How Is Olivia Presented In Twelfth Night

Malvolio looks to marry the Countess for similar reasons as Aguecheek; thus, making flattering Olivia an unlikely concept. Additionally, the Steward

For instance, when he finds the love letter that is supposedly written by Olivia, confessing her love for him, and telling him to smile, wear yellow stockings and go cross-gartered, he says, “I will smile, I will do every thing that thou wilt have me.” (2, 5, 165-6). He thinks the letter is from countess Olivia, who he is in love with, and believes that the greatness of being her husband is about to be given to him. Before finding the letter, he wanders around in Olivia’s garden and dreams about himself “To be Count Malvolio!” (2, 5, 32). He imagines how the other characters of the play would serve him, which again shows that Malvolio thinks he stands above everyone. In addition, when Malvolio is hailed by Olivia, he arrives smiling, wearing yellow stockings and cross-gartered, which makes Olivia think he has gone insane: “Why, this is very midsummer madness.” (3, 4, 51). Consequently, in this part of the play Malvolio’s inside does not match his outside. Throughout the play he is a grave character, that detests other persons having fun, so his actions of smiling and wearing strange dress make him look like a madman, which is why he gets locked up in Olivia’s basement. Towards the end, he returns to his initial manner, and declares that he will “be reveng’d on the whole pack of you!”, referring to the characters that tricked him into believing that the letter was

Although Viola faced a lot of confusion and conflicts she was equipped to handle this because she was mostly causing it by cross dressing and lying about who she truly was. But, Maria, Sir Toby and Sir Andres, servants to Olivia, all decided to play practical jokes on Molvolio. By giving Molvolio a note and disguising it to look like Olivia’s hand writing, they caused Molvolio to make a fool of himself. The note left him directions to behave and dress a certain, this caused ignominious Molvolio to become confused. By being deceitful and conspiring, Sir Toby, Maria, and Sir Andrews colors shined through. Not to mention, Molvolio’s true self became evident after misidentifying the letter. Molvolio became arrogant and was filled with self-importance, but when things became clear and Molvolio discovered the note was not written from Olivia he became embarrassed. He could not move forward, forgive and forget, so he left. This is how misidentification can cause conflicts and cause character’s true selves to shine

Other characters in the play strongly dislike Malvolio. When Olivia isn’t around he thinks and acts like he’s the king and that Olivia is his lady. Malvolio had stated, “ My lady bade me tell you, that… she’s nothing allied to your disorder” about Sir Toby (W.S 23). Even when he comes into the scene with other characters, he decides to say, “Besides, she uses me with a more exalted respect than any one else that follows her”(W.S 30).With that he’s saying that Olivia treats him like a king and puts him over top of everyone. The only reason why Olivia had to deal with him is because he is her steward. A reason why I think she only puts up with Malvolio is that he will do anything the she commands. For when Cesario was outside she had said to Malvolio “ Go you, Malvolio: if it be a suit from the count, iam sick, or not at home; what you

He is one who is supposedly love-struck from the elegant and beautiful Olivia, yet she does not feel the same way. Instead, someone else feels the same regarding Duke Orsino: Viola (Cesario). Throughout the play, it is clear Duke Orsino is all about himself, as he places himself at the center of all situations, constantly repeating personal pronouns (Me, my, I) This complicated love triangle egotist Orsino encounters with his lavish lifestyle makes him a perfect form of communication for Shakespeare to share ideas about love and marriage. Some simple themes that Shakespeare communicates are that love is indeed something that occurs first sight, as with Viola, Orsino, and Olivia, but also that it is something one must learn that they cannot control. Viola, Orsino, and Olivia all realize this to a degree, and Orsino ends up changing his love for Olivia to love for Viola (other factors contribute as

This inconsistency is embodied in the Twelfth Night when Orsino is irrational in his pursuit of beautiful Countess Olivia, yet he cedes her without regret or uncertainty. The duke then falls instantly in love with Viola, who was formerly known to him as a man named “Cesario.” Moreover, it almost seems as if Orsino enjoys the pain and suffering that comes with romance. He continues to engage himself in the quarrels of love while he states that it is an undying appetite, yet he can say that love “is so vivid and fantastical, nothing compares to it," implying that love is obsessive and bittersweet. Through this sudden change and obsession of love even through pain, Shakespeare communicates that love is something fantastic, pleasing and passionate, and our desires for these things lead our love lives to be obsessive, incoherent, excessive and unexpectedly

In William Shakespeare’s play Twelfth Night, love as the cause of suffering is one of the most prominent theme of the story. Even though this play ends in love and wedded bliss, Shakespeare also shows us that love can also cause pain. The characters often view love as a curse, something that is thrust upon you and you cannot easily or willing escape. Examples include Malvolio’s love for Olivia, the love triangle between Olivia, Duke Orsino, and Viola as Cesario, and Antonio’s crush on Sebastian. There are countless occasions where unrequited love for another results in heartbreak and sorrow.

Next up is the power that Malvolio was given by Olivia. After Malvolio attempted to break up Sir Toby, Sir Andrew, and Maria’s fun, they began to plot against him. Malvolio however, was simply trying to keep order in Olivia’s house. Olivia has given Malvolio a position of some power in her house. Judging from different parts of the story and by Olivia’s position as a countess it is safe to assume that being in charge of the affairs of Olivia’s household was no small task. She was obviously wealthy and had a large house with many servants and for Olivia to try and manage all of those things on her own would be a very difficult task, but also a task that she couldn’t trust to just anyone. She obviously trusted Malvolio with running the affairs of her house. Sean Benson touches on this point and argues that, “As Olivia’s steward, Malvolio is in control of the domestic affairs of her household; if he were as inept as […] others have thought, how has he risen to this important managerial

Malvolio?s conceitedness was broken and then he sees that he did not truly love Olivia, but was only flattered that he had been loved by someone so beautiful and young.

Malvolio’s lack of self-criticism or self-awareness makes him vulnerable to Maria's plan to ridicule him.

himself just to suit his outlook on the situation. For example, the play he twists Olivia's words around to make it seem like she likes his yellow cross-gartered tights when in reality she dislikes them. Sir Toby just considers himself and no one else, not even his companions. He ignores Maria's notification about drinking into the night, and he continues to push Sir Andrew and Olivia to court. Even though he believes that Sir Andrew doesn't have a chance. Olivia considers the all-inclusive community around her, yet she furthermore assumes that no man is meriting her brilliance. She assumes that she is "all that," and that no one can organize her. For Shakespeare to incorporate this sort of just a single was most likely to demonstrate that Malvolio who thinks excessively of himself isn't right about Olivia cherishing him.

In the later part of the play a different side of him is exposed. Malvolio is Olivia’s steward and his job is to manage Olivia’s house; he is her chief servant. It’s a very responsible job that he takes very seriously. He enjoys telling people what to do.

Maria and the conspirators decide to mislead Malvolio into thinking that Olivia is in love with him. Maria decides to lead him on by writing a letter, but means to be from Olivia. This love letter is meant to instruct Malvolio to do actions that Olivia despises. Maria is able to mislead Malvolio because she has the same print and seal as Olivia. Shakespeare is able to trick the characters and create many portrayals of them.

Another example is the way in which Olivia adopts the pretence of mourning and the puritanical Malvolio is tricked into the role of Olivia's suitor and becomes a smiling courtier.

In the famous comedy Twelfth Night, Shakespeare dabbles with the phenomenon of love. This is seen through his various characters who are forced to deal with the aspects brought on by love. Characters like Cesario, who is Viola dressed as a boy. In the play the characters deal with their problems around love. The three major characters that love seems to impact more than the rest are Duke Orsino, Lady Olivia, and her servant Malvolio. Each of these characters is affected by love and each reacts differently when in love to out of love. Their reactions to love are based on their behavior, their speech, and their relations with other characters.