How Japanese Culture Is Inluencing America Essay

B. Importance: With all of us living in the Melting Pot of America this knowledge of Japanese culture can help connect and integrate the people of the United

I first came to Japan knowing nothing about the language and the culture. Much more the issues the nation was facing. Most of the things I knew were taught to me by my father and I wasn’t intellectual nor educated enough to form my own opinions, thus, all my thoughts aligned with his, a typical conservative/ nationalist Japanese. As an individual of multinational backgrounds, I felt this strong desire to prove my Japanese-ness to others and indeed I tried.

During the later half of the 19th century, Japan was rapidly growing their imperial power across Asia. As soon as Japan was seen as an imperial country, the United States started to reevaluate its trade relationship with Japan. The United States stopped all sale of material that would have been beneficial towards Japanese expansion , angering Japan. Later, on December 7, 1941 the Imperial Japanese Navy had attacked Pearl Harbor, Hawaii. On February 19, 1942, president Franklin D. Roosevelt issued the Executive Order 9066, ordering the internment of people of Japanese heritage. The executive order was determined by economic issues, national security threats and, the most influential, racism towards Japanese.

As Mahatma Gandhi said, “No culture can live, if it attempts to be exclusive” (Mahatma). Our culture identifies who we are and how we behave in social environments and provides us with a foundation in which to live our lives and raise our families. Each individual culture has certain customs and courtesies that are important. Exposure to the cultures of others can be intimidating and can leave a person feeling confused and unsure about how they fit in (Schaefer 60). Culture shock can leave a person feeling out of place in an unfamiliar culture (Schaefer 60). Our diverse societies demand understanding and acceptance of other cultures. Learning and understanding these cultures before being

Hisaye Yamamoto, a Japanese American author, composed a collection of short stories titled, Seventeen Syllables and Other Stories. These collection of short stories describes the experiences Japanese Americans undergo while residing in America. The Japanese American culture that Yamamoto introduces has three types of generations. The first one being, the Issei, the second one being, the Nisei and the third one being, the Sensei. All three Japanese generations are described in Yamamoto’s short story cycle, which shows the relationship between Japanese Americans as well as with other ethnic groups. The major themes Yamamoto highlights within her novel defines the idea of what it is like to be Japanese American through the difficulties that Japanese immigrants face in America, the cultural separation between these immigrants and their children as well as restrictions that Japanese women face within their traditional Japanese culture.

Japanese immigrants and the following generations had to endure discrimination, racism, and prejudice from white Americans. Two months after the Japanese bombing of Pearl Harbor, the President Franklin D. Roosevelt authorized the United States government to forcibly removed thousands of Japanese-American citizens who lived on the West Coast. They would relocate them to concentration camps in remote parts of Arizona, California, Idaho, and other states in the West because of an unfair reason from white Americans due to fear and ignorance. The relocation of Japanese-Americans into internment camps was one of the most flagrant violations of civil liberties in American history. Approximately, 130,000 Japanese immigrants were relocated to these interment camps, lost their businesses, forced to give up their homes and assets in addition to their freedom. Most of the population were long-standing immigrants (Issei) who arrived before 1924 or American-born children of immigrants (Nisei) who were solid members of the community and loyal to their country.

→ The author shows the racism in American from a lot of sources; such as cartoons, official documents, advertisements, movies, and songs. The mass media drew Japanese people as an immature children (p.142) and animals. Especially, cartoons depicted the Japanese as monkeys, apes, rats, bugs, beetles, lice, and other kinds of creatures that had to be wiped out. (pp. 181-189) An example is that one restaurant sign on the West Coast said "This Restaurant Poisons Both Rats and Japs". (p. 92)

Pocky, Anime, manga, kanji. Have you heard of any of these? If not… where have you been? All around us teenagers, children, and even adults are being drawn into Japanese culture through TV, books, and even food. Japanese comics, called manga, take up more and more space on American bookshelves, and they've infused new life into the publishing industry. Japanese animation, anime, is on more and more movies and TV screens and influencing popular toys and games.

Western Influence on Japan Japan, as a nation, is a continually changing society. Ever since western nations became involved with Japan, its changes over recent times have increased at a substantial rate. Japan now faces cultural, economical and social differences as a result of the western involvement. The involvement was initiated by the Japanese themselves, beginning during the Meiji Period1 through current times.

Throughout the course of East Asian history, Japan has been largely influenced by the Asian mainland. From ancient times to the medieval period, significant contributions to Japan can be seen coming from both Korea and China. Both of these countries diffused elements of their cultures to form the basis of Japanese society – namely China. These foreigners would influence various aspects of society including technology, philosophy, politics, and religion.

Abrstract: This essay will explore why Americans feel the need to censor Japanese Animation, how the Japanese culture differs from American culture, and how to solve the growing debate of the censorship of Japanese media.

Anime is a type of cartoon but rather, it is complex, mature, broader, and even the animation drawing is on a higher level than that of a mere cartoon. Anime, which originated in Japan, is drawn by a “Mangaka” (artist) into manga (comic) drafts. These drafts are then rearranged, colored and synchronized by a hundred of staff. After the sequencing, a “Seiyuu” (Voice Actor) will give life to the character. One second of movement needs twenty-five to thirty-five drafts of drawing. Since it originated in Japan, most of the Animes shows the culture and hidden beauty of Japan, its technological advancement, friendship, love and student’s life, the Japanese way.

The culture of a place is an integral part of its society whether that place is a remote Indian village in Brazil or a highly industrialized city in Western Europe. The culture of Japan fascinates people in the United States because, at first glance, it seems so different. Everything that characterizes the United States--newness, racial heterogeneity, vast territory, informality, and an ethic of individualism-- is absent in Japan. There, one finds an ancient and homogeneous society, an ethic that emphasizes the importance of groups, and a tradition of formal behavior governing every aspect of daily living, from drinking tea to saying hello. On the surface at least, U.S. and Japanese

The Japanese culture in the US was feared until the 1990s to build in a foreign culture deeply through “Japanization”. The term refers to the way that a country or area can become influenced and converted into a culture that it is not such as the Japanese culture being woven into US culture. Because cultural differences set areas apart, the Japanese language and ways may seem new or exotic. Additionally this “otherness” encouraged the rise of the integration and introduction of Manga. The Anime and Manga appreciating communities stood as a minority and slowly through the efforts of curiosity and encouragement of fans, the artform known as Manga arrived in America. First, publishers started to get a feel for what the common people could take

Seitaro Kitayama was an early animator who made animations on his own, not hired by larger corporations. He even founded his own animation studio, the Kitayama Eiga Seisakujo, which was later closed due to lack of commercial success. He utilized the chalkboard technique, and later paper animation, with and without pre-printed backgrounds.