How It Feels To Be Colored Me Zora Neale Hrston Analysis

During a time where African American literature was fueled with racial segregation and pride in ones race during the Harlem Renaissance, Zora Neale Hurston offers a different and controversial approach with her literary work “How it feels to be colored me”.(13) In the works Hurston uses several colloquialisms, anecdotes, imagery and figurative expression to invite the reader on an adventure filled with pleasure. The poem takes the reader from the beginning of the Hurston’s childhood back in Eatonville, Florida into adulthood in Orlando, Florida. Hurston proves that overcoming racism can be accomplished by uniting the public and ignoring the visual difference in a person’s outer appearance. Hurston’s strength, individuality and resilience scream

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

A number of black women writers forged their way into classrooms to teach us. “Historian Gerda Lerner edited Black Women in White America in 1973 which further revised the understanding of African American roles in U.S. history as both the victims

Zora Neale Hurston is unequivocally open about her race and identity in “How It Feels to Be Colored Me.” As Hurston shares her life story, the reader is exposed to Hurston’s self-realization journey about how she “became colored.” Hurston utilizes her autobiographical short story as a vehicle to describe the “very day she became colored.” Race is particularly vital in Zora Neale Hurston’s essay, “How it Feels to Be Colored Me” as she deals with the social construct of race, racism, and sustaining one’s cultural identity.

In Hurston’s first piece of work, “Spunk”, won second place in an Opportunity magazine’s literary contest used a woman’s love triangle. Subsequently, in 1925, Hughes also won first place in the same Opportunity magazine’s contest for “Weary Blues”, a musical poem (blues) about a man playing his piano sullenly. The authors’ perceptions about the world around them greatly influenced their work. Hurston grew up with a free spirit and open heart whereas Hughes’ perspective is bleak because of his identity as a black man. Although Hughes identified as a black man, it is clear in his subject matter was an internal struggle with himself. Hughes’ dismal display of Negro life was a very controversial aspect of his writings, while Hurston suffered for her subject matter, focusing on a more uplifting view of Black life.

Racial bias and discrimination have historically constricted African Americans from living free and prosperous lives. Especially, in America’s Progressive Era when “How It Feels to Be Colored Me” happened to be published. This groundbreaking essay, written by Zora Neale Hurston, provided African Americans with a unique approach to defying racial discrimination. Namely, Hurston’s unique defense from societal discrimination is in her steadfast optimism towards the limitations of being African American. Therefore, Hurston’s essay achieved more than bringing hope to African Americans it also provided a solution in this period of bitter adversity. This is what distinguishes Nora’s essay from other literary works because it focuses on modeling a beneficial mindset rather than listing the hardships that black people are subjected to. Zora Neale Hurston is an influential role model for African Americans, she argues that racial discrimination and unjust biases can be overcome by having pride and optimism in the progression of one’s race.

Throughout the history of the United States, race relations have proven to be a major issue. From slavery in the early years of the nation to Jim Crow laws, African Americans have been continually oppressed in US history. The Harlem Renaissance, provoked by national prosperity in the Roaring 20s, propelled the progress of creative writing within the black community, helping form a new black national identity. This movement gave birth to many ardent civil rights activists, such as Richard Wright, who strongly believed that novels should address the issue of racism in America. Wright’s assertion that Hurston’s novel Their

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

Zora Neale Hurston was an African-American folklorist, novelist and anthropologist. She was born in 1891 and lived in the first all-black town in the United States, Eatonville, Florida. Her 1937 novel, Their Eyes Were Watching God and played a vital role in the literacy movement the Harlem Renaissance is what she is best known for. Zora Neale Hurston depicts racism in her writings and has contributed greatly to African-American literature. Her work became more popular posthumously.

A focus of my undergraduate studies was African American history, especially during the nineteenth century, and the African American author Frances Harper was one of three featured poets in my honors thesis. I mention Harper not only because of her significance as an African American author, but also because of her inspirational influence on me as an activist. Harper devoted her writing to giving disadvantaged people voices and challenged oppressive populations to help the very people they oppressed. I was deeply awed by her in this regard and have aspired to have

The introductory line of Harriet Jacob’s preface to Incidents in the Life of a Slave Girl, “Reader, be assured this narrative is no fiction”, is short yet serving (Jacobs 224). Although brief in its nature, this statement manages to encompass two major aspects that characterize African-American literature: audience and truth. In all writing, understanding the target audience and how to arrange an argument or essay to appeal to that specific crowd is paramount. However, it is especially important for African-American authors, who typically need to expose injustices or call for social change in their works. In particular, two African-American authors who understood their audience and how to manipulate that understanding were Charles W. Chesnutt and Marcus Garvey. Although they were born only twenty-nine years apart, Chesnutt and Garvey technically wrote for different time periods. While Chesnutt’s work is associated with “Literature of the Reconstruction”, Garvey was grouped with authors and activists from the Harlem Renaissance (Gates and Smith 580 ). The separation of their literary epochs drove Chesnutt and Garvey to write for contradistinctive audiences that demanded unique written techniques and rhetorical strategies, but that both asked for utmost honesty.

In the Black press, writers and editors could support abolitionism and construct arguments supporting their humanity and equality on a platform designated for their people. Since the beginning of the slave trade individuals of African descent have used their literary gifts in print to convey the injustices of racial oppression. From narratives to poems and novels, African Americans have had their work circulated worldwide. Black literature had provided consistent and enduring outlets for African-American authors for more than 200 years. The Black Press has been a major key behind the driving force in conveying the hopes, frustrations, culture, and political strategies for African-Americans. Before and after slavery, African-Americans used the

During the slavery period a number of African slaves wrote stories, and poems about their daily hardships that they had to withhold by being a slave and everything else that happen throughout their life’s. Not many Black writers had the resources or support from their owners to publish what they wrote or anyone to care about what they wrote, lucky slaves did reach success when they published their work. Knowing where they came from or where they grew up from is important, the type of work that each individual accomplished when they published their work to the public. The massive impact that Phillis Wheatley, Frederick Douglas, Sojourner Truth, Harriet Jacobs, Harriet Beecher Stowe, and Abraham Lincoln had in the black community and how they helped change the way they were being treated completely.