How Nora was a victim and victimizer in A Doll's House by Henrik Ibsen

By saying all these things Nora is seemingly proving to Torvald that he has power over her. Luckily, Torvald is not incredulous and feels that Nora is being

Torvald would never have thought she were capable of it, since during that era it was unrealistic of women to leave their houses but rather put up with the difficulties they faced. Ibsen highlights society's domineering outlooks of marriage and the interactions of two people naïvely pretending to be in love. Throughout the play Ibsen reveals the fragile attributes of his characters to help enhance the play-like nature of their relationship, the role of women, and Nora's course of self-discovery.

Nora, the innocent little housewife, starts off as a harmless little doll but soon changes. She is Torvald’s perfect wife in the beginning of the play, but little does he know that she has a mind of her own and isn’t really his little doll. The opening of Nora’s ulterior personality starts when she opens up to Mrs. Linde (Act 1). Nora bleeds to Mrs. Linde her financial problems with the trip that she spent two hundred and fifty pounds on, on her husband. Being the reader, I was shocked to hear so knowing how harmless and perfect Nora appeared to be. Then later on, the plot unfolds and reveals the incriminating fact that Nora had been owing Krogstad this money the whole time and had been paying him back in increments with the allowance given to her by Torvald. It is crazy that Nora had been so sneaky all along and had been keeping it away from Torvald all along. Nora is then stuck in a dilemma when Krogstad blackmailed her by telling her that she has to get his job back or he’ll reveal the whole thing to

Nora plays the part of a slave in her subservience to her husband, for she is supposed to

Torvald also does not trust Nora with money, which exemplifies Torvald's treating Nora as a child. On the rare occasion when Torvald gives Nora some money, he is concerned that she will waste it on candy and pastry. In general, Nora’s duties are

Nora expects when what she calls the terrible storm breaks over her, “Krogstads letter” that her husband would step forward and take all the guilt and responsibilities, but to her ammusement he never did. She needed validation that her husband loved her inspite of what she had done, He continued to argue that no man would sacrifice their honor not even for love. Showing his self-centredness and only concerned about himself. Nora argues that millions of women have.

At the end of their first reconnection, Nora reveals that her transformation from obedient doll to liberated woman had already begun. She now admires Mrs. Linde for her long years of work and independence and uses it as inspiration for her own. In Mrs. Linde’s trust, Nora exposes her personal act of sovereignty: a few years ago, she had secretly borrowed money to save her husband’s life, incriminating herself. Even though she did the morally correct thing, Nora’s actions are condemnable and

Torvald had a view of how he thought his life should be lived, and it was not exactly in Nora’s favor. He believed that his reputation was a very important part of his life and Nora knew that and that is why she contemplated committing suicide before he found out about the loan. Nora did not want to hurt his social reputation. Nora lived for him; she never wanted to disappoint him or cause him any harm. Unfortunately, Torvald did not care near as greatly about Nora as she did for him. He treated her poorly, by constantly telling her that her actions were careless and that a disease was the cause. Also, Torvald was selfish and controlling. He never really said “we” when having a conversation with her it was all about him and how her actions

This contrast is evident within nearly all of Nora and Torvald’s interactions, such as his referring to her as ‘girl’ and his almost constant condescending tone

Obviously, Nora has been scolded for eating them before as is evident by her hiding the cookies. This appears to be the first hint of Nora making a stand for herself and doing something because she wants to. Torvald later says to Nora “…when Rank comes, just tell him where he can find me.” Then Nora disregards her husband and tells Dr Rank that he “mustn’t go in to see Torvald yet.” This is the second time Nora is seen as defying her husbands’ commands. For so long she has been living up to the standards of her husband. She has been doing what was expected of her.

When Torvald does not immediately offer to help Nora after Krogstad threatens to expose her, Nora realizes that there is a problem. By waiting until after he discovers that his social status will suffer no harm, Torvald reveals his true feelings, which put appearance, both social and physical, ahead of the wife whom he says he loves. Nora's personality changes from a two-dimensional figure to a fully developed and captivating woman who can independently take care of herself and her family without the guiding hand of a man at her side; this is illustrated by her handling of the debt crisis up to the point that her husband finds out. This revelation is what prompts Nora to walk out on Torvald.

In the story, “A Doll house”, the author, Henrik Ibsen, describes the gradual collapse of the marriage between Nora and Torvald. Nora, a dedicated and supportive wife, borrows money from Torvald’s friend Krogstad without her husband’s consent in the early years of their marriage. The money borrowed was used to pay for the expenses needed to prevent her husband from dying. Nora has a growing knowledge of her failing marriage right from the time she borrows money from Krogstad, her conversation with Dr Rank and Christine, admonition from husband for her frivolous spending, and eventually the reaction of her husband when he receives the information about the forgery and the loan.

Nora begins to take offence to the words of Torvald. He refers to her as his most “prized possession”, and continues to say that he often imagines her as though she is his mistress, and she is a temptress. Nora continues to get offended, telling Torvald she doesn’t want any of this. Nora begins

We are introduced in Act I with Nora returning from Christmas shopping. Ibsen utilizes this time for dramatic purposes of the Christian holidays and to show the struggle between a middle class marriage. Nora plans on

Here, Nora pulls together the tragic circumstances. She sees that she was never truly happy in the house, just content. Her father kept her as a child would a doll, and Torvald continued this when they were married. They formed her opinions for her, set expectations to which she was supposed to adhere, and wrote a vague script of how she was supposed to act. She was like a puppet, with no thoughts or actions of her own. When she finally realizes the injustice being done to her, she decides to free herself.