How To Build Suspense In Minority Report

The text “The Minority Report” by Philip K. Dick is a commentary on the concept of innocence and one’s freedom of choice. It is often said that stories change significantly when becoming movies. The movie by the same name Minority Report directed by Steven Spielberg is based off the same ideas and concept the unpredictability of life and choices. It is a prime example of how the short story and movie differ even if the basic concepts remain unchanged.

Another form of human characteristics portrayed in this film was selfishness. Lamar Bergess murdered Anne Lively, Agatha’s mother in order for Agatha to continue using her ability to predict future crimes and to ensure that Pre-Crime would continue operating under his authority. It is shown that Lamar Bergess actedaccording to the circumstanceshe encounters and would solve it in a way he consider to be appropriate by thinking onlyfor his own benefit. He thought of only the future of Pre-Crime and his’ without bearing in mind the consequences of his acts and also without the feeling of guilt or remorse for what he had done.

When we take a look at the second part of the movie "Minority Report" we can instantly notice many interesting scenes which can be seen from a few different perspectives. We have already mentioned philosophical doctrine "Determinism" which is represented within one aspect of the movie, but did we seriously took into the consideration the power of the "free will", and how "free" is it actually according to the topic of the movie. If we compare the pattern shown in the movie where we have certain prophet "pre-cogs" in which he/she is able to predict the things that should/should not happen in the near future, and let the government takes control over that, then there is no such influence of the human individual, thus, the influence of the "free

The film Minority Report catalyzed a specific message through its usage of film effects and actors. In order to make a movie successful, a director must contemplate the usage of its actors and plot in order to make a movie successful. Creating a successful movie requires attention to detail and ultimately an eye for subliminal messaging that can catalyze a film into something far more than what it is. A good director or editor has the ability to take scenes and present them in a way that can catalyze a film into a beautiful masterpiece that can be pieced together through specific scenes to create a specific perception of the film and its overall message. By using techniques from Mise-en-Scene like blocking and staging or acting, a film can

Additionally, Agatha Christie uses foreshadowing to build suspense. After the guests’ first dinner a voice accuses each of them of murder. Philip Lombard discovers the source of the voice came from a record

Kaplan is the retired "General of the Army of the Federated Westbloc Alliance" (79), aiming to abolish Precrime and re-instate the Army. He is eventually killed when Anderton discovers the plan and fulfills his "majority" reports and shoots Kaplan, thus condemning himself but saving Precrime. The basis of Precrime’s operation, the three precogs named Jerry, Donna and Mike, are described as grotesque, inarticulate parodies of human beings, with swollen heads and withered bodies, retarded both physiologically and mentally. Their physical repulsiveness is demonstrated by Witwer's reaction to seeing the precogs for the first time: "For the first time Witwer's face [loses] its breezy confidence. A sick, dismayed expression [creeps] into his eyes, a mixture of shame and moral shock. 'It's not—pleasant,' he [murmurs]. 'I didn't realize they were so—' He [gropes] in his mind for the right word, gesticulating. 'So—deformed.'"(73). Conversely, in the movie, Anderton can walk with Agatha through a crowded mall and streets without drawing much attention (precogs are even, in fact, deified by the police force and the public). Also, in the film, John Anderton is a trim, athletic man in his 30s or 40s, and Police Chief of Precrime. Out of

long shot of a 10 year old boy, Alex, going to his mother to ask for

Some individuals might disagree with the fact that these craft moves are meant to build suspense. It is possible to think that these techniques are supposed to stir empathy, support the theme, or even create a setting. However, this can not be true because there's no evidence in the book to prove this for every craft move. Not to mention there is clear and hard proof that those techniques are meant to create suspense. For emphasis in dialogue the author can show how desperate the characters are. Also, when the author converts the mood from the light to dark/heavy it usually mean he/she are trying to create anxiousness in the reader. Last but not least, when the author creates their story as a flashback it adds tension to the story because there's

Most readers identify Stephen King’s works as horror, however, he sees them as suspense novels (“Stephen King interview on Charlie Rose (1993)”). Stephen King is affiliated with the horror genre because of his excessive use of gore in his novels. However, gore is merely a side agenda that helps King shape his ideas. Instead, King’s main goal is to create suspense. By creating a vivid image of the impact of a murder, rape, or other catastrophe he can further his goal by unnerving his reader and creating a conflict. Stephen King’s extensive and creative use of the pitting of good vs evil, foreshadowing, imagery, and supernatural occurrences makes a more suspenseful novel.

Compare the ways Steven King in The Shining and William Friedkin in The Exorcist use techniques to create suspense.

John London uses diction to create suspense in The Call of the Wild by using words like no warning, silent intentness, and deathless hatred. When the wolf-like dog attacked Curly London described it in a very particular way. “There was no warning, only a leap in like a flash,” (London, paragraph 1). This shows suspense because it caught everyone- Curly, Buck, the reader- off guard. It is unexpected and a complete shock.

RATTLESNAKE is a very compelling action-thriller with a hit of a modern western. The plot keeps the audience engaged.

June 20th 1975, Hollywood director Steven Spielberg released Jaws to the public. This deep sea thriller was based off the novel of the same name written by Peter Benchley in 1974 with a budget of only seven-million USD and was incredibly successful, grossing around 470.7 million USD. The movie takes place in the fictional town of Amity. Everything is going well that is until a there is a mysterious chain of disappearances, People are either found horribly mutilated or not found at all. Sheriff Martin Brody is called on the scene and it’s concluded that a man eating great white has been stalking Amity’s waters, eating anybody who crosses its path and it’s now up to Brody and young oceanographer Matt Hooper to deal with the shark.

The crime is premeditated. That means it is decided upon ahead of time and often involves planning. The Narrator tells us that it haunted him day and night, and that finally he made up his mind to take the life of the old man. All over his disgust with the diseased eye.

The second reason that And Then There Were None should be on a high school Summer- reading list is because the plotline is extremely suspenseful. Take, for instance, the Indian figurines. […]What is suspenseful about this missing little china statue is that every day, one person is murdered, or, disappears. This suspense makes for a great summer reading book because teens especially need to be hooked on a book when there are so many other activities to compete for their time, such as sports. The best way is to find a book that is exciting. “There's nothing like a book you just can't put down” (“Thriller and Suspense Books for Teens”). The disappearing Indians, indicating a murder each day, do, in fact, provide suspense that just can’t be put