Essay on How Terminator Two Satisfies the Science Fiction Genre

Science fiction is broadly defined as a film about the future or alternate realities, often but not always set in space, and frequently incorporating horror elements, science-fiction movies are wildly popular among fans (Goodykoontz, 2014). As a subgenre of fantasy, science fiction enables viewers to relate to themes from an idealized alternative version of reality (Edwards, 2014). Star Wars: Episode IV - A New Hope is a feature-length film that fits this genre perfectly. Star Wars: Episode IV - A New Hope unfolds as princess named Leia is held hostage by the evil Imperial forces in their effort to quell the rebellion against the Galactic Empire. Luke Skywalker and a smuggler named Han Solo team together with the lovable droid duo, R2-D2 and C-3PO, to rescue the beautiful princess and restore justice in the galaxy.

‘The word genre means ‘type’ or ‘category’’ (Teach yourself film studies) it is really important as an audience member to recognise genres as then things become categorised and easier for them to understand which is more comforting. Sometimes however genres are crossed and categories are broken for example sometimes we have ‘action thrillers’ or ‘sci-fi horrors’ this is known as a hybrid genre. This often intrigues the audience and draws them to the film as it changes their outlook as they have no expectations for the film as they have never been exposed to this genre before.

Extraterrestrial beings, dazzling light shows, and dangerous laser guns are among the many thoughts that go through a person's mind when the genre science fiction is brought up. It seems as if each piece is so different, and so unique. However, many science fiction pieces are extremely similar. The science fiction pieces "Anthem," "Fahrenheit 451," and "The Pedestrian," are similar in the fact that they all encompass an expansion of technology, a new perspective on the well being of society, and each author's purpose for writing the book.

Science fiction is defined as a genre of fiction dealing with the impact of imagined innovations in science or technology, often in a futuristic setting. The worldspace of Blade Runner and the plot of the movie perfectly fit into this definition. The movie itself revolves around the impact of the creation of replicants, which is an imaginative innovation in technology. The movie itself is also set in the future (the year 2019).

“War is peace, Freedom is Slavery, Ignorance is Strength”, These are the moral codes and social conventions citizens of George Orwell's 1984 live by. With high level surveillance and publicly inflicted ideologies that promote the governing force puppeteering its nation, 1984 shares shocking similarities with increased security, political power and technology seen in today's world. In the same vein, Ridley Scott's dystopian futuristic thriller Blade Runner, set in an overpopulated, corrupt, corporation governed world can be compared to the world of today in terms of the rapid development in technology and the political influence large corporations can have on governments. Both texts create a futuristic world that is able to form connections with its audience to varying degrees. But how do George Orwell's 1984 and Ridley Scott’s Blade Runner depicted futuristic worlds specifically relate to the audience of today?

Both Brave New World and Blade Runner echo and challenge the classic understandings of what it means to be human; but both challenge the classic understandings from Gregory of Nyssa, Pico, and John Locke more than they echo them. Each dystopian perspective characteristic of science fiction gives us unique warnings for us to take responsibility for our shared human future. With Blade Runner warning us more about advancement of technology that becomes more and more self-aware, while also bringing large concerns for the wellbeing of the planet. Where Brave New World, gives us to extremes of predicted ways of living control but happy, and primitive and free, while also, showing concerning side of technological advancements in human reproduction.

In conclusion, science fiction is ultimately a genre of displaying humans present state of being and displaying how catastrophic the future can be if we neglect to point out the flaws and challenge each other. Science fiction of course contains information on aliens, futuristic-looking gadgets, distant worlds, and robots but in the core of it all, sci-fi is the ultimate genre of warning. Warning of hazardous technological advancements and utter carelessness to the craft of inventing. Be careful of what the future holds. The future started yesterday and we’re already

Science fiction is a genre of film that had the most “out there” storylines and slowly became a strong building block to the most iconic movies and characters that has appeared in a film. A lot has changed since Georges Melies’ story of lunar travel where a man meets a race of selenites and escape back to earth inside a rocket in the film Le Voyage Dans La Lune to the story of a man saving the human race from a famine by travelling through a wormhole to another planet that can support the human race in the story Interstellar written by Christopher Nolan. Science Fiction has become one of the top grossing film genres accumulating nearly 9 trillion dollars ($8,932,256,387) worldwide. In the future moviegoers will witness filmmakers push the boundaries for what the general public will recognize as “Science Fiction”. One of the interesting discoveries we made was that the “mid-future” (50-150 years in the future) is one of the most popular time periods when being used in the genre. With advances in technology it is very hard not to see the progress that these films have become and eventually will

Mary Shelley’s Frankenstein and Ridley Scott’s Blade Runner are two story lines created in a different era, Frankenstein being an early published novel on the creation of an experimental monster that longs to have a normal existence whilst Blade Runner is a more modern take to a future society where there have been genetically engineered robots named ‘replicas’ that are in appearance indistinguishable from human beings which choose to escape to the planet earth in search of extending their life spans.

Terminator 2 is a horror film. It shows the two levels of horror with the top and visible level of blood and gore, which is to make you sick to your stomach. The film also has the second level with the tension and suspense. If nothing is done in the film the world will face Judgement Day with massive death and destruction from nuclear weapons. The film also includes monsters. They are the terminators, who are not human and have twisted death to life. These will cause trouble and lead to the possible destruction of the world. There are no real heroes or villains in the film just the typical American citizen. The film shows the need for the average

Science fiction in film is used to depict speculative phenomenons that are not socially accepted by ordinary science, mostly raising the question “what does it means to be considered human?”. Frequently, artificial intelligence is what science fiction uses to answer this question. After watching two sci-fi films one being Blade Runner and the other being Forbidden Planet I noticed that each are centered around immensely divergent portrayals of artificial intelligence. Blade Runner, directed by Ridley Scott and written by Hampton Fancher and David Webb peoples, is about four replicants that steal a ship in space and return to earth to find their creator each being terminated by Blade Runner, Rick Deckard (Harrison Ford). Forbidden Planet, directed by Fred M. Wilcox and written by Cyril Hume an Irvin Block, is about A starship crew going to investigate a planet's colony only to find two survivors and a secret that one of them has. By using Asimov’s "Law of Robotics" I will be comparing/contrasting these two movies.

Two genres which have always been Hollywood staples are science-fiction and the western. The genres can be seen in films made as early as Le Voyage Dans la lune (Georges Melies 1902) and The Great Train Robbery (Edwin S. Porter 1903). On the surface the two genres are very different, however if one looks closely at them they are similar in many ways. Both genres usually feature uncharted frontiers, strong silent protagonists, frightening savages (played by either space aliens or Native Americans) and damsels in distress. The formula for these two genres was established many decades ago and in recent years it takes a film that defies and

The way in which gangster figures are portrayed with consideration to gender roles and ethnicity within each film will be analysed. ‘The Godfather’, ‘Pulp Fiction’ and ‘Scarface’ are being explored because they are three movies known for being inspirational in establishing the gangster genre conventions at various points in film history. ‘Scarface’ was highly influential within this genre and when it was released there was not the same censorship as there is in the 21st century. The representation of gangster figures has been a controversial topic throughout the 20th and 21st century and Dr Fran Mason argued that ‘The gangster film has…been considered to be a subversive form of filmmaking’. Whether it was because of how Italians were portrayed

According to Dictionary.com science fiction film is defined as a “genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, alien worlds, extrasensory perception and time travel, along with futuristic elements such as spacecraft, robots and much more” (Dictionary). Scientific fiction films tell the story of scientific creations and how they impact society. As the creations are made, the films show the destructions of each creation and where things go wrong with each product that is made. “The film, Jurassic Park was released in 1993 after the release of the book in 1990 (BookRags). The film is about a group of people who were chosen to tour an island themed park that is populated by dinosaurs. In the film are are several themes which make the film as powerful as it is today. Science fiction is growing each day. This film connect to the future as it describes how much of an impact it has on the world today. Jurassic Park is an excellent film in which in displays power in several characters, how these characters are trustworthy people, and how science fiction relates to society today.

The thesis statement, ' Genre is not set in stone' is proven to be true. Although genre conventions do not change, there is quite a lot of room for change within the ideas conveyed. Genre does not refer to a film type but to audience expectations and the speculation as to how the film will end. Media Theorist Fowler says, "One advantage of genres is that they can rely on readers already having knowledge and expectations about the works within a genre", this links back to the definition of Genre as the audience knows what is going to happen in the film. 'Metropolis' (1927) directed by Fritz Lang, 'Blade Runner' (1982) directed by Ridley Scott and 'Children of Men' (2006) directed by Alfonso Curan are the three dystopian films I have studied