How Is Women Portrayed In The 1950s

Women of the 1950’s through the 1960’s are ridden with male oppression and self-esteem issues. The book Revolutionary Road by Richard Yates and an episode of Mad Men titled The Shoot have a lot in common. The differences and similarities between the leading women in both of these stories from the 1950’s show that times are different today. The women of the 1950’s had a dream for the future and their dream has finally become a reality for American women. From Mad Men, Betty Draper’s dream of becoming a model and in Revolutionary Road, April Wheeler’s dream of traveling the world are actual realities for women today. Their dreams show similarities, differences and the “American Dream” that every woman has.

In the 1960’s, women had been placed in stereotypical roles for years. But women were tired of these roles and were done with being complacent. They felt like something was missing in their lives, and they desired something more. The typical American

As society has continued to evolve socially, politically and culturally, so has the persona of television. Societal transformations have shape and reshaped television throughout its history. Programs ranging from ethical series to variety shows to family sitcoms mirrored not only the audience taste of entertainment, but also the change of values within society during the increase in television use. Gender roles and a strong sense of family intimacy were among the most prominently highlighted transformations reflected in television. Women and family contribute significantly when analyzing the antiquity of the television. Television programming was designed to emphasize family togetherness through illuminating the importance of domestic household maintenance. Domestic sitcoms, such as The Donna Reed Show exhibited these liberal roles in which women were expected to subjugate to subordinate statuses and confine their

However, it can be observed and said that they have always lived up to the image of “housewife” material or as a constant collaborator of a male role, instead of being the main character. According to Elasmar, M., Hasegawa, K., & Brain, M, on their essay the portrayal of women in the US prime television, “TV has portrayed females in many ways, studies have shown that women have been underrepresented and stereotyped in TV programs.” Women have been living under that invisible stereotype that has cornered them and does not allow them to grow professionally or socially. TV has been the master-mind behind a stereotype that has left women without the chance of demanding equality or credibility on shows, a stereotype that will always be mentioned and enforce if TV shows do not start producing real-world programs based on true stories or true qualities of

the house becoming the homemaker once the war was over. The 1950s has also been

The 1950s is considered to be the model decade of America. Families were close, children respected their elders, workers worked hard to provide for their families who grew up in nice neighborhoods, and the economy was booming. The forced conformity, neglect of the poor, and segregation are often overlooked when talking about the decade as they were during the time period. The 1950s were a prodigious time period for family life but not for the individual or societal ethics.

Life in the 1950s was a time where when a women was married and has kids she would stay home taking care of the meals, and children. Men would be the ones to go out and find a good job that helps with money problems. Also sometimes married women would hire a nanny to also help around the house. In the 1950s men respected women more than they do today because women were supposed to be beautiful and elegant. Also men were able to be a gentleman around women.

Underlying the feminism movement of the 1960s and 1970s was the “white racist ideology.” The women’s movement of the 1960s was in fact the white women’s movement. It was an opportunity for white feminists to raise their voices, but they only spoke about the plight of the white woman and excluded themselves from the collective group of women across all races and social standings. White women assumed that their experience was the experience of all women. When black women proclaimed that the movement was focused on the oppression of white women, the white feminists asserted “common oppression” and retorted with “oppression cannot be measured.” Ironically, feminists in the 1960s compared their oppression to the oppression of African Americans as

On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the

1919, the dawn of a new era, the era of war , and the era of women’s votes, this was also an era of elegance, but to some the era was not so kind. Young Lacey’s mother passed away in 1919, leaving her and her brother’s and sister’s to be raised by her aunt Caroline. Aunt Caroline insisted that the children attend a Christian church on Sunday’s, where she served on the missionary board doing charitable works. The church is where Lacey first laid eyes on Larry, seeing him Sunday after Sunday, wearing his loose fitting sack suit, belted high on his waist. Larry was the son of a freeman who stayed on the land that his father was given by his boss in Prince William County, Virginia. He inherited a field and a house that sat on forty acres of

Gender roles, societal expectations and gainful employment for women in America were quite limited prior to the early 1800s. By 1850 we can see that doors were opening little by little due to subtle changes in attitudes and the needs of our emerging industrialized nation. Many upper middle class women were concerned with more than domesticity. They were felt that a woman was more than a wife and mother only concerned with her home and family. Between 1850 and 1950 the three most important changes for women were political voice due to the women’s suffrage movement, expanded access to education, and rich, educated women leading the way to social reforms.

Sitcoms reflect the changes going on in the world to show what society is like. Sometimes it’s a show about nothing and oftentimes sitcoms actually affect the world. Sitcoms created gender role stereotypes for society and they did not always show an accurate representation of life. Early on, sitcoms were family focused and they eventually begin to shed light on different problems in society. Throughout the sitcoms The Trouble With Father, Sex and the City, The Mary Tyler Moore Show, and Bewitched women transitioned from being in the traditional role to being an effective part of the workplace. Women were portrayed differently throughout these sitcoms; they portray women to be leaders, submissive, or the fool.

Sitcoms have existed ever since television was introduced to the family home, and continue to evolve along with television and society itself. Traditionally, sitcoms were centred around men, usually having only one or two female characters, however over time, societal changes and movements have drastically changed the way sitcoms have been presented to the public. Happy Days was produced in the 1970s; portraying the traditional 50s white American family. The ‘50s were a time recognised for being post World War II, the beginning desegregation, the rise of Rock N Roll as well as a widespread sense of stability, contentment and consensus. The

In an era overshadowed by male authors women writers made their indelible marks in creative output also. Only a few women writers were critically acclaimed. Until 1950s women wrote mostly on female themes like courtship and marriage, later they concentrated on complex relationships among women, as well as ethnic and cultural experiences. Noted names of the period include Carson McCullers best known for her works like the short story collection The Ballad of the Sad Cafe (1951) and the play The Square Root of Wonderful (1957/58); Flannery O’Conner whose popular novel like Wise Blood (1925), and short story collection like A Good Man is Hard to Find and Other Stories (1955) dealt with themes like race, poverty and religion; Anne Morrow Lindbergh,

Gender roles, the public image of being a particular gender that a person presents to others (gender roles, n.d.), have seen many changes through the years, especially in families. The changes can be seen in many aspects, including television shows, from the traditional family in the I Love Lucy sitcom of the 1950s to the plethora of shows about women and men who balance working and family life of the 2000s. A traditional family can be defined as “… the ‘natural reproductive unit’ of mom, pop, and the children all living under one roof… (Ball, 2002).” The 1940s, a period dominated by this type of family, were primarily a time of single-income families where the father was the ‘breadwinner’ and the mother the ‘homemaker (Hayghe, H.V., 1990).’