How The Mood Of The World Is Too Much With Us

The poem “The World is Too Much with Us” by William Wordsworth is, one of the best romantic era poems, and it is a prime example of the values and writing styles that are expressed in romantic era literature. One of the ways that the poem resembles other literary works of the romantic period is that one of the main themes of the poem is nature, and nature is also a theme that was very prevalent in other literary works from the romantic era. Furthermore, the poem by Wordsworth resembles other romantic literary works with the very distinctive non-formal writing style that set the romantic period apart from the previous eras. Additionally, when the entirety of the poem is examined, including the theme, style and writing elements, it is apparent that this poem is a prime example of what the romantic era literary works stood for and how they were written.

The poems “The World Is Too Much With Us” by William Wordsworth and “God’s Grandeur” by Gerard Manley Hopkins both present a common perspective of society and nature. While both poems are about a common subject, the poets write in 2 different ways. While both authors use personification, allusions, and imagery in their poems, they use them in different ways.

In William Wordsworth's sonnet "The World Is Too Much with Us" the speaker conveys his frustration about the state in which he sees the world. Throughout the poem the speaker emphatically states his dissatisfaction with how out of touch the world has become with nature. Typical of Italian sonnets, the first eight lines of the poem establish the problems the speaker is experiencing such discontent about. Subsequently, the next line reveals a change in tone where the speaker angrily responds to the cynicism and decadence of society. Finally, the speaker offers an impossible solution to the troubles he has identified. Through each line, the tone elevates from dissatisfaction to anger in an effort to make the reader sense the significance of

The simple poem by William Wordsworth is nothing short of a deeper meaning, but you will never find this hidden meaning unless you read in between the lines. Within this second level of understanding is a similar meaning of that of the literal meaning. In a more critical analysis of “The World Is Too Much With Us” Wordsworth’s deeper meaning is reveled.

In Wordsworth’s Petrarchan sonnet “The World is Too Much With Us,” the poet expresses his antagonism toward humans’ dissociation from nature. The poem itself was born at the peak of romanticism, a movement during the 19th century that emphasized commonality, emotion, and nature. Through the multitude of literary devices, Wordsworth criticizes the industrial progress, the disruption of humans’ natural harmony with nature.

Being perfect examples of Romantic poetry, both “The World Is Too Much With Us” by William Wordsworth and “To Wordsworth” by Percy Bysshe Shelley convey a similar message of loss and death. However, Wordsworth focuses on the loss of connection between human beings and nature. Shelley, on the other hand, directs his poem to Wordsworth himself and focuses on the symbolic death of Wordsworth’s poetic style. For instance, in “The World Is Too Much With Us”, Wordsworth personifies the sea and winds by saying that “she (the sea) [used to bare] her bosom to the moon” and how “the winds that [used to howl] at all hours” implying that their (sea and winds) actions were bold and daring. He then uses a simile to compare their old daring

Through his poem, “The World Is Too Much with Us,” William Wordsworth exemplifies the major ideals of romanticism through his passionate criticism of society’s increasing materialism. Wordsworth rebels against the materialistic notions of society catalyzed by the increasing industrialization of the Western world, arguing that a society solely concentrating on worldly possessions and goods loses sight of the primordial beauty and importance of the natural world. Furthermore, he specifically emphasizes the romantic tenants of nature being alive and rebelling against society through the personification of nature and his criticism of society’s materialism. Moreover, by addressing these major tenants of romanticism, Wordsworth simultaneously rejects

Romantic authors from the 18th to 19th centuries saw nature as being sublime, a force too large and beautiful to comprehend. As the movement placed emphasis on the individual’s reaction to and experience with both dreams and reality, man’s relationship with nature was extremely important to their works. The First Industrial Revolution, however, which also occurred in the 18th to 19th century, caused a massive migration from rural landscapes to urban. At the same time, as more and more people were living in cities, the middle-class was emerging with the purchasing power to buy many goods that were suddenly available. The goal of “The World is Too Much With Us,” by William Wordsworth, is to persuade a wide audience that the cost of the newly-emerging consumer culture of this time period is too heavy, and the speaker uses familiar figurative elements and a bitter,

i think things can effect peoples moods because when something happens they can start getting mad and try to fight you and it would be a disaster because their mood would be out of control and you would probably get hurt and you would be in trouble and possible go to jail and then you have to get a bond and nobody will bond you because they are mad at you. or they can get sad and start crying an blame every thing that you have done to them and then take you to court then the judge will es court you to jail and call you guilty. or they can get grumpy and then not want to leave and you try to pick them up and carry them out and then they take you to court and blame you for hitting them just to lie and they might say you shot at them and you

The human tendency, described in the poem, is to foolishly “waste our powers” on material items rather than taking time to enjoy nature. Mankind is obsessed with “getting and spending” that we have become “out of tune” with the rest of the world to the point we do not anything of nature at all. The majority of the poem is a tribute to nature’s beauty so that others can experience it once industrialization consumes it. The past and memory are captured in Wordsworth’s poem through the experience of nature and its destruction from a first-person perspective. The concern of preserving the past to the Romantic poets it to pass on experiences of something beautiful that many do not take the time to see, and will soon cease to

Gerard Hopkins wrote God's Grandeur in 1877 right around the time he was ordained as a priest. The poem deals with his feelings about God's presence and power in the world. He could not understand how the people inhabiting the earth could refuse or be distracted from God. This confusion was due to the greatness of God's power and overall existence that, to Hopkins, seemed impossible and sinful to ignore. However, as the poem progresses Hopkins expresses hope in the world and God's everlasting presence in it. This poem has much meaning to it and expresses the thoughts and feelings that Hopkins was having at the time he wrote it. When one first reads God's Grandeur it is hard to fully understand what Hopkins was trying to convey. One must

In William Wordsworth's "The World is Too Much With Us," this poem heeds warning to his generation. This warning is that they are losing sight of what is actually important in this world: nature and God. To some people both of these are the same thing "...as if lacking appreciation for the natural gifts of God is not sin enough, we add to it the insult of pride for our rape of His land" (Wordsworth). With his words, Wordsworth makes this message perpetual and everlasting. William Wordsworth loved nature and based many of his poems on it. He uses very strong diction to get his point and feelings across. This poem expresses Wordsworth's feeling about nature and religion containing a melodic rhythm (Wordsworth). Each line and each

Some of the recurrent themes and motifs in Hopkins’ poetry include the idea that the world resembles a book written by God, through which he expresses himself in order to provide humans with an opportunity to understand and approach him (Gardner 11). In ‘God’s Grandeur’ Hopkins can be seen to express his concern about the spiritual crisis of the Victorian period. During this time of urbanization and industrialization, Hopkins voiced his distress about human indifference to destruction. This poem is one of the very few which he wrote during the time when he served as a priest.

Conflict among contexts of the Victorian era, Catholicism and Gerard Manley Hopkins, has shaped Hopkins’ distinctive poetic exploration of religious faith in his poems. However, paradoxically he also challenges the role religion has played in making Victorians repress their natural desires, which compels them to doubt God’s ability. These are clearly evidenced in two of his famous Petrarchan sonnets, the nature poem, ‘God’s Grandeur’ (1877), and the ‘terrible sonnet’, ‘Carrion Comfort’ (1885-1887), both were written in Victorian late 19th century. Even though Hopkins never doubts the presence of God, his poems explore the divergence between God’s glory and the decline of Christian belief.

Where Wordsworth focused too on love and nature at first, he then took on more spiritual subjects. Further, if we assume that Wordsworth’s imitation of “The Retreat” was intentional, then Vaughan may have even been a poetic model (in some sense) for Wordsworth later in life. True, Wordsworth is not generally considered a religious poet; he would never have originally considered Vaughan a model because of the latter’s extreme religiosity. Yet if these two poems don’t echo in godly gestures per se, they do in a more spiritual sense—and perhaps Wordsworth, as a man confronted with his own mortality, found Vaughan’s treatise on the spirit’s immortality a sympathetic sentiment. Thus by comparing the two, we also might better understand Wordsworth’s poetic progression.