How Text and Images Signify Meaning - Victim of Beauty

“People often say that beauty is in the eye of the beholder, and I say that the most liberating thing about beauty is realizing that you are the beholder,” according to Salma Hayek. Society should have a positive outlook on body image, rather than face a disorder that can change one’s whole life. Negative body image can result from the media, with photoshop and editing, celebrity fad diets, and society’s look at the perfect image. Negative body image can lead to dangerous eating disorders, such as bulimia and anorexia. It can also take a risk to unhealthy habits, such as smoking, alcohol, and drugs. It is important to stress the effects of body image, because the world still struggles with this today. Society should not be affected by

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

Beauty is determined by society and their standards. Women are expected to be skinny, pretty and a size two which puts a lot of pressure on women. The pressures of society persuade women to go through extreme measures to fit in with society standards. This is evident in the short story “The Falling girl” and “They’re Not Your Husband” as the main characters are impacted by social expectations, insecurity and peer pressure.

The beauty standard is a culturally constructed notion of physical attractiveness that has become increasingly imperative for women and men. However, this standard has become extremely perilous to men and women’s self-image. Camille Paglia, a highly educated individual who earned her PhD at Yale University and became a highly acclaimed author, explicates this conception in her essay “The Pitfalls of Plastic Surgery”. Paglia suggests that the beauty standard idealizes women to look like “sex symbols with an unattainable grandeur” (776). She continues to claim that it forces her audience of higher class women to pay large sums of money in order to alter their features ultimately conforming to a very “parochial” definition of beauty (776). Although Paglia is a highly credible source, she illogically appeals to the reader’s fears in order to persuade them. Paglia fails to give any credible outside sources which affirms her preposterous beliefs. Contrary to her inconsistencies, Daniel Akst, a social journalist and graduate from New York University provides his audience with reputable sources in order to persuade his audience. Daniel Akst believes that there needs to be a “democratization of physical beauty” in which instead of attempting to alter the beauty standard, we must first change how we view ourselves. Akst provides credible sources to establish his credibility where he observes cases studies and cultural experiments from scientists and organizations including:

This may seem a basically simple task, though her spin and the overall diction she uses to describe what she sees in the first few sentences suggest what will follow. For example, “…slender body, flawless (and more often than not white) skin; delicate, even facial features enhanced by makeup, carefully coifed hair…” Para 2). She then provides anecdotes from teens regarding their own body image before delving into the beginning of the 20th century, where she draws upon Brumberg’s 1997 book, “The Body Project. An Intimate History of American Girls”; a starting point for the conversation ahead. Lipkin then begins a chronicle of certain diseases associated with poor body image followed by the response of a specific cosmetic branding company. Lipkin closes her article by not providing a clear solution to the problem, but rather reinforcing the idea that women are seen as, “…both bait and targets…” (Para

“The Beauty Myth” written by Naomi Wolf is an essay written to present how the advancements of women in social power lead to a societal backlash that lead to a woman’s value being equated to her appearance by both sexes. This devaluation of women has led to a harmful relationship with food and women subjecting themselves to mental and physical torture to be thin. Wolf describes in the 1920s was the first time that women became “preoccupied with dieting and thinness” after receiving the right to vote. In the 1950s, women’s curves were celebrated again because “their minds were occupied in domestic seclusion.” According to Wolf, when women were in male spheres, “that pleasure had to be overridden by an urgent social

The argument of The Beauty Myth is that as women have received more eminence, the standard of their personal appearance has also grown. Wolf’s position on the issue is that this type of social control is potentially just as restrictive as the traditional roles of women. The Beauty Myth discusses how society’s viewpoint of beauty is detrimental to women because it causes many emotional and psychological problems to women who strive to become “perfect”. This book is important due to the fact it raises awareness to the issues that many young women are currently facing.

“The mindset that a person can never be "too rich or too thin" is all too prevalent in society, and it makes it difficult for females to achieve any level of contentment with their physical appearance”(Serdar, "Female Body Image and the Mass Media: Perspectives on How Women Internalize the Ideal Beauty Standard").‘‘The Fat Girl’’ was published in 1977 as part of Dubus’s short story collection Adultery, and Other Choices. It has now become one of his best-known works. Throughout Dubus’s career, many has praised his writing for their eloquent treatment of sensitive topics such as eating disorders. Whether it is known or not, eating disorders are very prevalent in our society. In fact, eating disorders are the most common psychological disorder in our society to date. But why such prevalence now? Well, we can find the answer all around us, in fact, we are being bombarded by imagery every day the effects several eating disorders. Family, friends and society all affect eating disorders prevalence in today’s society. As the reader delves into the short story “The Fat Girl” they can see how Dubus addresses the delicate topic of eating disorders and their contributing factors.

Beauty is said to be in the eyes of the beholder, but it is rather society that seems to dictate precisely what is beautiful and what is not. In a masterfully done and chilling episode of “The Twilight Zone”, they comment on what exactly is beauty, and how it is society that defines what is and what isn’t beauty (Serling). This episode of the Twilight Zone depicts a beautiful woman undergoing facial reconstruction surgery and emerging gorgeous by our standards, yet she is rejected by the doctors and nurses that surround her who are hideous to us. No matter how gorgeous a woman may be after her surgery, if she does not align with what is considered to be the norm, then she is ugly. This is especially damaging when false beauty advertisement is taken into account, and how that is the standard to which all women are compared.

In other words, the more an individual is exposed to certain images – even alarmingly unhealthy ones – the more desensitized one becomes; in fact, what may have once been considered “ugly” may actually become desirable, if widely accepted and glamorized by the fashion industry. Furthermore, in the title of Bordo’s article, “Never Just Pictures,” we are given to understand that this prevailing cultural sickness is merely a “symptom” of more systemic issues. For example, Bordo touches on “deep anxieties” stemming from “Western philosophy and religion” which have been linked to eating disorders in America today; in fact, for those who are unfamiliar with her book, Unbearable Weight, a greater elaboration on this aspect would have been desirable. She also reveals other subtle messages underlying fashionable face-value images, many of which create powerful currents surrounding the development of eating disorders. According to Bordo, the endless barrage of images (regarding what the fashion industry deems perfection in appearance) serves to strongly communicate “fantasized solutions” to our challenges in life. It is a false narrative which goes something like this: “achieving the body- and beauty-ideal will magically make everything in my life right with the world; I’ll be beautiful, popular, strong, admired, in control, etc . . . .” Bordo’s point is that these types of fantasies may become potently motivational to the individual striving for “the cultural ideal” through starvation and other extreme

In the article “Never Just Pictures,” Susan Bordo acknowledges how the cultural perception of body image of both men and women has been increasing in viciousness exponentially. The societal views of the models in advertisements, on television or in magazines, have proven themselves to be “fabulously” horrific throughout the last few decades. However, an incredible amount of commercial funding, euphemistic language, dietary support groups and other lifestyle changes are merely thought up, created and shipped out door-to-door to virtually all people who cannot simply stand being a kind soul towards others who are apparently suffering, in the medias (blind) eyes. This terrifying phenomenon is especially shocking since there have been articles

Beauty is determined by society and their standards. Women are expected to be skinny, pretty and to be a thin size which puts pressure on women. The pressures of society persuade women to go through extreme measures to fit in with society standards. This is evident in the short stories “The Falling girl” and “They’re Not Your Husband” as the main characters are impacted by social expectations, insecurity and peer pressure.

Bordo establishes herself as an authority figure through her extensive education in English and women’s studies. In her prolific writing career, Bordo often places emphasis on Western culture and its lasting viewpoints toward gender and the body, and in view of this, Bordo’s argument paves way to influence her audience through her credibility as an expert on women and the body images that plague them. As this authority figure, Bordo claims that the media and cultural influence have created a negative influence on humanity’s conceived standard of beauty, and as a result, have caused the spread of eating disorders.

We are constantly surrounded by images of the “perfect” woman. She is tall, thin and beautiful. She rarely looks older than 25, has a flawless body, and her hair and clothes are always perfect. She is not human. She is often shown in pieces – a stomach, a pair of legs, a beautifully made up eye or mouth. Our culture judges women, and women judge themselves, against this standard. It is forgotten that “beauty pornography”, as Wolf says, focuses on underweight models that are usually 15 to 20 years old. Flaws, wrinkles and other problems are airbrushed out of the picture.

Together, we can lower the numbers of people dying from eating disorders and cosmetic surgeries by resisting the beauty ideal. We can choose “to not participate in the beauty rituals, to not support the industries that produce both images and products, and to create other definitions of beauty” (WVFV, pg. 232). The most crucial and easiest solution is to create other definitions of beauty. Ultimately, it is up to the individual to decide what is beautiful. What if someone decided that the only thing that could contribute to one’s beauty is who someone is on the inside? Wouldn’t our world be a completely different place? Instead of