How Susan Hill Introduces and Develops Arthur Kipps in the "Woman in Black"

The only distinct change that he goes through is a change from being alive to being dead. He does not know he has changed. I believe that this is a form of dramatic irony. The feeling of being scared to die is Lavender's antagonist.

James Moloney’s “A Bridge to Wiseman’s Cove”, uses varying family circumstances and community expectations to express how these things effect an individual. The novel displays character foils that even further explores this idea, as the protagonist interacts with these foils and situations, resulting in development of his ability to voice himself. Fluctuating amounts of dialogue and distinct characterisation of key and minor characters further explores this idea.

She starts to talk to him and finds out that he is a repellent, immature, cold boy who thinks greatly of himself. He thinks about his funeral saying ‘Six black horses I’ll have, with plumes, and four men in tall hats with black streamers and a dead cart covered in flowers. But my coffin will be

Flashbacks to Tom’s previous rugby games with his brother re-affirm the loss he feels towards his old life. Tom feels the need to have everything the way it once was, and Coghill can’t replicate the joy he found in the endless afternoon training sessions with Daniel and his father, nor the adulation of the local community.

The short story “The Boat” by Alistair MacLeod is narrated by a man who comes from a fishing family. His mother’s side of the family has forever lived and worked by the sea and continues this tradition. The narrator’s father always wanted to be an academic, but worked on the boat to support his family. Through this passage it is evident that the parents’ characters clash in many aspects of their lives and are in constant conflict. MacLeod demonstrates this through the use of repetition, the contrast in other unrelated ideas, and through information that is withheld.

Nonetheless, doing so will not change the perceptions that other individuals who are familiar with them possess. An individual cannot wholly abandon their heritage. Their identity will remain the same in their loved ones eyes, despite the tenacious effort put in towards changing it. This is first demonstrated when the narrator realizes that “[your] uncle [will] still call you Roy Boy”. Regardless of his desire to create a new identity, he understands that those that are familiar with him will never abolish their perceptions. Furthermore, those in his town will act the same way towards him and their lives will not change because he decided to achieve his dreams. The “pheasants sun themselves beside the tracks” whether he returns or not, their lives will not be affected and he will not have an impact on their perception of him. Their attitudes will not change because they were once acquainted with his past identity in which he is so utterly ashamed of, and are unaware of this new one which he is proud of. Additionally, when he realizes that “corn grow so high that if you [stand] in the field you’d disappear”. This elucidates that he understands that his new dreams will not impact anything in any way. Everything will remain the way it was when he leaves. The only aspect that will change is his altered perception of himself. The boy understands the insignificance and normality of his identity that would be created if he decided to pursue his aspirations. Aspects of the past that were once in an individual’s life will not alter, only the individual’s perception of themselves will change. Their newfound identity and goals will not impact those that were once familiar with them. No matter how much effort is put in towards creating a new identity and leaving the past, it can never truly be forgotten because people cannot

Throughout the book observations can be made of the creature's feelings of how they develop such as emotional feelings like misery clearly stated by him "How can I move thee"? I was benevolent; my soul glowed with love and humanity: but I am I not alone, miserably alone?"

Rather than name this young boy and immediately create barriers between the character and the reader, Crabtree purposefully leaves the boy as an ambiguous figure to represent any person. “The pond was a book of life with the boy as the learner,” the author states (Crabtree 72). While the pond, in this instance, represents all that is encompassed in life, the boy is seen as the object that is being taught. The young boy constantly goes to the pond alone, just as life is lived alone. He experiences many things on his solemn adventures to the pond. The journey made daily to the pond portrays everyday life as a choice, the boy chooses to enjoy and experience all that nature has to offer while others, such as his parents, choose to stay back and view life from a distance rather than experience it to the full.

Meanwhile, Seth disobeys the rules and goes off into the woods. On his adventure, he spots an old shack covered in ivy and vines. He notices an old women that is gnawing on a rope that she is tied to. She asks Seth if he would come inside and share a cup of tea with her. Seth asks if she is a witch, then she becomes very furious and puts a curse on him. He sprints of like a cheetah and runs away from the “witch”. The next morning, their grandpa asks them “What do you suppose makes people so eager to break rules?’’ He keeps his eye on Seth. Seth explains to his grandpa that he was just very curious and that he met a creepy old lady. His grandpa nods and changes the subject. They are given some milk (the magical one) by Lena she said that it would give them the power to see “what is really out there.” Seth shows Kendra a hidden pond with gazebos, a boardwalk, and a boathouse. Grandpa explains that his yard is not a place for endangered animals, but for mystical creatures such as fairies, trolls, and imps. This land is known as Fablehaven and it is owned by lots of people, passed down every few centuries. He also explains that the old woman in the forest was actually a real witch. Her name is Muriel Taggert and the knots were her punishment for trying to put a curse on Fablehaven. After meeting

adopts a new attitude in place of the sorrow and despair he encountered earlier. Now filled with

In the book, he makes two trips to the museum, but the first time he doesn’t go in. The second time he seems to be making a transition from youth to adulthood. He shows two children around and enjoys the museum in a new way. This shows that he is maturing and accepting change.

     The first and most obvious change in behavior is shown by comparing Henry?s actions when they stopped at the place with the willows during the road trip

He is quiet and his face is full of numb shock. He does not seem to trust anyone now and is smothered with feelings of helplessness and inadequacy. When Cora and her lawyer join him, Frank is further alienated. Cora walks circles around Frank as she scolds him as a liar and a “so-called man.”

Explore the ways in which Hill creates sympathy for Arthur as the hero of the Woman in Black

becoming Ernest while in London, that by pretending to have this irresponsible and unsavory brother,