sexually, ultimately leading Lutie towards her path of destruction and she ends up committing the murder of Junto’s henchman, Boots. Junto represents the writer Petry’s deep disillusionment with this cultural myth of the so-called American dream. In Richard Wright’s novel Native Son (1940), The protagonist Bigger Thomas, is a 20-year-old African American youth who grew up in segregated America

Richard Wright’s “Native Son” Bigger shows us the short end of the stick of how it feels to be seen as a second-class citizen for being black. His speech talking about how he feels like a prisoner in this world just because he is black. (Wright P.17) This prison pain of Bigger in Wright’s novel shows how the negative effects of fear and discrimination affect minorities in our society. This discrimination just for existence is mirrored in the “Diary of Anne Frank” and “The Color of Water”. In the Diary of Anne Frank, spends two years of her life in an attic with her family and other Jewish people, hiding from the government trying to capture them just because they are Jewish. In “The Color of Water” Ruth McBride describes how the KKK was a huge part of her hometown. That whenever a car full of white hoods drove past, any African Americans in the store would run home, Ruth did the same thing, knowing her family was also in danger. (McBride P.58)

In the mid 1900’s, different parts of society struggled with power due to the idea of racial supremacy. The idea of a superior race lead to the racial oppression of blacks, which had deep and lasting effects on society. This can be seen in Native Son by Richard Wright. During this time, power was heavily dependent on race: a concept Bigger Thomas struggled with throughout the entire novel. This can be seen on Bigger’s journey to understand and grasp for power, and the lasting effects of racial oppression on not only himself, but the black community as a whole.

According to Frederick Douglass, “it was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it (p.4).” Frederick Douglass and Toni Morrison literatures examine the stigma of slavery, and the perceptions of its dangers. They illustrate what life was like and the mental as well social impact it had on enslaved African-Americans and their life after gaining freedom. Richard Wright convinces his audience in Black Boy that he was tired of the limitations and outcries in the South “I was not leaving the South to forget the South, but so that some day I might understand it, might come to know what its rigors had done to me, its children (284).” Alice Walker obtains her readers attention by transforming young women into their own characters with a voice using spiritual guidance. In Native Son, Bigger has achieved is lost after being apprehended and brought into captivity, as he transitions back into silence and passivity and begins to recover only in his final confrontation, whereas Douglass in the same prevailing convention, only heals after the regaining of his freedom. Through these literatures, and many others, African-Americans find multiple ways to alleviate and recover from the intensity of undesired bondage and bigotry.

The Novel “Native Son” by Richard Wright was adapted into a film in 1986 and was directed by Jerrold Freeman. Focused on the main character, Bigger Thomas has lived life in poverty trying to make it in a world that has proven to him that they feel he is inferior because of the color of his skin. Plagued by fear, anger and shame, Bigger was in a fierce fight within himself to fit in without exploding. The purpose of this essay is to examine Richard Wright’s adaptation of Native Son and to discuss how Bigger is guilty through relation of the cause and effect to racism, fear and psychological stress from those forces.

  In Native Son, Wright employs Naturalistic ideology and imagery, creating the character of Bigger Thomas, who seems to be composed of a mass of disruptive emotions rather than a rational mind joined by a soul. This concept introduces the possibility that racism is not the only message of the novel, that perhaps every person would feel as isolated and alone as Bigger does were he trapped in such a vicious cycle of violence and oppression. Bigger strives to find a place for himself, but the blindness he encounters in those around him and the bleak harshness of the Naturalistic society that Wright presents the reader with close him out as effectively as if they had shut a door in his

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

One significant theme that is present throughout the story is the one of unequal rights for African Americans. One instance of social injustice is described in the very

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).