How The Similarities Between Dashwood's Struggle In Sense And Sensibility

Like Marianne, Mrs. Dashwood is romantic and whimsical, more prone to act on feelings than reason. Also similar to her youngest daughter, she often misjudges both the characters and situations of individuals. When Elinor tells Marianne of the difficulties Mrs. Ferrars presents in marrying Edward, "Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth" (18). Furthermore, Mrs. Dashwood's reaction to Willoughby is just as naïve as Marianne's. "In Mrs. Dashwood's opinion, he was as faultless as in Marianne's" (43). It is only Elinor, acting with the maternal caution her mother does not possess, who has reservations about Marianne's suitor.

Jane Austen's 1811 novel "Sense and Sensibility" puts across an account involving two English sisters who come across a series of hardships in their endeavor to find their personal identities in a relatively hostile environment. Elinor and Marianne Dashwood are forced to leave their home, the estate at Norland Park, consequent to their father's death. The two experience economic problems and come to see the world with different eyes as they move in a small house and as they interact with people who are primarily motivated by finances. Even though the two sisters have diverging personalities, they go through similar experiences and they come to have similar perceptions of society.

The awkwardness that transpires as both Elinor and Edward attempt to write letters in the same room shows both Elinor’s and Edward’s reluctance to show their feelings because of society’s judgements and develops their individual characters. Elinor is aware of the impact that her lack of wealth has on her marriage prospects, so she does not admit her feelings for Edward explicitly to him nor her family despite their existence. She is sensible and does not allow her love for a man make her vulnerable. Edward also has difficulty expressing his emotions. His feelings are complicated by his family’s desires and his engagement to Lucy Steele (Sarah Elizabeth Keyes). Despite his feelings for Elinor, he is characterized by his loyalty to his prior commitments. His loyalty, while admirable, is also the hamartia that nearly keeps him away from Elinor forever. Marianne Dashwood’s passion and spontaneity is evident through her actions; she cuts off a lock of her hair for her suitor, John Willoughby, without an engagement and weeps openly when he leaves town. Her excessive sensibility is a critique of women’s dependence on men for happiness. Willoughby is characterized as the perfect man, yet develops into a very problematic and unfaithful character. He draws Marianne in only to break her heart and it is eventually revealed that she is not the only girl

Generous, willing, and proficient—are all qualities of Elinor Dashwood. Creators regularly utilize attributes of characters to depict them as basic bits of the plot. In Jane Austen's Sense and Sensibility, Elinor is appeared as a vital character through her sympathy towards others and her eagerness to help her family through troublesome circumstances.

    "Like all true literary classics, Pride and Prejudice by Jane Austen is still capable of engaging us, both emotionally and intellectually" (Twayne back flap) through its characters and themes. This essay illustrates how Jane Austen uses the characterization of the major characters and irony to portray the theme of societal frailties and vices because of a flawed humanity. Austen writes about the appearance vs. the reality of the characters, the disinclination to believe other characters, the desire to judge others, and the tendency to take people on first impressions.

  In her novel, Pride and Prejudice, Jane Austen portrays Elizabeth Bennet as "strong and intelligent, yet bewitching in a completely feminine way". Elizabeth's possession of these attributes: strength of character and moral integrity, great intelligence, and an attractive personality, make her an admirable person. Yet Elizabeth has faults, which makes her more human. Austen's portrayal of Elizabeth is realistic and masterful, often juxtaposing her with characters lacking her attributes to heighten our appreciation of her.

Elinor is able to be mature for her age and able to be consoling to other characters in the book. A major event takes place where another character named Lucy is affiliated with Elinor’s

Throughout sense and sensibility, Elinor is shown to be fair and just in her personal judgements. Elinor is also distinguished for her ability to self govern her feelings. The neo classics disprove of one indulging in feelings and believe one should instead conceal them, suffering silently. An example of this can be seen when Edward breaks Elinor's heart, thus Austin places Elinor and Marianne in parallel situations. Marianne, the romantic, focuses solely on her own feelings and disregards the feelings of others. However, Elinor follows Neo Classic ethics by remaining a pillar of support for those who depend on her. She does not withdraw away and contemplate her life but instead carries on with the duties she undertook since the beginning of the novel. She continually self sacrifices her desire to the needs and benefit of those around her, showing a magnanimous concern to others while silencing her own feelings; dealing with issues with an unbiased outlook:

Beginning with Mr. Darcy's failed proposal and his later letter of explanation, Elizabeth's proud and judgemental nature is altered by the pressure placed on her to decide if she wishes to marry Mr. Darcy or not. Introspection and her eventual acceptance of her romantic feelings for Mr. Darcy demonstrate that strenuous emotional situations can lead to a change in character, by allowing her to open up her prejudiced mind and see that the opinions she has are not always correct. Prior to her relations with Mr. Darcy, Elizabeth is a young woman who sees little point in marrying if she does not find a man whom will bring her happiness in life. This provides a foundation from which she can change, placing her in an ideal position to change in response to the

Elinor's high expectations of Edward are dashed as the novel progresses and she says "Edward seemed a second Willoughby." Edward gave Elinor false impressions as Willoughbydid to Marianne. Edward is redeemed as he behaves honourably to Lucy Steele whereas Willoughby deserts both Marianne and Colonel Brandon's ward, Eliza Williams, to marry for money. Willoughby ends up unhappy and to his relief less of a villain in the Dashwood's minds after his visit to Cleveland.

Pride and Prejudice, by Jane Austen, is a remarkable story showing the complications between men and women before and during their time of falling in love. The plot is based on how the main characters, Elizabeth Bennet and Fitzwilliam Darcy, escape their pride, prejudice and vanity to find each other; however, both must recognize their faults and change them. Jane Austen follows the development of Elizabeth’s and Darcy’s relationship in how they both change in order to overcome their own vanities and be able to love each other.

Elinor would not contend, and only replied, "Whoever may have been so detestably your enemy, let them be cheated of their malignant triumph, my dear sister, by seeing how nobly the consciousness of your own innocence and good intentions supports your spirits. It is a reasonable and laudable pride which resists such malevolence."’ (Austen 140)

She feels inclined to do this, as “she [has a] knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught”(Austen, 6). When her father died, both her mother and Marianne went into a state of hysteria and spells of dramatic depression, and Elinor had to be the voice of reason in the household. Even though she too was affected by his passing, she took the responsibility of caring for her mourning family by entertaining guests and handling the legal fundamentals with her brother. By staying calm and collected, Elinor proves that her rationality guides her through a life of responsible actions and care for those that she loves. Elinor also steps up as the responsible family member by covering up for their mistakes, particularly her sister’s. Marianne is oblivious to the offenses and conflict that she is creating through her carelessness, as well as the fact that Elinor is covering them up. While the sisters are living in London, Marianne’s strange love-struck behavior does not go unnoticed by their company, and Elinor incessantly interjected excuses for her sister’s imprudent behavior, claiming her to be ill, anxious or tired. She voluntarily takes the responsibility of keeping her family in line, assuring that their lack of rationality will not cause any troubles for them in the future.

But Elinor being the strong one, hides her feelings well and acts like she’s not upset with the situation. It is later on in the novel that Elinor discovers from another woman, Lucy Steele,

Elizabeth’s pride causes her to be reserved and drives her to prove that she is different from her boisterous younger sisters who take any opportunity to dance with a male (Austen, 26). Elizabeth’s aloofness further hinders her from developing a relationship with Darcy. Darcy continues to be enamored by Elizabeth’s charm and he does not stop pursuing her even though excessive pride causes Elizabeth to discourage him from her. In response to Elizabeth’s conceit Darcy who is generally polite does however become rude and haughty to Elizabeth as a defense mechanism. As a result of Elizabeth’s haughtiness, Darcy’s positive character is stymied and can only reveal itself in the middle of the novel (Nardin, 6).