How Masculinity Affect Women 's Choices

As explained in Judith Lorber’s excerpt from “‘Night To His Day’: The Social Construction of Gender”, gender is a socially constructed concept that everyone unconsciously adheres to (Lorber). As a socially constructed concept, representations of gender roles can reinforce or challenge the stereotypical images. In Killing Us Softly 4, Jean Kilbourne analyzed the advertisement industry’s representation of women and argued that the media plays a huge role in shaping gender formations (Kilbourne). Although objectification of women is still a prevalent issue, Kilbourne acknowledged that there are efforts nowadays that challenges the unrealistic representations of women and femininity (Kilbourne). Inspired partly by Killing Us Softly 4, the project is my way to reflect on how the Disney movies I had watched as I grow up represented gender.

Steve Craig, in his article Men’s Men and Women’s Women especially define how different sexes in advertisement can influence a particular audience towards a product; one stereotypical method he describes is “Men’s Women” (Craig).One such ad using sex appeal, and a basic structure of “Men’s Women” to bring in customer was made by BMW in 2008 to sell their used cars. BMW, which is a world-renowned company known for its performance heavy automobiles, targets a male audience by comparing a gorgeous woman to their cars.This ad by BMW, who no doubt make amazing cars, degrade women through its message, and it enforces Steve Craig’s “Men’s women” tactic, but this ad also goes a step further and displays the ever-present patriarchy in advertisement overtly.

These roles for females represent what the advertisement industry believe buyers deem as the real world. As Goffman asked," What messages about women have been given to society through magazine

Sexist ads show that society is dominated by the same masculine values that have controlled the image of women in the media for years. Sexist advertisement reinforces gender stereotypes and roles, or uses sex appeal to sell products, which degrades the overall public perception of women. The idea that sexism is such a rampant problem comes from the stereotypes that are so deeply embedded into today’s society that they almost seem to be socially acceptable, although they are nowhere near politically correct. Images that objectify women seem to be almost a staple in media and advertising: attractive women are plastered all over ads. The images perpetuate an image of the modern woman, a gender stereotype that is reinforced time and time again by the media. These images are accepted as “okay” in advertising, to depict a particular product as sexy or attractive. And if the product is sexy, so shall be the consumer. In the 1970s, groups of women initially took issue with the objectification of women in advertisements and with the limited roles in which these ads showed women. If they weren’t pin-ups, they were delicate

The documentary “Miss Representation” delves into how the media and society. The viewer is exposed to how the media builds an expectation of how women should look and act. When the media portrays women as the perfect weight, height, and behavior for the target audience, it lowers the self-esteem of the females watching that cannot hope to compare to a fictional character. Men exposed to these types of advertisement and entertainment are taught to objectify women. It distorts societies and male expectations of how real women should look and behave. The documentary also discusses the lack of female protagonists in television and movies. There is a distinct lack of female heroines in our world today. This shortage further diminishes the hopes

According to Kim Bartel, the stereotype of a housewife was created through the continuation, and constant exposure of consumers to patterns of imagery (91). The female role has naturalized in popular culture, especially in advertisements. These advertisement constantly portray women as either the cook, maid, or caretaker of the home. During the early 1950s and late 60s advertisements start to objectify female identity in order to use their images to sell either products or a lifestyle. In this sense marketer begin to realize the value women had on selling items.

Miss Representation: Essay A stereotypical representation of how women are over sexualised in the American media is presented in the documentary of Miss Representation. We see stereotypes of women being viewed as bitchy, catty and only useful in media texts as sexualised objects. The American mass media bombard the market with sexual imagery of women by cramming the media with unrealistic manipulated images of women whom sadly appeal to the youth of not only the American population, but also all other countries that consume that media. This affects most of the American population, especially girls, by subconsciously pressuring them into thinking that these manipulated images are ideal and if you don’t look like how society wants you to look,

The significance of the title of the film Miss Representation, articulates that the documentary talks about the misinformed and unrealistic image that represents all women in today’s media and political spotlight. The discussion of the documentary focuses on a broad spectrum of issues concerning how the media portrays women and how this portrayal affects the generations of younger girls. The introduction of the documentary starts by showing hypersexualized images of women in various television shows and music videos. Even innocent sitcoms, such as Two and a Half Men, show women wearing provocative clothing.

This advert illustrates sexism as women are made out to be only compatible in the household doing household chores and cannot work in a workplace like men. Usefulness: This source is useful to my research question because it is able to offer a unique perspective and opinion about women and female inequality during the 1930s. It also offers a counter point of view to allow for debate within my research that women faced inequality during the 1930s.

Women are suppressed and degraded in society. They are merely seen as pets for males or care-takers of the house and children. The advertisement on women’s equality is rhetorically effective due to its connection to the audience, emotional appeal, and how things are positioned in the ad, as well as the misogynistic comments and how society depicts women.

The article “25 Horribly Sexist Vintage Ads” displays ads from what looks to be the 1950s. From the perspective of the ads, any gift that a women could possibly want was something for the kitchen, the purpose of feminine hygiene was solely to please their husbands and when women got mad, and women needed specially designed bottles so they could open them with the little strength they had. In sum, women’s whole lives revolved around the kitchen and men.

In order to appreciate the dramatic challenge faced by the Women’s Movement throughout the 1960s it’s important to know the extent that the flagrant and unapologetic misogynist atmosphere had on U.S. advertising. Women were still portrayed with the passive nature of the Medici Venus; however a direct gaze

Authors, Michael Jacobson and Anne Mazur argue, in their article, “The Iron Maiden: How Advertising Portrays Women,” that advertisements underlines sexist concepts about the ideal female and men, ads exploit sexuality. Michael Jacobson and Anne Mazur’s purpose is to describe sexism and sexuality in marketing of women and men in advertisements. Michael Jacobson and Anne Mazur aims to convince their readers that sexism and sexuality in advertisement put impractical ideas of appearance and encourages concern and self-doubt. “Everywhere we turn, advertisements tell us what it means being a desirable man or woman (1)." Michael Jacobson and Anne Mazur’s skillfully use anecdotes, metaphor, and comparison techniques to create a strong, convincing article.

As well as feeding off of the sources and material presented earlier in this paper, the analysis to come will also use Erving Goffman’s categorisation of gender to analyse how the women (and some men) are depicted on the front covers of Playboy and Good Housekeeping within said timeframe. In his study Gender Advertisements (Goffman, 1985), Goffman gathered hundreds of advertisements from magazines in various positions and poses and analysed poses and how they portrayed masculinity versus femininity. His way of analysing advertisement differentiates itself and makes a broader distinction of what is considered sexist or not, by showing much like the Heterosexual Script earlier on in the paper, what was considered appropriate roles for men and women.

The roles of males and females in society have significantly changed, as opposed to the predominant roles in our history. In the modern culture of today, women have begun to break out of the mold that which society has placed her in. This much can’t be said when it comes to modern gender representation in mass media advertising. It can be safe to state that woman are seen as sexual, fragile, exotic—whereas men are portrayed as tough, in control, and aggressive. This trend can be one seen as an inhibitor to the advancement of our culture, because especially for women, it is hard to pull away from the stereotypes that are continuously represented. As examples of the given trend, the following