How The Veil And Double Consciousness Theory

Throughout history, Georg Simmel and W.E.B. Du Bois have had a significant influence on important theories and ideas developed in the Social Sciences. Perhaps two of the most relevant and well-known concepts developed by both of these theorists are the concepts of “double consciousness” and “the stranger”. In this paper I will be analyzing both of these pieces of work to draw upon differences and similarities between the two. The similarities I will be elaborating on are the usage of the paradoxical figure, which both Simmel and Du Bois discuss in their theories, and the coexisting feeling of division from mainstream society. The difference between the two theories that I will be exploring is the perception that mainstream society has of

W.E.B. Du Bois (1968-1963) was a huge contributor to sociology through the eyes and experience of an African-American scholar (Vissing, 2011). Du Bois was an author, activist and student of Black sociology. In his 1897 article, Strivings of the Negro People”, Du Bois introduced the term “double-consciousness”, a concept I believe to be just as relevant in today’s African-American communities. Double consciousness refers to what Du Bois considered an absence of “true self consciousness” (Du Bois, 1897) amongst Africans in America. In place of that absence, lies a dual awareness- awareness of one’s self combined with an awareness

pioneers, and Rhoden acknowledges the good events and also describes the impact of the bad events. The highs and the lows, the strengths and weaknesses, the good points and the shortcomings are all crucial in understanding integration and where the athletes stand as history

DuBois's story "The Veil" shows a concept that is visible on many levels. The veil can be seen as the literal darker skin of the black people, which is an easy way to identitify any race from any other race. This physical trait allows for discrimination solely because it is the easiest thing to point out. The veil also explores the idea of the White's lack of acceptance of Blacks as Americans, let alone "real" Americans. The veil also covers the notion of the Blacks' inability to see themselves outside of what America (White Americans) had described them as.

The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.

The Autobiography of An Ex-Colored Man depicts the narrator as a liminal character. Beginning with an oblivious knowledge of race as a child, and which racial group he belonged, to his well knowing of “white” and “black” and the ability to pass as both. On the account of liminality, the narrator is presenting himself as an outsider. Because he is both a “white” and “black” male, he does not fit in with either racial group. In the autobiography of an Ex-colored man, James Weldon Johnson uses double consciousness to show the narrators stance as a person that gives up his birthright for the “privilege of whiteness”.

The next aspect of double consciousness consists of the rejection of African Americans by white Americans and institutions. Blacks are forced to live in America, but at the same time, are not considered “true” Americans and are separated by the veil that DuBois talks about. DuBois first feels this rejection when a little girl at his school rejected his card for no reason other than his skin color. He asks, “Why did God make me an outcast and a stranger in mine own house?” (Dubois 896). He describes opportunities for blacks as “relentlessly narrow, tall, and unscalable to sons of night” (896) giving the impression that a

DuBois’ double-consciousness is quite simply the twoness of American Negroes. It is this sense of “always looking at one’s self through the

naturally endured identity issues. I feel that W.E.B Du Bois’ idea of double consciousness comes

“It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.” (Dubois)

What is slavery and where does it stem from. The Webster’s dictionary definition of slavery means “the condition of a slave; the state of entire subjection of one person to the will of another”. The African slave trade started way back in the 1400’s from the west coast of Africa1stAfrica entered into a unique relationship with Europe that led to the devastation and depopulation of Africa, but contributed to the wealth and development of Europe. From then until the end of the 19th century, Europeans began to establish a trade for African captives. Why would people do such a thing what were they to gain from such wickedness? Timothy 6:10”For the love of money is a root of all kinds of evil.

Through his work, “Of Our Spiritual Strivings,” W.E.B. Dubois takes the reader on a journey through the typical black man’s eyes. He creates a new meaning of the African American man as he shares personal experiences and stories of the past alike. He plays upon the heart strings of every reader, no matter the race, with his literary knowledge of words, use of pathos, and stories of his past experience to pull in emotional ties to his work. The application of dualism allows the reader, who is most commonly white men, to choose a side to sympathize with, for Dubois gives the sense of double consciousness as the African and the American throughout his entire work.

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

Double Consciousness refers to a concept first explored by WEB Du Bois. This describes the African American man and his identity having to be split or divided. In other words it “describes the individual sensation of feeling as though your identity is divided into several parts, making it difficult or impossible to have one unified identity” (WEB Du Bois). Moreover, Du Bois also expresses that Black Americans have lived in a society that has made them feel inferior, it can become extremely difficult for them to bind their black identify with their American identity. This can in turn, cause blacks to look at their

Robert Penn quotes Du Bois' The Souls of Black Folk. He sums up this concept beautifully: "It is a particular sensation, this double consciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of world that looks on in amused contempt and pity. One never feels the two-ness-- an American, a Negro; two souls, two thoughts, two unreconciled strivings, two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder." (Penn, p.19)